The Green Hornet (TV series)
The Green Hornet is an American action television series that aired on ABC in the 1966–1967 television season, starring Van Williams as the Green Hornet/Britt Reid and Bruce Lee as Kato. It was produced and narrated by William Dozier.
The Green Hornet | |
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Genre | |
Created by | |
Directed by |
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Starring | |
Narrated by | William Dozier |
Theme music composer | Nikolai Rimsky-Korsakov |
Opening theme | "Flight of the Bumblebee", arranged by Billy May conducted by Lionel Newman performed by Al Hirt |
Composers |
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Country of origin | United States |
Original language | English |
No. of seasons | 1[1] |
No. of episodes | 26[2] (list of episodes) |
Production | |
Executive producer | William Dozier |
Producers |
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Cinematography |
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Editors |
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Running time | 30 min. |
Production companies |
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Distributor | 20th Television |
Release | |
Original network | ABC |
Picture format | Color |
Original release | September 9, 1966 – March 17, 1967 |
The single-season series premiered September 9, 1966, and ran through March 17, 1967, lasting 26 episodes; ABC repeated the series after its cancellation by the network, until July 14, 1967, when The Green Hornet had its last broadcast on network television.[3] With the later success of Lee as a premiere star of the martial arts film genre, the series has become a cult favorite.
Plot
![](../I/Van_Williams_Bruce_Lee_Green_Hornet_1966.JPG.webp)
Playboy bachelor and media mogul Britt Reid is the owner and publisher of the Daily Sentinel newspaper, but as the masked vigilante Green Hornet, he fights crime with the assistance of his martial arts expert partner, Kato, and his weapons-enhanced car, a custom Imperial called the "Black Beauty". On police records, the Green Hornet is a wanted criminal, but in reality, the Green Hornet is masquerading as a criminal so that he can infiltrate and battle criminal gangs, leaving them and the incriminating evidence for police arrival. Beyond Kato, Britt's dual identity is known only to his secretary Lenore "Casey" Case and District Attorney Frank P. Scanlon.[4]
Britt's motive for fighting crime was explained on-screen:[5] his father had died in prison after having been framed for a crime he did not commit.
Origin
The character had originated as the star of a radio series[6] (1930s to 1950s), and it had previously been adapted to movie serials, comic books, and other media. Owing in part to George W. Trendle and Fran Striker having created all the central characters and developed the core formats of both radio shows, Britt Reid shares the same family name as the Lone Ranger, as Britt's father had been the Lone Ranger's nephew Dan Reid.
Cast
- Van Williams as Britt Reid/Green Hornet – The owner and publisher of The Daily Sentinel and masked fighting hero, who masquerades as a villain
- Bruce Lee as Kato – Britt Reid's valet and partner, who is also the Green Hornet's aide
- Wende Wagner as Lenore "Casey" Case – Reid's secretary at the Daily Sentinel, one of only two other people who know the true identities of the Green Hornet and Kato
- Lloyd Gough as Mike Axford – A police reporter for the Daily Sentinel
- Walter Brooke as District Attorney Frank P. Scanlon, the other one of only two other people who know the true identities of the Green Hornet and Kato and knows the Green Hornet is a good guy.
- William Dozier as The Narrator[7]
Production
Despite character co-creator George W. Trendle's failed efforts to generate interest in a Green Hornet TV series in 1951 and 1958, it was not until the success of ABC's 1960s Batman series that the network decided to adapt the venerable radio and movie-serial character. The task was taken on by William Dozier who produced and narrated the series. The series stars Van Williams as the Green Hornet and introduced martial artist Bruce Lee to American television audiences as his partner, Kato.[3] Unlike the campy and humorous Batman series, The Green Hornet was played straight. Though it was canceled after one season, Lee became a major star of martial arts movies. Lee's popularity in Hong Kong, where he was raised, was such that the show was marketed there as The Kato Show.[8] It was Lee's insistence that Kato be played as a martial artist—rather than an American-style fisticuffs fighter—that pushed the directors to rethink the character's portrayal. The Green Hornet was the first time broad swaths of the American public saw true martial arts fighting, and led to its increasing popularity. Indeed, Van Williams took lessons from Lee so that he could do some of the increasingly popular moves as well.[9] The Green Hornet and Kato also appear in three episodes of Batman; "The Spell of Tut" (as a brief cameo) and "A Piece of the Action"/"Batman's Satisfaction", with Reid mentioning that he and Bruce Wayne had been acquaintances and rivals since childhood.[10] Though other characters in the story are all led to believe wrongly that the Green Hornet and Kato are villains, as on The Green Hornet, Roger C. Carmel played the real villain, who called himself Colonel Gumm.
