The House of the Devil

In the 1980s, college student Samantha Hughes inspects a house she wishes to rent. Due to Samantha reminding her of her own daughter, the landlady forgoes a deposit in favor of one month's rent in advance. Samantha is struggling financially, so she takes on a babysitting job for Mr. Ulman and his wife. Ulman asks to meet her but stands her up, later apologizing and offering to pay double the original salary. Samantha accepts and gets a ride to the remote mansion from her best friend, Megan. At the house, Mr. Ulman pulls her aside and reveals that he does not have any children to be monitored; although he has a child, his son is now grown. The babysitting job is to attend to his wife's ailing mother, whom he refers to as "able-bodied." Samantha balks but finally agrees when she is offered $400 for the job, a significant increase in her pay. Megan immediately leaves, citing Ulman's lies and peculiar behavior, but she reluctantly promises to pick up Samantha later. Before the Ulmans depart, Samantha speaks with Mrs. Ulman, who tells her they are from "the desert."

On the way home, Megan stops in her car to smoke a cigarette. When her lighter will not work, a stranger appears out of nowhere, startling her, and lights her cigarette for her. When Megan reveals that she is not the babysitter hired by the Ulmans, the stranger abruptly shoots and kills her. Samantha orders a pizza from a number that Mr. Ulman had repeatedly recommended she call. While waiting for the delivery, she dances around the house while listening to her Walkman, accidentally breaking a vase in the process. While cleaning up the mess, she discovers a cupboard filled with old family photographs. In one photograph, a different family than the Ulmans stands next to the Volvo she and Megan saw upon pulling up to the house. Later, three corpses are shown in one of the rooms, with the implication that they are the family in the photograph and the true residents of the house.

Samantha, shaken by a number of issues at the house and by the sudden arrival of the pizza she ordered (delivered by the same man that killed Megan), dials 911, but tells the operator that it was an accidental call. Drugs in the pizza eventually cause Samantha to pass out, just as she discovers activity behind a door leading to the third floor. When she comes to, she finds that she has been bound and gagged in the center of a Pentagram. As a lunar eclipse darkens the night sky, Mr. and Mrs. Ulman, along with the stranger, who is their son Victor, begin a bizarre ritual. Mother is revealed to be a grotesque, witch-like figure. As part of the ritual she slices Samantha's arm and pours the blood into a goat skull. She uses the blood to draw occult symbols on Samantha's stomach and forehead, and forces Samantha to drink her blood from the skull.

Samantha manages to escape halfway through the ritual, and finds Megan's bloody corpse in the kitchen. She kills Mrs. Ulman and Victor, but horrific images of Mother begin appearing in her mind. Mr. Ulman chases her out of the house and through a nearby cemetery. There, he tells her she was chosen and that it is her destiny to accept "him." Samantha threatens him with the gun used to kill Megan, but Ulman passively accepts his fate, claiming to be a messenger and gloating that she is too late. Instead of shooting him, she shoots herself in the head, to Ulman's horror. The scene cuts to a broadcast about the strange lunar eclipse the night before, which has confounded scientists due to its abrupt ending, as Samantha is revealed to be in a hospital bed, her head in bandages. A nurse walks in and pats the unconscious Samantha on the stomach, reassuring her that "You will be just fine. Both of you."

• Jocelin Donahue as Samantha Hughes
• Tom Noonan as Mr. Ulman
• Mary Woronov as Mrs. Ulman
• Greta Gerwig as Megan
• A. J. Bowen as Victor Ulman
• Dee Wallace as Landlady
• Danielle Noe as Mother

Additionally, Lena Dunham voices a 911 operator and writer-director Ti West appears as a teacher.

