The Crown (season 1)

The first season of The Crown follows the life and reign of Queen Elizabeth II. It consists of ten episodes and was released on Netflix on 4 November 2016.

The Crown
Season 1
Promotional poster
Starring
Country of origin
  • United Kingdom[1]
  • United States[2]
No. of episodes10
Release
Original networkNetflix
Original release4 November 2016 (2016-11-04)
Season chronology

Claire Foy stars as Elizabeth, with main cast members Matt Smith, Vanessa Kirby, Eileen Atkins, Jeremy Northam, Victoria Hamilton, Ben Miles, Greg Wise, Jared Harris, John Lithgow, Alex Jennings, and Lia Williams.

Premise

The Crown traces the life of Queen Elizabeth II from her wedding in 1947 through to the present day.[3] The first season, in which Claire Foy portrays the Queen in the early part of her reign, depicts events up to 1955, with Winston Churchill resigning as prime minister and the Queen's sister Princess Margaret deciding not to marry Peter Townsend.[4]

Cast

Main

The below actor is credited in the opening titles of a single episode in which he plays a significant role:

Recurring

Guest

Episodes

No.
overall
No. in
season
TitleDirected byWritten byOriginal release date
11"Wolferton Splash"Stephen DaldryPeter Morgan4 November 2016 (2016-11-04)
Prince Philip of Greece and Denmark renounces his titles and citizenship and takes the name Philip Mountbatten before marrying Princess Elizabeth, elder daughter and heir presumptive of King George VI. The newlyweds take up residence in Malta, where Philip rises through the ranks of the Royal Navy while Elizabeth gives birth to their son Charles and their daughter Anne. Years later, the family returns to London to be with George as he undergoes a lung operation. George receives a terminal diagnosis, prompting him to confide in newly re-elected Conservative Prime Minister Winston Churchill and counsel Philip on how to assist Elizabeth when she becomes the new sovereign.
22"Hyde Park Corner"Stephen DaldryPeter Morgan4 November 2016 (2016-11-04)
With George in ill health, Elizabeth and Philip tour the Commonwealth in his place, making their first stop in Nairobi, Kenya. Several Cabinet members express growing concerns over Churchill's ability to govern, prompting Deputy Prime Minister and Foreign Secretary Anthony Eden to ask George if he can persuade Churchill to step down. George declines, stating that Churchill will step down when the right time comes. After an evening spent singing with youngest daughter Margaret and watching a news report on Elizabeth and Philip's arrival in Kenya, George dies in his sleep. News spreads around the world after his body is discovered the following morning. Elizabeth and Philip return to London, where Elizabeth assumes the role of sovereign.
33"Windsor"Philip MartinPeter Morgan4 November 2016 (2016-11-04)
On 10 December 1936, Edward VIII, George's elder brother and predecessor, abdicates the throne to marry twice-divorced American socialite Wallis Simpson. Despite protests from Queen Mary, Edward makes a radio broadcast from Windsor Castle, informing the British people of his reasons for abdicating before declaring his allegiance for George. In the present, amidst preparations for George's funeral, Edward reenters the country for the first time in nearly twenty years, with Queen Mary and the Queen Mother expressing anger at how his actions caused irreparable damage to the monarchy. Elizabeth meets Churchill to discuss Philip's requests to let Charles and Anne keep the Mountbatten surname and let the family continue living at Clarence House rather than move into Buckingham Palace. Churchill is reluctant to agree, and Elizabeth drops both matters after receiving counsel from Edward. She later learns her coronation has been set for the following year, recognising it as a deliberate move by Churchill to secure his position within the Conservative Party. Philip approaches Peter Townsend, George's former equerry, and convinces him to give flying lessons, unaware that Townsend is having an affair with Margaret.
44"Act of God"Julian JarroldPeter Morgan4 November 2016 (2016-11-04)
On 5 December 1952, a great smog forms over London, reducing visibility, killing thousands, and hospitalising thousands more over the course of several days. Elizabeth's advisors pressure her to ask Churchill, who refers to the event as an "act of God", to step down. Reluctant, Elizabeth summons him for a private audience after he has come under fire for refusing to discuss the smog at Cabinet. Beforehand, Churchill has learned that his secretary was killed by a double-decker bus. He later makes an impassioned speech, promising a longer-term approach to prevent future smog. Both the speech and the smog's sudden disappearance prompt Elizabeth to change her mind as Churchill arrives at the Palace.
55"Smoke and Mirrors"Philip MartinPeter Morgan4 November 2016 (2016-11-04)