Differences from radio version
As with the later years of the radio version, secretary Lenore "Casey" Case (played by Wende Wagner) is again aware of Reid's secret, and the Hornet also has a confidant within the law enforcement community, but now he is District Attorney Frank P. Scanlon (played by Walter Brooke).[3] This character was changed from the original's police commissioner because the Batman TV series was already using a man in that post as the hero's official contact, and William Dozier, the executive producer of both programs, wanted to downplay comparisons between the two shows. Michael Axford (Lloyd Gough), the bodyguard turned reporter of the radio series, is now solely a police reporter for The Daily Sentinel, the newspaper owned by Britt Reid/the Green Hornet.[3] (The first episode, "The Silent Gun", provides a connection between the radio and the TV series, as Axford reminds Reid of the "old days" when he lived in the same apartment with Reid's father, which hints that Reid's father may have been the Green Hornet of the radio series.) In this series, Reid owned a television station as well.[3]
There were visual differences as well. Promotional artwork for the radio program and the comic books of the day depicted the Hornet wearing a mask that covered all of his face below the eyes (the two Universal Studios Saturday matinee serials contained a full face mask with eye holes) while Kato wore goggles. Here, both men wear masks that cover only the upper portions of their faces. These masks initially had a stylized angularity that soon proved problematic: neither man could see much. They were soon replaced with masks molded to the performers' faces.[11]
In a technological update, the Hornet carried a telescoping device called the Hornet's Sting, which projected ultrasonic soundwaves. He most frequently used it to open locked doors, although he was also seen using it to set things on fire (presumably by vibrating them and causing heat through friction) and to threaten criminals to get information. In the episode "The Secret of the Sally Bell", the Hornet used it to explode the thug's gun, causing the thug to fall and suffer a concussion, resulting in the criminal's being hospitalized. He also had a Hornet knockout gas gun.
The television version Kato used green "sleeve darts" to give him a ranged attack he could use to counter enemies both at a distance and in hand-to-hand combat. The impression Bruce Lee made at the time is demonstrated by Kato's Revenge Featuring the Green Hornet, a TV series tie-in coloring book produced by Watkins & Strathmore.[12]
Theme music and opening
Nikolai Rimsky-Korsakov's orchestral interlude, "Flight of the Bumblebee", used for the radio series, was so strongly identified with The Green Hornet that a similar, jazz-styled theme modeled after the Rimsky-Korsakov piece was used for the series, arranged by Billy May, who also composed the background scores, and conducted by Lionel Newman, with trumpet solo performed by Al Hirt. Hirt recorded a longer, stereo version of the theme with a somewhat different arrangement for his album "The Horn Meets The Hornet". A similar recording titled "The Green Bee" recorded by trombonist Urbie Green that appears on Green's 21 Trombones album had also been considered as the tv series theme.
Each episode begins with the following monologue, narrated by producer William Dozier[9]
Another challenge for the Green Hornet, his aide Kato, and their rolling arsenal, the Black Beauty. On police records a wanted criminal, the Green Hornet is really Britt Reid, owner-publisher of the Daily Sentinel; his dual identity known only to his secretary, and to the district attorney. And now, to protect the rights and lives of decent citizens, rides The Green Hornet!
