The Ghost of a Saber Tooth Tiger

Grammy Award winning record producer Mark Ronson collaborated with The Ghost of a Saber Tooth Tiger to produce a single in 2010: Jardin Du Luxembourg backed with Comic Strip.

Acoustic Sessions, was released in late October 2010 through their own label, Chimera Music, and was recorded in their own home studio.[4]' Lennon told Spinner that it's supposed to convey to listeners the idea of hearing them alone in a living room: "It's almost rough sounding, but hopefully in a charming way. It's mostly acoustic guitar, some piano, some vibraphone."[4]

Acoustic Sessions was released to generally positive reviews: In October 2010, the Canadian publication The Globe and Mail rated Acoustic Sessions its Disc of the Week: "The album charms like a countryside circus. You wonder if the Hendersons will all be there, late of Pablo Fanque’s fair – what a scene, you bet."[5] In the November 2010 issue of Rolling Stone a reviewer described their sound as "sunny" and psychedelic, and gave it a rating of 3.5 stars out of 5.[6] A reviewer for NPR had the following to say about Acoustic Sessions: "Listening to Acoustic Sessions is like stepping into a magical world where a smiling sun shines on fields of dancing flowers while winged creatures flit about in the fragrant air."[7]

La Carotte Bleue was available at live shows and on their website. It featured a more electronic sound than their previous album and included many re-workings of songs from Acoustic Sessions. Both tracks from the Jardin Du Luxembourg single were also included on this release.

Years in development and previewed first on NPR's First Listen,[8] Midnight Sun was released on April 29, 2014 on Chimera Music and received strong critical response. A departure from their previous more acoustic efforts, critics were almost universally positive about the album, with Metacritic giving it a composite 82 rating.[9]

“Midnight Sun positively slays,” NME's Jeremy Allen opined[10] in his 8/10 review, summarizing: “Midnight scorchio, more like.” Gregory Heaney’s four out of five star review in Allmusic[11] wrote: “With its eclectic instrumentation and crunchy production (mixed by the master himself, Dave Fridmann), Lennon and Muhl create a musical landscape where seemingly anything can happen.” And Luke O'Neil in the Boston Globe[12] described Midnight Sun as “an accomplished, enjoyable record from start to finish, regardless of references or lineage.”

Other reviews include:

• Mojo - April 28, 2014[13]- "Out-of-body transmissions that channel Bends-era Radiohead, Syd Barrett whimsy and woozy melodic weirdness. 4 stars ****"
• The Independent, UK - 25 April 2014[14] "[L]urking behind the cosmicity, there’s usually a solid pop hook."
• Zachary Houle - PopMatters - May 15, 2014[15] "Midnight Sun is a near perfect album. It remains wholly consistent, and evokes a certain time and era of music that doesn’t often get heard very much anymore."
• Rolling Stone - Will Hermes - April 29, 2014[16] “[L]ike a playful mix of Sixties and Seventies tropes. Overall, the set could use some emotional weight to match the level of wit and craft.

A substantially more electrified album than their previous efforts but with a wide range of styles within its dozen songs, Midnight Sun is a unique, diverse album that is both retro and forward leaning, with clear psychedelic rock and neo-psychedelia influences that fans and critics have pointed to including the Beatles during their pre and post Sgt. Pepper's Lonely Hearts Club Band period, the Rolling Stones' Their Satanic Majesties Request, as well as Pink Floyd, Led Zeppelin, and, because of their harmonies, the Beach Boys, as well as contemporary artists such as Beck, Flaming Lips and Tame Impala. In a 2014 interview, Kemp Muhl cited Jimi Hendrix, Syd Barrett and Bach as influences.[17] In an interview with the Boston Herald in June 2014, Lennon stated "It’s easy to hear influences like the Beatles and Pink Floyd, but honestly we’re inspired by more than what you’d expect,” Lennon said. “Miles Davis, Stravinsky, film and narrative play a role. A lot of people hear that it’s a psychedelic record and think it sounds like ’67 to ’70. To some degree, that’s true, but there’s more to it."[18]

Recorded at The Farm in Delaware County, New York by Matthew Cullen and Andris Balins, Kemp Muhl stated in an interview[19] to support the album: “Midnight Sun we consider our first real record, it's the one we spent the most time on. We brought in Dave Fridmann (Tame Impala, Flaming Lips, Mercury Rev, MGMT) to mix it and that made a huge difference. Everything else we did ourselves.”

Eleven of the twelve songs on the album were produced by The GOASTT, with the exception of Johanessburg, which was produced by Mark Ronson. Kemp Muhl indicated in the same interview with the Vancouver Courier,[19] that she and Lennon played the majority of the instruments and she played the bass, keyboards and some guitar, but they brought the new band members in for some overdubs.

All vocals on the album are by Lennon and Kemp Muhl and all songs written by them except Golden Earring, which was written by Evans, Livingston, and Young.

• Xanadu YouTube Mix[20]
• Animals on Letterman, May 3, 2014[21]
• Animals Official Video- Director's Cut on Vimeo[22]
• "Golden Earrings", the only cover on the album was originally from a 1947 movie Golden Earrings that Peggy Lee[23] turned into a hit and was later covered by the band Gandalf[24] in the late 1960s.
• In an interview with Jessie Opoien of The Capital Times,[25] Lennon tells how he likes the narrative of "Don't Look Back Orpheus," describing him as "the Johnny B. Goode, the Jimi Hendrix, the Ziggy Stardust of ancient Greece." They had recently purchased an air-powered organ that they called Calliope, which is the name of Orpheus' mother, and used Calliope to play through the song, with keyboard player Jared Samuel, adding a solo to the song.

Just after the release of the album, The GOASTT embarked on a tour[26] of twenty-seven venues in the U.S. and Canada beginning May 2 and running to the Mountain Jam Festival in Hunter, NY on June 8, 2014. This would be followed by an additional nine dates in the eastern U.S. and Canada, seven of which opened for Beck. They continued to tour in 2015, headlining venues and eventually opening for Primus as well as Florence and the Machine

In addition to Lennon and Kemp Muhl, The GOASTT road band includes members of the Brooklyn-based Invisible Familiars,[27] with drummer Tim Kuhl, Jared Samuel on keyboards, and Robbie Mangano on guitars.

Review of the Denver Concert: [28] “Teetering between a darkly groovy psych vibe to ’70s funk to Brian Wilson-inspired vocal harmonies, the band covered a wide range of sonic territory...Lennon closed with a gorgeous rendition of the Hendrix classic “Little Wing” that sent the exuberant crowd out into warm summer night with big smiles."

GOASTT often finished their sets with the Syd Barrett tune "Long Gone"[29] S. Victor Aaron in Something Else Reviews[30] wrote: "The Ghost of A Saber Tooth Tiger brings the full band to bear on the song, busting out of the tune’s seams with heavy tones from guitars, Muhl’s organ and Tim Kuhl’s discriminating drums as the song descends into the metal bombast waiting at the end the chorus."