The film was shot in Connecticut. Taking place in the 1980s, the film was made with 16mm film, giving it a retro stylistic look that matched the decade.[4] Similarly, some aspects of the culture of the 1980s (i.e. feathered hair, Samantha's 1980 Sony Walkman, The Fixx's 1983 song "One Thing Leads to Another", The Greg Kihn Band's 1981 song "The Breakup Song (They Don't Write 'Em)", and the Volvo 240 sedan) are seen in the film as signifiers of the decade.[5] The cinematography of the film also reflects the methods used by directors of the time. For instance, West often has the camera zoom in on characters (rather than dolly in as is now common in film), a technique that was often used in horror films of the 1970s and continued to be used into the 1980s.[6] Other stylistic signifiers include opening credits (which became less common in films in the decades after the 1980s) in yellow font accompanied by freeze-frames and the closing credits being played over a still image of the final scene.

The United States premiere was at the 2009 Tribeca Film Festival in New York City on April 25. It was made available through video on demand on October 1, 2009. The film was given a limited theatrical release in the United States on October 30, 2009.[7][8] The DVD and Blu-ray of the film were released on February 2, 2010.[9][10] A promotional copy of the film was released on VHS in a clamshell box like the ones that many early VHS films of the 1980s came in.[11][12]

The soundtrack for The House of the Devil was released in November 2009 as a double feature with the score of I Can See You, both by composer Jeff Grace.[13]

1. Opening (1.10)
2. Family Photos (2.24)
3. The View Upstairs (1.45)
4. Original Inhabitants (3.05)
5. Meeting Mr. Ulman (1.12)
6. Keep the Change (1.12)
7. Footsteps (1.27)
8. Mother (3.07)
9. Chalice (0.51)
10. On the Run (3.45)
11. Lights Out (3.04)
12. He's Calling You (1.50)
13. The House of the Devil (5.49)
14. Mrs. Ulman (2.04)

Tracks from 15 to 26 comprise the soundtrack for I Can See You.

The film received a score of 87% on Rotten Tomatoes based on 98 reviews; the site's consensus states that "Though its underlying themes are familiar, House of the Devil effectively sheds the loud and gory cliches of contemporary horror to deliver a tense, slowly building throwback to the fright flicks of decades past."[14] It also received an aggregate score of 73 on Metacritic, based on 18 critic ratings, indicating "Generally favorable reviews."[15]

Roger Ebert gave it 3 out of 4 stars, complimenting its use of subtlety and tension as being "an introduction for some audience members to the Hitchcockian definition of suspense."[16] Oliver Smith of 7films similarly compared it to staples of the genre, praising that "as the great horror films of past days, such as The Omen or Rosemary’s Baby, The House of the Devil is a slow-burning horror film".[17] Kevin Sommerfield from Slasher Studios gave the film four out of four stars, commenting that the film is "not just a nostalgia piece for director Ti West, one of the best horror directors working today", but that it also reflected "how horror movies should be made".[18]

Self-proclaimed redneck film critic Joe Bob Briggs has praised the film as "just a superb slow-burn, extremely well-crafted movie."[19]

In a review for Salon, Stephanie Zacharek indicated that she liked the movie, declaring it "clever" and "somewhat a novelty". Zacharek perceived it as "obviously made with love", though conceding that the film is likely "not going to change the face or direction of horror filmmaking in any drastic way".[20]

Some critics were less kind, critiquing the pacing or originality of the film. Kyle Smith of the New York Post admitted that it was "creepy", but that it took "a little too long to arrive" at its climatic culmination. Kirk Honeycutt from The Hollywood Reporter judged the film to be derivative, rather than flatteringly imitative, calling the film and its genre "banal".[21]

The film won a few awards shortly after its release, but was largely absent from most major competitions and film festivals, and from the public eye, possibly due to its limited theatrical release and low budget. It won the 2009 Birmingham Sidewalk Moving Picture Festival award for Best Feature Film. At 2009 Screamfest, it won festival trophies for Best Actress (Jocelin Donahue) and Best Score (Jeff Grace).[22]

• List of films featuring eclipses

• Official website
• The House of the Devil at IMDb
• The House of the Devil at AllMovie
• The House of the Devil at Rotten Tomatoes
• Spout interview with director Ti West
• Interview with Ti West about The House of The Devil at ion magazine