Years later, the version of the theme from "The Horn Meets The Hornet" was featured in the 2003 film Kill Bill, Vol. 1, in which director Quentin Tarantino paid tribute to Kato by featuring the dozens of sword-fighting members of "The Crazy 88" wearing Kato-style masks during one of the film's fight sequences.[13][14]
Episodes
Nº | Title | Directed by | Written by | Original air date | PC |
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1 | "The Silent Gun" | Leslie H. Martinson | Ken Pettus | September 9, 1966 | 9804 |
In this premiere episode, Dave Bannister is shot at a funeral with 20 witnesses present and not a shot is heard, not even by the Green Hornet's friend, District Attorney Frank P. Scanlon, who was also attending. A messenger from a Brokerage House, carrying $5000 in negotiable bonds, is the Silent Gun's second victim. The Green Hornet and Kato respond in the infamous Black Beauty and hit the streets to track down the villainous culprit. Lloyd Bochner guests. | |||||
2 | "Give 'Em Enough Rope" | Seymour Robbie | Gwen Bagni, Paul Dubov | September 16, 1966 | 9806 |
Joe Sweek, waiting to meet Daily Sentinel reporter Mike Axford to sell him photos proving an insurance claim to be fraudulent, is manipulated into a nearby warehouse and murdered by a man in black swinging from a rope. The Green Hornet plans a surprise visit to the claimant, Alex Colony, to propose a partnership with him in his "accident" racket. | |||||
3 | "Programmed for Death" | Larry Peerce | Lewis Reed | September 23, 1966 | 9802 |
After reporter Pat Allen is killed in the Daily Sentinel's eighth-floor city room by a leopard, Britt Reid finds a transmitter in a cigarette box. Later, D.A. Scanlon informs Britt of the discovery of a perfect diamond on Allen's desk. Digging around, Reid suspects that the gemologist had been working on producing synthetic diamonds, and the Green Hornet takes an interest in him. Although the third episode aired by ABC, this is generally believed to be the series' original pilot, in part due to the fact that stars Van Williams and Bruce Lee wear angularly stylized masks rather than those molded to their faces seen in other episodes.[15] This episode was also released as a Sawyers' ViewMaster stereoscopic set. | |||||
4 | "Crime Wave" | Larry Peerce | Sheldon Stark | September 30, 1966 | 9803 |
A scientist predicts crimes with a computer that implicates the Green Hornet. | |||||
5 | "The Frog Is a Deadly Weapon" | Leslie H. Martinson | William L. Stuart | October 7, 1966 | 9805 |
Private investigator Nat Pyle informs Britt that he has proof, for a fee, that presumed-dead racketeer Glen Connors is still alive. Shortly later, Nat is found floating dead in the harbor from a possible boating accident. Reid thinks otherwise, and has a special interest in proving Pyle was murdered because it was Connors who had framed Reid's father, leading to the father's imprisonment and death. Hollywood veteran Victor Jory plays the villain.[16] | |||||
6 | "Eat, Drink, and Be Dead" | Murray Golden | Richard Landau | October 14, 1966 | 9807 |
An illegal bootleg liquor ring devised by Henry Dirk forces a stronghold on bars in the town to buy from them. As reporter Mike Axford tries to follow a lead to the racketeers, he becomes kidnapped. To get in and save Axford, the Green Hornet approaches Dirk for a cut of his action. The bootlegger and his helicopter, from which he drops bombs on his non-conformists, is a challenge to the Black Beauty. | |||||
7 | "Beautiful Dreamer: Part 1" | Allen Reisner | Lorenzo Semple, Jr., Ken Pettus | October 21, 1966 | 9808 |
Seems that wealthy and prominent members of the community have been executing crimes and then forgetting that they ever happened---including Miss Case, who's hypnotised into nearly killing Britt. Eventually the District Attorney and the Green Hornet find that Peter Eden, owner of the very high class spa called the Vale of Eden, has been implanting "suggestions" into his clients's subconscious minds via his treatments. | |||||
8 | "Beautiful Dreamer: Part 2" | Allen Reisner | Lorenzo Semple, Jr., Ken Pettus | October 28, 1966 | 9809 |
Part two picks up with a Green Hornet visit and proposition for Peter Eden, owner of the Vale of Eden. After Peter uses Vanessa Vane in an almost successful attempt to double-cross the Hornet, the Hornet re-visits Eden and uses his own dream machine on Peter to foil the last crime for the evening and get him to confess everything to the police. | |||||