On 11 May 1937, Elizabeth helps her father rehearse for his coronation. In the present, while visiting London to spend time with an ailing Queen Mary, Edward clashes with Private Secretary Tommy Lascelles after learning that he and Wallis are not invited to attend the coronation. Elizabeth regrets her decision to place Philip in charge of preparations after he upsets her with a request that he should forgo kneeling to pay homage when she is crowned and irritates the committee by insisting that they televise the event. On June 2, 1953, Elizabeth is crowned at Westminster Abbey while Edward and Wallis mockingly view the coverage from their Paris villa.
66"Gelignite"Julian JarroldPeter Morgan4 November 2016 (2016-11-04)
When Margaret and Townsend ask to get married, Elizabeth promises her support, while Lascelles and the Queen Mother advise against it. A newspaper publishes an article about the relationship and, after learning that the Royal Marriages Act of 1772 prohibits Margaret from marrying without permission until she turns twenty-five, Elizabeth changes her mind. Elizabeth and Philip take Townsend, who is set to be posted to Brussels, with them on a trip to Northern Ireland, but his sudden popularity causes Lascelles to recommend he be posted sooner than promised.
77"Scientia Potentia Est"Benjamin CaronPeter Morgan4 November 2016 (2016-11-04)
In August 1953, after discovering that the Soviet Union has tested their first thermonuclear weapon, Churchill urges an international summit with American President Eisenhower. At the last minute, Churchill suffers a stroke, which inhibits his ability to govern and prompts Lord Salisbury to keep his ailment secret. Meanwhile, Elizabeth chooses to replace the retiring Lascelles with senior deputy Michael Adeane, after Lascelles strongly disapproves of her preferred choice of Martin Charteris. Realising that she did not receive a proper education growing up as a princess, she engages a private tutor to improve her studies, which helps her gain the courage to dress down both Churchill and Salisbury after Colville accidentally reveals their deception.
88"Pride & Joy"Philip MartinPeter Morgan4 November 2016 (2016-11-04)
With Elizabeth and Philip touring the Commonwealth, Margaret takes on more engagements while the Queen Mother travels to Scotland to reflect on her new position, and buys a castle. Philip grows frustrated with Elizabeth using him as a prop, resulting in a confrontation that is recorded by photographers. While Elizabeth convinces them to surrender their recordings, she and Philip are unable to resolve their argument. Churchill visits Margaret and refuses to let her continue taking on engagements, saying that the British people do not want someone with passion or personality.
99"Assassins"Benjamin CaronPeter Morgan4 November 2016 (2016-11-04)
Philip begins spending more time away from the Palace while Elizabeth begins spending time with her horse-racing manager and friend Lord "Porchey" Porchester. Tension escalates after Elizabeth orders a direct line to be installed for Porchey. Elizabeth later tells Philip that he is the only man she has ever loved, prompting him to mouth an apology after she makes a speech at Churchill's eightieth birthday dinner. Churchill meets with artist Graham Sutherland after Parliament commissions him to paint a birthday portrait. Upon receiving the portrait, Churchill confronts Sutherland about its accuracy, eventually admitting his pain at what ageing has done to him. Churchill resigns and requests that Eden replace him as Prime Minister, while Clementine orders that the portrait be destroyed.
1010"Gloriana"Philip MartinPeter Morgan4 November 2016 (2016-11-04)
Elizabeth finds herself torn when the country is divided over Margaret's relationship with Townsend, with the public approving and officials from Parliament and the Church disapproving. Following advice from Edward, Elizabeth forbids a devastated Margaret from marrying Townsend, who then departs for Brussels. The Queen Mother complains about Philip's domineering attitude towards Charles. Lascelles and the Queen Mother suggest that Elizabeth asks Philip to open the Summer Olympics in Melbourne so that he can adjust to life in her shadow. A five-month royal tour is later added to the itinerary, with Elizabeth suggesting he be thankful that everyone is helping him find a public role. Eden replaces Churchill as Prime Minister and becomes trapped in an escalating dispute with Egyptian President Nasser over the rights to the Suez Canal.

Release

The series's first two episodes were released theatrically in the United Kingdom on 1 November 2016.[11] The first season was released on Netflix worldwide in its entirety on 4 November 2016.[12][13] Season one was released on DVD and Blu-ray in the United Kingdom on October 16, 2017 and worldwide on 7 November 2017.[14][15]

Reception

John Lithgow won multiple awards for his performance as Winston Churchill.

