The Salzburg Connection

After a chest is brought up from the bottom of an Austrian lake, the diver, Richard Bryant (Patrick Jordan), is found murdered. Bill Mathison (Barry Newman) is an American lawyer on vacation in Austria. He stops by a photography shop to meet with a man who is compiling a book of photographs of Austrian Lakes, as a favor to the publisher, and meets the photographer's wife Anna (Anna Karina). The photographer has disappeared. Mathison gets caught up in trying to find the chest recovered by Bryant. It is revealed to contain a list of former members of the Nazi Party who could be embarrassingly connected to current United States politics.

An American woman, Elissa Lang (Karen Jensen), pretending to be a recent college graduate on a European tour, is also after the chest, on behalf of an underground group of surviving Nazis. They all end up fighting for their lives, as well as for possession of the chest, along with a group of CIA agents.

• Barry Newman as Bill Mathison
• Anna Karina as Anna Bryant
• Klaus Maria Brandauer as Johann Kronsteiner
• Karen Jensen as Elissa Lang
• Joe Maross as Chuck
• Wolfgang Preiss as Felix Zauner
• Helmut Schmid as Grell
• Udo Kier as Anton
• Mischa Hausserman as Lev Benedescu
• Whit Bissell as Newhart
• Raoul Retzer as Large Man
• Elisabeth Felchner as Trudi Seidl
• Bert Fortell as Rugged Man
• Adolf Beinl as Anton's Companion
• Patrick Jordan as Richard Bryant
• Eduard Linkers as Tour Guide
• Christine Buchegger as Waitress
• Johannes Buzalski as Telephone Technician

Roger Greenspun of The New York Times wrote, "With twice too many characters and three times too much plot, the Oscar Millard screenplay of 'The Salzburg Connection' might have defeated the best of directors. Against Lee H. Katzin ('Le Mans,' 'Heaven With a Gun') it isn't even a contest."[3] Arthur D. Murphy of Variety described the film as "erratically limp" as "[t]he action plods through some beautiful scenery," adding, "The score sounds like a mish-mash of badly-selected transcription library stock themes."[4] Gene Siskel of the Chicago Tribune gave the film half of one star out of four, calling it "a lethargic and completely confusing spy story" that amounted to little more than "90 minutes of 'box, box, what's in the box?' This, of course, isn't revealed until the final minutes, at which point there is nothing that could be in the box which would save the movie."[5] Charles Champlin of the Los Angeles Times called it "the worst motion picture I've seen all year. Not one of the, the. The least comprehensible, the least involving, the least interesting, the least entertaining, the least well-conceived, the least successful at bringing off what it set out to bring off."[6] Gary Arnold of The Washington Post declared it "one of the least exciting espionage thrillers I've ever laid eyes on," adding, "As the movie wends its unsuspenseful, uncharismatic, confusing-to-boring way, you hear the audience squirm and feel its spirits sag."[7] Clyde Jeavons of The Monthly Film Bulletin wrote, "Full advantage is taken of the picturesque Salzburg locations ... But nothing can redeem the indecipherable storyline and ham-handed direction (which includes gross misuse of slow-motion and freeze); and even the most indulgent aficionado of the spy genre will find this example hard to take."[8]

• The Salzburg Connection at IMDb
• The Salzburg Connection at AllMovie
• The Salzburg Connection at the TCM Movie Database
• The Salzburg Connection at the American Film Institute Catalog