9 | "The Ray Is for Killing" | William Beaudine | Lee Loeb | November 11, 1966 | 9801 |
A charity art auction of fine paintings at Britt Reid's home is interrupted on live television by three masked, gun-toting criminals. The police, nearby, manage to wound one of the thieves, but before they can arrest the other two, a laser ray is unleashed on their squad car with devastating results. The Green Hornet and Kato find themselves in quite a confrontation against this portable killing machine---especially after Miss Case, whom the Hornet sent to track them with a secret device, becomes their hostage. | |||||
10 | "The Preying Mantis" | Norman Foster | Charles Hoffman | November 18, 1966 | 9810 |
Organized crime's "Protection" Boss Duke Slate decides it's time to acquire "the city's Chinatown district" and uses Low Sing's tong to handle his influence. Low Sing, a martial arts professional, instructs his craft to his gang using the actions of a caged Praying Mantis, analogizing its intricate moves to proper Kung-Fu application. After a kidnapping which Low Sing engineers, a challenge between Low Sing and Kato is inevitable. Keye Luke, the man who previously played Kato in the 1940s film serials and would later appear in Kung Fu as Caine's master in some flashback segments of the show, has an uncredited role as Mr. Chang. | |||||
11 | "The Hunters and the Hunted" | William Beaudine | Jerry Thomas | November 25, 1966 | 9811 |
Big-game hunters are using mobsters as quarry—but their next target may be their most dangerous game yet, the Green Hornet. | |||||
12 | "Deadline for Death" | Seymour Robbie | Ken Pettus | December 2, 1966 | 9812 |
After a rash of wealthy homes are burglarized shortly after reporter Mike Axford writes a feature on them, he becomes so suspicious that he places himself at the next possible home to be targeted, only to find himself being arrested and put behind bars, for suspicion of murder when the home's butler is killed in the robbery. D. A. Scanlon is so convinced of Axford's guilt that only the Green Hornet is willing to investigate Mike's photographer. | |||||
13 | "The Secret of the Sally Bell" | Robert L. Friend | William L. Stuart | December 9, 1966 | 9813 |
The Sally Bell, a cargo ship with $2 million in narcotics en route to the United States from Hong Kong, after initially being lost at sea with all hands of her crew, mysteriously shows up at a salvage yard. The only survivor, Gus Wander, knows "The Secret" of her special cargo with only one big problem: He is currently unconscious due to a blast from the Hornet Sting. | |||||
14 | "Freeway to Death" | Allen Reisner | Ken Pettus | December 16, 1966 | 9815 |
Britt Reid orders Mike Axford to team up with the Green Hornet to uncover the ringleader in an insurance scam. Mike reluctantly agrees, but later tries to expose the ringleader alone, leaving it up to the Green Hornet and Kato to save him before it is too late. Guest starring Jeffrey Hunter. | |||||
15 | "May the Best Man Lose" | Allen Reisner | Judith Barrows, Robert Guy Barrows | December 23, 1966 | 9814 |
At election time, District Attorney Scanlon is running for another term, but someone wants to remove him from the ballot---his challenger's brother, whom the challenger doesn't realise is willing to commit high crime as well as murder to help him win. | |||||
16 | "The Hornet and the Firefly" | Allen Reisner | William L. Stuart | December 30, 1966 | 9817 |
An arsonist wreaks havoc setting fire to buildings at the stroke of midnight. The Green Hornet and the District Attorney work behind the scenes to aid the Commissioner to put a stop to this hot situation. The Commissioner refuses to enlist the aid of a retired top arson investigator because his work had previously cost him an eye, but reporter Mike Axford suggests to Britt Reid that the Daily Sentinel can put him to work. Unfortunately, Mike is in for a very big surprise. | |||||
17 | "Seek, Stalk and Destroy" | George Waggner | Jerry Thomas | January 6, 1967 | 9816 |
A tank crew who served together in Korea steals a tank to free their former captain from prison before he is executed for the murder of their ex-commanding officer. It falls to the Green Hornet and Kato both to stop them before they can accomplish their goal, and to uncover the real killer. | |||||
18 | "Corpse of the Year: Part 1" | James Komack | Ken Pettus | January 13, 1967 | 9818 |