The review aggregator website Rotten Tomatoes reported 88% approval for the first season based on 72 reviews, with an average rating of 8.55/10. Its critical consensus reads, "Powerful performances and lavish cinematography make The Crown a top-notch production worthy of its grand subject."[16] On Metacritic, the series holds a score of 81 out of 100, based on 29 critics, indicating "universal acclaim".[17]

The Guardian's TV critic Lucy Mangan praised the series and wrote that "Netflix can rest assured that its £100m gamble has paid off. This first series, about good old British phlegm from first to last, is the service's crowning achievement so far."[18] Writing for The Daily Telegraph, Ben Lawrence said, "The Crown is a PR triumph for the Windsors, a compassionate piece of work that humanises them in a way that has never been seen before. It is a portrait of an extraordinary family, an intelligent comment on the effects of the constitution on their personal lives and a fascinating account of postwar Britain all rolled into one."[19] Writing for The Boston Globe, Matthew Gilbert also praised the series saying it "is thoroughly engaging, gorgeously shot, beautifully acted, rich in the historical events of postwar England, and designed with a sharp eye to psychological nuance".[20] Vicki Hyman of The Star-Ledger described it as "sumptuous, stately but never dull".[21] The A.V. Club's Gwen Ihnat said it adds "a cinematic quality to a complex and intricate time for an intimate family. The performers and creators are seemingly up for the task".[22]

The Wall Street Journal critic Dorothy Rabinowitz said, "We're clearly meant to see the duke [of Windsor] as a wastrel with heart. It doesn't quite come off—Mr. Jennings is far too convincing as an empty-hearted scoundrel—but it's a minor flaw in this superbly sustained work."[23] Robert Lloyd writing for the Los Angeles Times said, "As television it's excellent—beautifully mounted, movingly played and only mildly melodramatic."[24] Hank Stuever of The Washington Post also reviewed the series positively: "Pieces of The Crown are more brilliant on their own than they are as a series, taken in as shorter, intently focused films".[25] Neil Genzlinger of The New York Times said, "This is a thoughtful series that lingers over death rather than using it for shock value; one that finds its story lines in small power struggles rather than gruesome palace coups."[26] The Hollywood Reporter's Daniel Fienberg said the first season "remains gripping across the entirety of the 10 episodes made available to critics, finding both emotional heft in Elizabeth's youthful ascension and unexpected suspense in matters of courtly protocol and etiquette".[27] Other publications such as USA Today,[28] Indiewire,[29] The Atlantic,[30] CNN[31] and Variety[32] also reviewed the series positively.

Some were more critical of the show. In a review for Time magazine, Daniel D'Addario wrote that it "will be compared to Downton Abbey, but that .. was able to invent ahistorical or at least unexpected notes. Foy struggles mightily, but she's given little...The Crown's Elizabeth is more than unknowable. She's a bore".[33] Vulture's Matt Zoller Seitz concluded, "The Crown never entirely figures out how to make the political and domestic drama genuinely dramatic, much less bestow complexity on characters outside England's innermost circle."[34] Verne Gay of Newsday said, "Sumptuously produced but glacially told, The Crown is the TV equivalent of a long drive through the English countryside. The scenery keeps changing, but remains the same."[35] Slate magazine's Willa Paskin, commented: "It will scratch your period drama itch—and leave you itchy for action."[36]

