The War of the End of the World

The War of the End of the World (Spanish: La guerra del fin del mundo) is a 1981 novel written by Peruvian novelist Mario Vargas Llosa. It is a fictionalized account of the War of Canudos conflict in late 19th-century Brazil.

First Spanish edition
(publ. Seix Barral)

Plot summary

In the midst of the economic decline — following drought and the end of slavery — in the province of Bahia in Northeastern Brazil, the poor of the backlands are attracted by the charismatic figure and simple religious teachings of Antonio Conselheiro, called "The Counselor", who preaches that the end of the world is imminent and that the political chaos that surrounds the collapse of the Empire of Brazil and its replacement by a republic is the work of the devil.

Seizing a fazenda in an area blighted by economic decline at Canudos the Counselor's followers build a large town and repeatedly defeat growing military expeditions designed to remove them. As the state's violence against them increases, they too turn increasingly violent, even seizing the modern weapons deployed against them. In an epic final clash, a whole army is sent to extirpate Canudos and instigates a terrible and brutal battle with the poor while politicians of the old order see their world destroyed in the conflagration.

Analysis

It is generally believed that Vargas Llosa's three milestone novels are La Ciudad y Los Perros (The Time of the Hero), La Casa Verde (The Green House) and Conversación en la Catedral (Conversation in the Cathedral), though many critics agree that The War of the End of the World should also be included among these three. The author is famously known for considering this his most accomplished novel[1] — an opinion shared by the Chilean novelist Roberto Bolaño , as well as the American critic Harold Bloom, who includes the novel in what he calls the "Western canon".

As he did later on with La Fiesta Del Chivo (The Feast of the Goat), Vargas Llosa tackles a huge number of characters and stories caught during a time of strife, interweaving these in way that gives us a picture of what it was to live in those times.[2]

Characters
  • Antônio Conselheiro
  • The Little Blessed One
  • The Lion of Natuba: the counselor’s personal scribe. Deformed individual with hair that resembles a lion’s mane.
  • João Abade (Abbot João)
  • The Dwarf
  • Father Joaquim
  • Baron de Canabrava
  • Pajeú
  • Rufino: husband of Jurema.
  • Galileo Gall
  • Maria Quadrado
  • Colonel Moreira César: fierce Republican loyalist. Anti-monarchist. Commander of the 7th Regiment.
  • Jurema: wife of Rufino
  • The Near-Sighted Journalist
  • João Grande (Big João)
  • Pires Ferreira
  • Antônio Vilanova
  • Antônio o Fogueteiro

References
  1. Hunnewell, Susannah; Setti, Ricardo Augusto (Fall 1990). "Mario Vargas Llosa, The Art of Fiction No. 120". The Paris Review. Retrieved 2015-08-11.
  2. Smiley, Jane (9 October 2010). "Noble Nobel Prize Winner Mario Vargas Llosa". TheHuffingtonPost. Retrieved 11 August 2015.


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