A carbon copy of the Green Hornet's Black Beauty attacks a Daily Sentinel delivery truck and terminates its driver right in front of Britt Reid. Then the Daily Sentinel offices have an explosive visit from a Green Hornet impostor, leading the real Green Hornet on a cat and mouse chase of his shadow car disrupting Daily Sentinel deliveries. Celia Kaye guest stars as Melissa Neal. | |||||
19 | "Corpse of the Year: Part 2" | James Komack | Ken Pettus | January 27, 1967 | 9819 |
After another death—of Simon Neal, publisher/owner of the Daily Express--at the hands of the phony Green Hornet, part 2 begins with Britt Reid bringing one of the Daily Express's previous employees, Dan Scully, into the Daily Sentinel's staff to help investigate Simon's termination. After finding out from Sabrina Bradley, Managing Editor of the Daily Express, that Simon had had a copy of the Black Beauty produced for the Press Club's Masquerade Ball, the real Green Hornet sets a trap with her help. | |||||
20 | "Ace in the Hole" | William Beaudine | Stan Silverman, Robert Lees | February 3, 1967 | 9820 |
When Mike Axford unexpectedly shows up at a meeting of mobsters Phil Trager, Steve Gant and...the Green Hornet, he gets shot. The Hornet fools the other two into believing Mike has been killed and tries to manipulate them into taking each other out. The plan may fail and cost Axford, the Green Hornet, and Kato all their respective lives when the reporter reveals that he is still very much alive. Guest starring Richard Anderson and Richard X. Slattery. | |||||
21 | "Bad Bet on a 459-Silent" | Seymour Robbie | Judith Barrows, Robert Guy Barrows | February 10, 1967 | 9821 |
Britt Reid must figure out how to get medical attention for a wound he received as the Green Hornet, as well as how to stop two cops who are using silent alarm calls for their own profit. | |||||
22 | "Trouble for Prince Charming" | William Beaudine | Ken Pettus | February 17, 1967 | 9822 |
After the Green Hornet prevents the assassination of Prince Rafil, his blonde American fiancée, Janet Prescott, is kidnapped, and the prince is ordered to abdicate in order to save her. | |||||
23 | "Alias The Scarf" | Allen Reisner | William L. Stuart | February 24, 1967 | 9823 |
When a wax museum's figure of The Scarf, an infamous strangler from 20 years ago, is replaced in the center display spot by effigies of the Green Hornet and Kato, the waxen form of the Scarf seemingly comes to life and starts attacking people. Using the museum researcher's manuscript about the Scarf, the Green Hornet and Kato attempt to snare the killer before he claims any more victims. Horror film star John Carradine plays the researcher.[17] | |||||
24 | "Hornet Save Thyself" | Seymour Robbie | John Tait | March 3, 1967 | 9824 |
As a surprise birthday party begins for Britt, a handgun given as a present to Britt seemingly discharges itself, fatally shooting ex-employee Eddie Rech. In a reverse of his usual situation, Britt Reid hides from the police by becoming the Green Hornet. There is no "Produced by..." credit on this episode.[18] | |||||
25 | "Invasion from Outer Space: Part 1" | Darrell Hallenbeck | Arthur Weingarten | March 10, 1967 | 9825 |
The arrival of visitors from outer space seemingly coincides with an Air Force convoy transporting top secret electronic equipment and an H-Bomb missile warhead. Having Britt's secretary, Lenore "Casey" Case, taken hostage makes the situation very touchy. Brett King guest stars in this episode, his last screen role, as Major Jackson. | |||||
26 | "Invasion from Outer Space: Part 2" | Darrell Hallenbeck | Arthur Weingarten | March 17, 1967 | 9826 |
Part 2 begins with the Green Hornet using his tracking signal to close in on the visitors from outer space and their mystery. This is the last episode. |
Crossover with Batman TV series
There were several comparisons and crossovers from Batman to Green Hornet, both on TV and in movies.[19]
The Green Hornet and Kato on Batman
Van Williams and Bruce Lee make a cameo appearance as the Green Hornet and Kato in "window cameos" while Batman and Robin were climbing a building. This was in part one of a two-part second-season episode of the Batman TV series: "The Spell of Tut," which aired on September 28, 1966.[20]:70 There is also mention of The Green Hornet TV series on the Batman two-part episode "The Impractical Joker," transmitted on November 16, 1966, as Alfred, Dick Grayson and Bruce Wayne are watching television, and Bruce Wayne says, "It's time to watch The Green Hornet!".
