The Grizzlies

The Grizzlies is a 2018 Canadian sports drama film, directed by Miranda de Pencier.[2] Based on a true story, the film depicts a youth lacrosse team that was set up to help combat an onslaught of youth suicide in the community of Kugluktuk, Nunavut.[3]

The Grizzlies
Directed byMiranda de Pencier
Produced byAlethea Arnaquq-Baril
Damon D'Oliveira
Miranda de Pencier
Zanne Devine
Stacey Aglok MacDonald
Written byMoira Walley-Beckett
Graham Yost
StarringWill Sasso
Ben Schnetzer
Tantoo Cardinal
Eric Schweig
Natar Ungalaaq
Booboo Stewart
Music byGarth Stevenson
CinematographyJim Denault
Edited byMichele Conroy
Ronald Sanders
James Vandewater
Distributed byMongrel Media
Release date
  • 8 September 2018 (2018-09-08) (TIFF)
  • 19 April 2019 (2019-04-19) (Canada)
CountryCanada
Language
  • English
  • Inuktitut
Box office$518,361[1]

The film's cast includes Will Sasso, Ben Schnetzer, Tantoo Cardinal, Eric Schweig, Emerald MacDonald, Natar Ungalaaq, Anna Lambe, Paul Nutarariaq, Booboo Stewart and Madeline Ivalu.

The film premiered at the 2018 Toronto International Film Festival.[4] In October, de Pencier won the Directors Guild of Canada award for Best Direction in a Feature Film.[5] The film was theatrically released in Canada on April 19, 2019 by Mongrel Media.

At the 7th Canadian Screen Awards, Dan General, Thomas Lambe and Adam Tanuyak won the Canadian Screen Award for Best Original Song for "Trials".[6] Nutarariaq was nominated for Best Actor, and Anna Lambe was nominated for Best Supporting Actress.[7]

Premise

In a small Arctic town struggling with the highest suicide rate in North America, a group of Inuit students' lives are transformed when they are introduced to the sport of lacrosse.

Cast

Reception

On review aggregator website Rotten Tomatoes, the film holds an approval rating of 83% based on 24 reviews, with an average rating of 6.81/10. The site's critics consensus reads, "The Grizzlies scores thanks to exceptional performances and an authentic approach to storytelling that transcends sports drama clichés."[8]

White savior questions

The film has been the subject of analysis as to whether or not it fits into the concept of the white savior narrative in film.[9] According to producers Alethea Arnaquq-Baril and Stacey Aglok MacDonald, de Pencier was conscious of the potentially problematic racial aspect to the story, and worked with them to ensure that the screenplay centred the perspectives of Inuit youth and did not fall into white savior tropes;[10] however, the film has still been analyzed by some film critics through a white savior lens.[11]

References

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