The Lifted Veil (novella)

The Lifted Veil is a novella by George Eliot, first published in 1859. Quite unlike the realistic fiction for which Eliot is best known, The Lifted Veil explores themes of extrasensory perception, the essence of physical life, possible life after death, and the power of fate. The novella is a significant part of the Victorian tradition of horror fiction, which includes such other examples as Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde (1886), and Bram Stoker's Dracula (1897).

The Lifted Veil
AuthorGeorge Eliot
CountryUnited Kingdom
LanguageEnglish
Genre(s)Horror fiction
PublisherBlackwood's Magazine
Media typePrint (hardback & paperback)
Publication dateJuly 1859

Plot summary

The unreliable narrator, Latimer, believes that he is cursed with an otherworldly ability to see into the future and the thoughts of other people. His unwanted "gift" seems to stem from a severe childhood illness he suffered while attending school in Geneva. Latimer is convinced of the existence of this power, and his two initial predictions do come true the way he has envisioned them: a peculiar "patch of rainbow light on the pavement" and a few words of dialogue appear to him exactly as expected. Latimer is revolted by much of what he discerns about others' motivations.

Latimer becomes fascinated with Bertha, his brother's cold and coquettish fiancée, because her mind and motives remain atypically closed to him. After his brother's death, Latimer marries Bertha, but the marriage disintegrates as he recognizes Bertha's manipulative and untrustworthy nature. Latimer's friend, scientist Charles Meunier, performs a blood transfusion from himself to Bertha's recently deceased maid. For a few moments the maid comes back to life and accuses Bertha of a plot to poison Latimer. Bertha flees and Latimer soon dies as he had himself foretold at the start of the narrative.

Literary significance and criticism

This tale departs from Eliot's usual technique. Latimer's first-person narrative works with causality and chronology, with the narrative ending where it begins.

It is Eliot's only venture into what would later be called science fiction.

Adaptations in other media

In 1948 the story was adapted for an episode of the syndicated radio program The Weird Circle.

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