References

  1. "Netflix plans original UK drama about the Queen". BBC News. 23 May 2014. Retrieved 4 September 2020.
  2. Brown, Mick (3 November 2016). "The Crown: Claire Foy and Matt Smith on the making of the £100m Netflix series". The Daily Telegraph. Retrieved 4 November 2016.
  3. Singh, Anita (19 August 2015). "£100m Netflix Series Recreates Royal Wedding". The Daily Telegraph. Archived from the original on 22 March 2016. Retrieved 18 November 2016.
  4. Smith, Russ (13 December 2016). "The Crown: What year did Series 1 finish? What will be in season 2?". Daily Express. Retrieved 24 January 2018.
  5. "Trailers for Netflix series 'The Crown,' and 'The Get Down'". Geeks of Doom. 6 January 2016. Retrieved 6 January 2016.
  6. Lloyd, Kenji (7 January 2016). "The Crown trailer: First look at Peter Morgan's Netflix drama". Final Reel. Retrieved 7 January 2016.
  7. Thorpe, Vanessa (21 August 2015). "Why Britain's psyche is gripped by a different kind of royal fever". The Guardian. Retrieved 4 November 2016.
  8. "The Crown Season Two: Representation vs Reality". Netflix. 11 December 2017. Retrieved 2 January 2018.
  9. Lacey, Robert. The Crown: The Inside History. London: Blink Publishing, 2017. 354.
  10. Gruccio, John (6 January 2016). "The trailer for Netflix's royal drama series, "The Crown"". TMStash. Retrieved 6 January 2016.
  11. "The Crown [Season 1, Episodes 1 & 2] (15)". British Board of Film Classification. 25 October 2016. Retrieved 26 October 2016.
  12. Kickham, Dylan (11 April 2016). "Matt Smith's Netflix drama The Crown gets premiere date". Entertainment Weekly. Retrieved 12 April 2016.
  13. "Claire Foy and Matt Smith face the challenges of royal life in new extended trailer for Netflix drama The Crown". Radio Times. 27 September 2016. Retrieved 27 September 2016.
  14. "The Crown: Season 1 [DVD] [2017]". amazon.co.uk. 16 October 2017. Retrieved 28 September 2018.
  15. "The Crown (TV Series)". dvdsreleasedates.com. 7 November 2017. Retrieved 28 September 2018.
  16. "The Crown: Season 1 (2016)". Rotten Tomatoes. Retrieved 5 November 2019.
  17. "The Crown:Season 1". Metacritic. Retrieved 7 November 2016.
  18. Mangan, Lucy (4 November 2016). "The Crown review – the £100m gamble on the Queen pays off royally". The Guardian. Retrieved 7 November 2016.
  19. Lawrence, Ben (2 November 2016). "The Crown, spoiler-free review: Netflix's astonishing £100 million gamble pays off". The Daily Telegraph. Retrieved 7 November 2016.
  20. Gilbert, Matthew (3 November 2016). "Netflix's 'The Crown' bows to the queen". Boston Globe. Retrieved 7 November 2016.
  21. Hyman, Vicki (3 November 2016). "'The Crown' review: 'Downton Abbey' fans, meet your new (and better) obsession". The Star-Ledger. Retrieved 7 November 2016.
  22. Ihnat, Gwen (2 November 2016). "The Crown is a visually sumptuous family drama fit for a queen". The A.V. Club. Retrieved 7 November 2016.
  23. Rabinowitz, Dorothy (3 November 2016). "'The Crown' Review: The Making of Elizabeth II". Wall Street Journal. Retrieved 7 November 2016.
  24. Lloyd, Robert (20 September 2016). "Netflix's 'The Crown' is a winning tale of royals and the weight of tradition". Los Angeles Times. Retrieved 21 September 2016.
  25. Stuever, Hank (2 November 2016). "Netflix's 'The Crown' is best when viewed like separate little movies". The Washington Post. Retrieved 7 November 2016.
  26. Genzlinger, Neil (2 November 2016). "Review: Netflix Does Queen Elizabeth II in 'The Crown,' No Expense Spared". The New York Times. Retrieved 7 November 2016.
  27. Fienberg, Daniel (1 November 2016). "'The Crown': TV Review". The Hollywood Reporter. Retrieved 5 November 2016.
  28. Bianco, Robert (4 November 2016). "Review: 'The Crown' is sumptuous miniseries with stellar cast". USA Today. Retrieved 7 November 2016.
  29. Travers, Ben (2 November 2016). "'The Crown' Review: Netflix Period Drama Came to Reign in Made-To-Order Emmys Contender". Indiewire. Retrieved 7 November 2016.
  30. Sims, David (2 November 2016). "The Crown Is a Sweeping, Sumptuous History Lesson". The Atlantic. Retrieved 7 November 2016.
  31. Lowry, Brian (2 November 2016). "'The Crown' regally explores reign of Queen Elizabeth". CNN. Retrieved 7 November 2016.
  32. Ryan, Maureen (2 November 2016). "TV Review: 'The Crown'". Variety. Retrieved 7 November 2016.
  33. D'Addario, Daniel (4 November 2016). "Review: Netflix's The Crown Makes the Most of an Unknowable Queen". Time. Retrieved 7 November 2016.
  34. Seitz, Matt Zoller (2 November 2016). "Netflix's The Crown Is Tedious, But Anglophiles Will Like It". New York. Retrieved 7 November 2016.
  35. Gay, Verne (4 November 2016). "The Crown Review: Queen Elizabeth Story Falls Flat". Newsday. Retrieved 7 November 2016.
  36. Paskin, Willa (3 November 2016). "Netflix's sumptuous $100 million drama about the British monarchy delivers exactly what it promises. That isn't enough". Slate. Retrieved 7 November 2016.
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