The Red Balloon

The film follows Pascal (Pascal Lamorisse), a young boy who, on his way to school one morning, discovers a large helium-filled red balloon. As he plays with it, he realizes it has a mind and will of its own. It begins to follow him wherever he goes, never straying far from him, and at times floating outside his bedroom window, as his mother will not allow it in their apartment.

The balloon follows Pascal through the streets of Paris, and they draw a lot of attention and envy from other children as they wander the streets. At one point the balloon enters his classroom, causing an uproar from his classmates. The noise alerts the principal, who locks Pascal up in his office. Later, after being set free, Pascal and the balloon encounter a young girl (Sabine Lamorisse) with a blue balloon that also seems to have a mind of its own, just like his.

One Sunday, the balloon is told to stay home while Pascal and his mother go to church. However, it follows them through the open window and into the church, and they are led out by a scolding beadle.

As Pascal and the balloon wander around the neighborhood, a gang of older boys, who are envious of the balloon, steal it while Pascal is inside a bakery; however, he manages to retrieve it. Following a chase through narrow alleyways, the boys finally catch up to them. They hold Pascal back as they bring it down with sling shots before one of the boys finishes it off by stomping on it.

The film ends as all the other balloons in Paris come to Pascal's aid and take him on a cluster balloon ride over the city.

As the film was filmed in Paris after World War II, its mise-en-scène is quite dark and grey and therefore gives a depressing quality to the setting and mood. In contrast, the balloon's bright colour acts as a symbol of hope and light within the film.[3] The cluster balloon ride in the closing scene could also be said to represent a religious or spiritual analogy. For example, when the balloon is destroyed, its "spirit" lives on as it is transferred to all the other balloons in the city, which is said to be a metaphor for Christ.[4] Themes of self-realisation and loneliness are also present in the film.[5] The theme of innocence is persistent and is one of the main focuses of the film. Through a child's gaze, a cynical world is transformed into an almost magical one, highlighting the power of the innocence and imagination of children.[6]

In addition, authors such as Myles P. Breen have identified the film as having thematic/stylistic qualities that are reflective of the poetic medium. This perspective is rationalised by Breen through quoting film theorist Christian Metz, who states, “in a poem there is no story line, and nothing intrudes between the author and the reader”. The film, therefore, is categorised by Breen as being a filmic poem, partially due to its loose, non-narrative structure.[7] Though both poems and this film could arguably be said to have a narrative.

The film serves as a color record of the Belleville area of Paris, which had fallen into decay by the 1960s, prompting the Parisian government to demolish it as a slum-clearance effort. Part of the site was built up with housing projects; the remainder was left as wasteland for 20 years. Some of what is seen in the film no longer exists: one of the bakeries, the school, the famous shaped staircase situated just beyond the equally famous café "Au Repos de la Montagne", the steep steps of the passage Julien Lacroix where Pascal finds the balloon, and the empty lot where all the battles take place. Instead stands the Parc de Belleville. The apartment where Pascal lives with his mother, located at 15, rue du Transvaal, the church, known as the Église Notre-Dame-de-la-Croix de Ménilmontant, and the bus stop Pyrénées-Ménilmontant, located at the intersection of rue des Pyrénées and rue de Ménilmontant, still stand.[8]

• 
  The building hosting Pascal's apartment (15 rue du Transvaal)
• 
  This view is seen in the movie. The photo is taken from the side of the building hosting the bakery (intersection of rue des Envierges and rue du Transvaal)
• 
  Parc de Belleville
• 
  Stairs in the Parc de Belleville
• 
  Église Notre-Dame-de-la-Croix de Ménilmontant in Ménilmontant

Albert Lamorrise was a former auditor at the Institut des hautes études cinématographiques (IDHEC), and the crew that he used for the making of the film was entirely composed of IDHEC graduates.[9]

The main role is played by Albert Lamorrisse's son, Pascal. French singer Renaud and his brother play the twin brothers who appear at the end of the movie, wearing red coats. They got the role through their uncle Edmond Séchan, who was the director of photography for the film.[10]

The film premiered and opened nationwide in France on 19 October 1956; it was released in the United Kingdom on 23 December 1956 (as the supporting film to the 1956 Royal Performance Film The Battle of the River Plate, which ensured it a wide distribution) and in the United States on 11 March 1957.

It has been featured in many festivals over the years, including the Wisconsin International Children's Film Festival; the Los Angeles Outfest Gay and Lesbian Film Festival; the Wisconsin Film Festival; and others.

The film, in its American television premiere, was introduced by then-actor Ronald Reagan as an episode of the CBS anthology series General Electric Theater on 2 April 1961.[11]

Throughout the 1960s, 1970s, 1980s and early 1990s, the film was popular in elementary classrooms throughout the United States and Canada. A four-minute clip is on the rotating list of programming on Classic Arts Showcase.

In 1960, Lamorisse released a second film, Stowaway in the Sky, which also starred Pascal and was a spiritual successor to The Red Balloon.

A stage adaptation by Anthony Clark was performed at the Royal National Theatre in 1996.[21]

Don Hertzfeld's 1997 short film Billy's Balloon, which also showed at Cannes, is a parody of The Red Balloon.

The music video for "Son of Sam" by Elliott Smith, from his 2000 album Figure 8, is a direct homage to The Red Balloon.

Hou Hsiao-hsien's 2007 film Flight of the Red Balloon is a direct homage to the film.

A boy with a bright red balloon is featured in the epilogue of Damien Chazelle's 2016 musical film La La Land.[22]

Pascal and Sabine[23] restaurant in Asbury Park, New Jersey (USA) is named in honor of The Red Balloon.

Guitarist Keith Calmes' album Follow the Red Balloon[24] is named as an homage to the spirit of Pascal and Sabine.

• The Red Balloon at IMDb
• The Red Balloon at Rotten Tomatoes
• The Red Balloon at the TCM Movie Database
• The Red Balloon at Janus Films (official web site)
• The Red Balloon information site and DVD/Blue-ray review at DVD Beaver (includes images)
• Le Ballon rouge at Cinefeed (in French)