The Golem (2018 film)

The Golem was partially based on the Jewish legend of The Golem of Prague

The Golem was written by Ariel Cohen and directed by the Paz Brothers. The film marks the Israeli filmmakers third directorial effort, whose previous efforts include Phobidilia (2009), and JeruZalem (2013).[2][3] The film itself is partially based on Jewish legend of the same name,[4] specifically the legend of the Golem of Prague, which dates back to 1834,[5] and involves the creation of a golem by a rabbi to defend the Jewish ghetto based in Prague, which results in the golem going on a murderous rampage.[6]

The sons of famed Israeli filmmaker Jonathan Paz,[2] Doron and Yoav grew up with hearing the stories of the golem: "The Golem stories are well known in Israel and we think every kid knows about it in some way or another... We didn’t grow up in an orthodox house, but this story, about a giant monster who saves the Jews from their enemies – it blew our minds."[4] After the success of their 2013 film JeruZalem, the Paz Brothers wanted their next project to be based on Jewish culture and legends,[7] "we thought there’s an appetite for more, so we said we’re Jews in Israel with so much culture and so much mythology around us. Nobody had handled it yet, so we thought this is the path we should go by". After looking into the various Jewish myths and legends, the brothers decided upon adapting the Jewish legend of the Golem.[8] The Paz Brothers felt that the legend, which they referred to as "the Jewish Frankenstein", had never been properly developed into a film since the silent 1920 version The Golem: How He Came into the World. In an interview with PopHorror, the brothers also stated that they were drawn to the elements of Cohen's script which they felt was a very dark, and emotional drama.[9] Originally it was intended to retain the original appearance of the title character for the film, "In the beginning, when we just started on the idea for the movie, we tried to tell the story as it is. That is with the real giant creature made of mud and clay,". The idea was soon abandoned, however, after realizing that it would not fit with the story they wanted to convey, deciding instead to reimagine the classic tale for a more contemporary audience while staying true to its original themes. The brothers later explained, "We like character-driven horror so dealing with just a giant monster wasn’t that appealing for us. That’s how we came up with the idea of dealing with a golem KID."[4] Unlike their previous effort JeruZalem, which they felt relied too much on jump scares, the Paz Brothers stated that they wanted the film to be "a slow burn", focusing more on building atmosphere, and tension as well as the development of the lead character Hanna. "[W]e wanted people to be inside Hanna, to show what she’s going through and tell her story – and not to give thrills every few minutes.[10] The film's bigger budget also allowed the filmmakers to focus more on creating the proper tone and scope for the film. As Doron Paz stated in an interview, "Having a much bigger budget this time allowed us to create the scope needed to re-tell the legend of the Golem." With Yoav Paz further adding that the film's producer Shalom Eisenbach and Epic Pictures "believe in our vision and excited to get it in front [of an] audience".[11]

Israeli-American actress Hani Furstenberg was cast in the film's main role of Hanna. Furstenberg had previously acted in Yossi & Jagger, Campfire, and The Loneliest Planet.[12] The Paz Brothers had originally contacted Furstenberg about starring in the lead role, feeling that she was the right person for the part. However, Furstenberg opted out two hours before the filmmakers were able to meet her to talk about the role.[13] Furstenberg later recalled, "A friend finally urged me to be a part of the project and read the script … I fell in love with the heart of the story. It’s a very special film in the genre." Unable to find the right actress for the role, the filmmakers recontacted Furstenberg who accepted the role.[13] Referring to her character in the film, Furstenberg called her "a feminist before her time", further explaining "she’s underneath the floorboards of the synagogue, studying secretly, and she just happens to be much smarter and much braver than all the men above her". Furstenberg also explained Hanna's decision to have the Golem take on the form of a child stemmed from the loss of her child seven years prior, which allows the two to "become one and the same".[10] Israeli film and television actor Ishai Golan was later cast in the role of Benjamin. The Paz Brothers had previously known about the actor and were thrilled when he accepted the role.[14] The title character in the film was played Konstantin Anikienko,[15] a local from the Ukraine where the film was shot. The Paz Brothers later commended Anikienko as being "super professional and energetic".[16]