Later that same season, the Green Hornet and Kato appeared in the two-part second-season episodes "A Piece of the Action"[21] and "Batman's Satisfaction," which aired on March 1–2, 1967.[10] In the two episodes, the Green Hornet and Kato are in Gotham City to bust a counterfeit stamp ring run by Colonel Gumm (portrayed by Roger C. Carmel).[20]:114–115 "Batman's Satisfaction" leads up to a mixed fight, with both Batman & Robin and The Green Hornet & Kato fighting Colonel Gumm and his gang. Once Gumm's crew is defeated, Batman and Robin square off against The Green Hornet and Kato, resulting in a stand-off interrupted by the police. In this episode, Batman, Robin and the police consider the Green Hornet and Kato criminals, though Batman and Robin were cordial to the duo in the earlier window appearance.
Batman and Robin on The Green Hornet
In the December 9, 1966 The Green Hornet episode "The Secret Of The Sally Bell"[22] the Batmobile is seen on a television receiver, turning around inside the Batcave. In the February 3, 1967 Green Hornet episode "Ace in the Hole," which was transmitted in between the September 1966 and March 1967 Batman appearances (mentioned above), an unidentified episode of Batman is seen playing on a television set, showing Batman and Robin climbing a building. One other appearance of The Green Hornet, Kato, and Batman was broadcast in Autumn 1966 on a Milton Berle Hollywood Palace television variety show.[23]
Black Beauty
![](../I/Green_Hornet_Black_Beauty.jpg.webp)
The TV series featured the Green Hornet's car, The Black Beauty, a 1966 Imperial Crown sedan customized by Dean Jeffries[24] at a cost of US$13,000. Two cars were built for the show and both exist today. Black Beauty 1 is located in the Petersen Automotive Museum collection and Black Beauty 2 has been fully restored and is located in a private collection in South Carolina.
Storage and deployment
The Black Beauty was stored underneath Britt Reid's garage.[25] A set of switches on a secret control panel behind a tool wall would sequentially set the lights to green, attach clamps to the bumpers of Reid's personal car, rotate the floor of the garage – hiding Reid's car (a Chrysler 300 convertible), and bringing up the Black Beauty – finally unclamping the Black Beauty's bumpers.[4] The Black Beauty would then exit the garage through a hidden rear door, and enter the street from behind a billboard advertising the fictitious product Kissin' Candy Mint (with the slogan "How sweet they are") designed to separate down the middle and rejoin.
Weaponry, surveillance and security features
The Black Beauty, which carried rear license plate number V194,[26] could fire explosive charges from tubes hidden behind retractable panels below the headlights which were said to be rockets with explosive warheads; had a concealed-when-not-in-use, drop-down knock-out gas nozzle in the center of the front grille and the vehicle could launch a small flying video/audio surveillance device (referred to as the scanner) through a small rectangular panel in the middle of the trunk lid. It was a foreshadowing of today's small helicopter-like drones. Working rockets and gas nozzles were incorporated into the trunk lid as well.[27]
Other appearances
Dragon: The Bruce Lee Story
The 1993 American semi-fictionalized film biography of Bruce Lee depicts Lee (Jason Scott Lee) meeting fictional producer Bill Krieger (Robert Wagner) after a martial arts tournament, and being hired to play Kato in The Green Hornet series. The movie shows the fictionalized shooting of the first episode, where cast and crew are impressed by Lee's martial arts skills. Van Williams plays the director of the episode.[28]
Batman '66 Meets the Green Hornet
Kevin Smith and Ralph Garman are co-writers of a Batman and Green Hornet team-up titled Batman '66 Meets the Green Hornet.[29] The issues were drawn by artist Ty Templeton, with covers by Alex Ross. The six-issue miniseries was co-produced by DC Comics (publishers of Batman) and Dynamite Entertainment (current publishers of the Green Hornet titles). The overall story is a sequel to the above-mentioned Batman/Green Hornet two-part TV crossover episodes, reuniting Hornet & Kato with Batman & Robin, and pitting both teams against the now "General Gumm" and his new criminal cohort, the Joker. The series was published both in physical comic book form and in an extended 12-part digital format (splitting each regular issue's material into two digital issues).[30] The full series has since been published in a collected volume, both in hardcover and "trade paperback" editions. Furthermore, Garman and Smith have performed dramatized readings of all 6 issues on podcast episodes hosted on Smith's SModcast webpage. The first issue was dramatized in an episode of Smith's Fatman on Batman podcast (episode #66), and the remaining five as episodes of Hollywood Babble-On, co-hosted by Garman and Smith, as special "Hollywood Babble-On Comic-Con Theater" episodes (episodes 175, 180, 184, 188 & 193).
