The Rising of the Shield Hero

Originally published as a web novel, the series has been re-written with an expanded story-line. The series is currently published by Media Factory and features illustrations by Seira Minami. As of June 25, 2019, twenty-two volumes have been published. The spin-off novel The Reprise of the Spear Hero was licensed by One Peace Books.[5]

The light novel series was adapted into a manga series by Aiya Kyū and published by Media Factory, with seventeen volumes released as of November 21, 2020. In an interview, the manga artist said, "Comic Flapper's editorial department told me about the opportunity, and I gleefully took it."[6] Both the novel and manga series were licensed by One Peace Books and were published in North America starting in September 2015.[7]

A comedy spin-off series was released in the 61st issue of Kadokawa Dengeki Daioh G.[8] The four-panel comedy manga, titled "A Day in the Life of the Shield Hero" (盾の勇者のとある一日, Tate no Yūsha no to Aru 1-Nichi) was drawn by Akagashi.

An anime adaptation was announced in June 2017.[9] The television series is produced by Kinema Citrus and directed by Takao Abo,[10] with Keigo Koyanagi handling series composition, Masahiro Suwa designing the characters and Kevin Penkin composing the music.[11] The series aired from January 9 to June 26, 2019, on AT-X and other channels.[12] It ran for 25 episodes.[13]

The first opening theme is "RISE", performed by MADKID, while the first ending theme is "Kimi no Namae" (きみの名前) performed by Chiai Fujikawa.[14] The second opening theme is "FAITH," performed by MADKID, while the second ending theme is "While I'm Next to You" (あたしが隣にいるうちに, Atashi ga Tonari ni Iru Uchi ni) performed by Fujikawa.[15] For episode 4, Asami Seto sang an insert song titled "Falling Through Starlight" as her character Raphtalia.[16] Both Crunchyroll and Funimation streamed the anime.[17][18] Crunchyroll streamed the show in both the original Japanese version and the English dub.[19] Funimation started streaming the dub on May 1, 2019.[20] Originally intending to air the English dub simultaneously with the original Japanese, Crunchyroll announced that there would be a two-week delay in the release of the English version on May 14, the day before episode 19, "The Four Cardinal Heroes", was scheduled to release.[21]

At 2019's Crunchyroll Expo, it was announced that the series will receive a second and third season.[22] At 2020's virtual Crunchyroll Expo, it was announced that the second season will premiere in 2021.[23] Masato Jinbo will replace Takao Abo as director, and the rest of the staff members will reprise their roles; Kinema Citrus is being joined by DR Movie for animation production.[24] Kadokawa producer Junichiro Tamura announced the wait for the third season will not be as long as the wait between the first two seasons.[25]

When the anime series began airing in North America, the first episode came under controversy. Several Anime News Network reviewers[30] criticised the show for its depiction of slavery, raising the question of slavery apologism, and the framing of a false rape accusation. When the show's producer Junichiro Tamura was asked about the controversy, he responded that there "have not been any controversies regarding the series in Japan, so it is difficult to say. In the case there were any controversy domestically, we will try to address all issues with the staff and people involved to bring our customers a better product the next time."[31]

Reviews of subsequent episodes have been generally positive. Theron Martin of Anime News Network gave a rating of B− for the first two episodes, stating "the series looks like it's gotten over its initial problematic hump and should hopefully slide into a more agreeable story flow."[32] He gave a B+ rating for the third episode, stating that "the series seems like it's angling to build Naofumi up more as a folk hero than the famously brazen heroes we're used to seeing in fantasy stories" and that "episode 3 gives the best argument to date for the series' possible potential."[33]

However, Timothy Donohoo of Comic Book Resources heavily criticized the anime for having an "overpowered protagonist who's seemingly never wrong" and for the "socially contentious undertones", noting that "the series has gotten its fair share of well deserved flak". He further described the show "as just another generic isekai show, and a poorly done one at that", even without what he describes as "unsavory elements". He speculates that some viewers may sympathize with the protagonist, noting that this would "justify the show's label as an 'incel fantasy'".[34]