Principal photography for The Golem commenced in the summer of 2017 near Kiev, Ukraine, for a month and a half.[9] As the filmmakers later recalled, the majority of the film was shot in an isolated outdoor set, "in the middle of nowhere".[13] The location had previously been used in Russian film and subsequently abandoned for decades before the filmmakers decided to film there.[10] Furstenberg described the film's location as being acres of open land, "It didn’t feel like a [film] set. It really felt like we were in this other time." The environment during filming was reportedly one of the coldest summers in Ukraine. The filmmakers later stated that the cold temperatures and isolated location helped them get into the mood of the film: "it really put us in the mood as the filmmakers. So often you shoot a scene then go home to your family and friends. Here, we were so isolated, and it was all about the film."[13] Part of the film's crew members were locals from Ukraine, who had difficulty communicating with the other cast and crew members. The filmmakers later stated that the language barrier between the cast and crew actually proved to be beneficial, as it gave them more time than usual to prepare.[16]

On April 24, 2018; it was announced that Dread Central had acquired distribution rights to The Golem as their first original production under their "Dread Central Presents" banner, with Epic Pictures serving as executive producers for a limited theatrical release slated for February 2019.[17][18] Epic Pictures later presented footage of the film to potential buyers at the Cannes Film Festival.[11]

The Golem made its official premiere at the London FrightFest Film Festival on August 27, 2018.[19][20] It was later screened at the Busan International Film Festival on October 5, as a part of its "Midnight Passion" program.[21] On November 9, that same year, it was screened at the Morbido Film Fest in Mexico.[22] The film was later screened at the Utopia Film Festival on December 6, 2018.[23] The film made its North American premiere at the 18th annual Screamfest Horror Film Festival[24] on October 14, 2018.[25]

It was announced that The Golem would be released on DVD, Blu-ray, and Video-on-Demand on February 5, 2019.[26] Epic Pictures would later release the film on that day, and on February 19, that same year.[27]

On Rotten Tomatoes, the film has an approval rating of 85%, based on 27 reviews, with an average rating of 6.62/10. The site's consensus reads, "A chillingly effective horror story rooted in rich folklore, The Golem blends centuries-old stories with timely themes to powerful effect."[28] On Metacritic, the film has a weighted average score of 63 out of 100, based on 4 critics, indicating "generally positive reviews".[29]

Noel Murray from Los Angeles Times gave the film a positive review, calling it "A well-crafted and idiosyncratic supernatural thriller". In his review, Murray praised the film for its sense of unease, performances, and surprisingly detailed old-world European setting which he called "[a] rich, realistic background adds a tragic dimension to what happens when Hanna tries to play God".[30] Anton Bitel from SciFi Now praised the film, writing, "Beautifully shot in the magic light of Central Europe, The Golem feels all at once classical in its storytelling, and yet unfamiliar in its particulars, as it delves deep into Jewish esoterica for its mythological underpinnings."[31] Kat Hughes from The Hollywood News.com gave the film a mostly positive review, commending the film for its unique portrayal of the title character, and Furstenbera's performance. Hughes concluded his review by writing, "Slow going, and drastically different from previous works, The Golem struggles at times to fully hold the attention, but it ultimately works as a demonstration of The Paz Brothers’ range."[32] Michael Klug from HorrorFreakNews.com awarded the film 4.5 out of 5 stars, praising the film's atmosphere, performances, production values, special effects, and story. Clug concluded his review by writing, "With a strong emotional core, great performances from a talented cast (including a mesmerizing lead performance from Hani Furstenberg) and beautiful production values – The Golem is a clear winner."[33] Kim Newman praised the film's direction, script, and Furstenberg's performance, calling the film "an impressive, grim, period supernatural horror movie which is essentially Fiddler on the Roof meets Pet Sematary."[34] Dennis Schwartz of Ozus' World Movie Reviews rated the film a grade B+, praising the film's atmosphere, unpredictable and provocative narrative, and cinematography.[35] Bobby Lee Lepire of Film Threat rated the film 8/10 stars, writing, "The Golem is creepy, as the cinematography is awash with atmosphere and the use of such a creature is interesting. The dramatic side of things mostly holds up as well, and when combined with the excellent acting, the movie turns out to be very effective and memorable."[36]

Alternately, Adam Mock from Film Inquiry gave the film a negative review, writing, "Pros and cons weighted in, The Golem is a slight recommend for those who enjoy a slow burn in their horror fare, at an hour thirty-five the commitment of the viewer is breezier than it feels. If paced more efficiently, this could have definitely satisfied a broader audience, but instead, we are left with lackluster horror mixed with a decent drama."[37] Roger Moore from Movie Nation commended the film's cinematography, and climax, but criticized the film for its lack of compelling performances, and suspense.[38]