Once Upon a Time in Hollywood
The 2019 film Once Upon a Time in Hollywood has a flashback scene in which stuntman Cliff Booth (Brad Pitt) has a confrontation with Bruce Lee (played by Mike Moh in full Kato gear) on the set of The Green Hornet. In the scene, an impromptu two-out-of-three martial arts match between Booth and Lee takes place, with both men winning one match, but the fight is broken up before the deciding match can finish.
Comics
The series was adapted into a comic strip by Dan Spiegle, distributed by Gold Key Comics.[31]
References
- Lidz, Franz (January 7, 2011). "Float Like a Franchise, Sting Like a..." The New York Times. Retrieved January 10, 2011.
- Boucher, Geoff (July 23, 2010). "Getting 'The Green Hornet' off the ground". Los Angeles Times. Retrieved September 13, 2010.
- Brooks, Tim; Marsh, Earle (2003). The Complete Directory to Prime Time Network and Cable TV Shows (8th ed.). New York: Ballantine Books. pp. 486–487.
- Ed Friend (1966). Green Hornet: The Infernal Light. ISBN 978-1933076744.
- and in the Infernal Light book
- "The GREEN HORNET – Old Time Radio (OTR)". "January 31, 1936 marked the beginning of .. golden age of radio. The Green Hornet ..."
- "The Green Hornet (TV series 1966–1967)".
- "Bruce Lee's Biography". Kung Fu Magazine. Archived from the original on February 20, 2012. Retrieved 2010-02-06.
- "American Heritage Center Blog: Bruce Lee Steals the Show in ""The Green Hornet""". American Heritage Center. March 16, 2020.
- "Bruce Lee Biography". Biography.com. Retrieved 2010-01-11.
- Murray, Will (October 1988). "Van Williams After the Mask". Starlog. O'Quinn Studios Inc. (135): 73.
- Bonnet, Jean Pierre (February 1993). "'The Buzz Word' Letter to the Editor". The Green Hornet. NOW Comics. 2 (18).
- Mitchell, Elvis (2003-10-26). "FILM; The 'Kill Bill' Soundtrack: D.J. Quentin's Recycled Mix". The New York Times. Retrieved 2011-03-28.
- "Kill Bill – Vol. 1". Entertainment Weekly. 2003-10-09. Retrieved 2011-03-28.
- Van Hise, James. The Green Hornet, Schuster and Schuster, Inc., 1988, p. 39.
- Van Hise, p. 44.
- Van Hise, p. 94.
- Van Hise, p. 98.
- "The Green Hornet". NYTimes.com.
- Eisner, Joel (1986). The Official Batman Batbook. Contemporary Books, Inc. ISBN 0-8092-5035-7.
- ""Batman" A Piece of the Action (TV Episode 1967)".
- ""The Green Hornet" The Secret of the Sally Bell".
- "MILTON BERLE SHOW 1966 Batman Green Hornet Sketch Adam West".
- Van Hise, James & Hal Schuster (1989). The Green Hornet. Las Vegas, Nevada: Pioneer Books. p.24
- Bowles, Scott (2011-01-13). "Green Hornet spins hero-sidekick dynamic in new ways". USA Today. Retrieved 2011-03-28.
- "The 1966 Batman Message Board". has question re WHY was "V 194" chosen
- "Seth Rogen Unveils 'Green Hornet' Car At Comic-Con". MTV. Retrieved 2011-03-28.
- Galbraith, Jane (May 16, 1993). "A Look inside Hollywood and the movies : Cameo Corner : Green Hornet Pays Homage to His Kato". The Los Angeles Times. Retrieved 2011-01-06.
- Kevin Smith & Ralph Garman Announce New Batman/Green Hornet Project – (DCAA 206)
- Official DC Comics' website page for BATMAN '66 MEETS THE GREEN HORNET #1
- https://www.lambiek.net/artists/s/spiegle_d.htm
External links
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Wikimedia Commons has media related to The Green Hornet (TV series). |
Television
Other
- Official Black Beauty site
- The Green Hornet at the International Catalogue of Superheroes
- Catalogue Record for the papers of William Dozier and his production company at the American Heritage Center