The War of the Worlds (1968 radio drama)

WKBW program director Jefferson Kaye, a big fan of the original Orson Welles version from three decades earlier, wondered what The War of the Worlds would sound like if it was made using up-to-date (for 1968) radio news equipment, covering the "story" of a Martian invasion. Until this point, most radio renditions of the 1938 broadcast were simply script re-readings with different actors or had minor variations to account for significantly different geographical locations. Kaye decided to disregard the original script entirely, move the action to Grand Island, New York, and use actual WKBW disc jockeys and news reporters as actors. Other changes reflected the changing state of the industry: instead of the old-time radio programming fare of the 1930s, WKBW's War of the Worlds broadcast was interwoven into the station's top 40 programming.

Initially, a script was written for the news reporters to act out; however, upon hearing the rehearsals, it was evident that the news reporters (except Irv Weinstein, a professional radio actor at the beginning of his career) were not adept at scripted radio acting. So instead, Kaye wrote an outline based on the events that were to occur, and the news reporters were then asked to describe the events as they would covering an actual news story. The results were much more realistic for its time, and this was the process used for the actual broadcast.

These personnel participated in the 1968 broadcast, listed as first heard on the play:

• Top-of-the-hour newscaster - Joe Downey
• Deejay - Sandy Beach
• Studio anchors (continuous coverage, in successive order) - Joe Downey, Henry Brach, and Jefferson Kaye
• Reporters - Jim Fagan and Don Lancer (WKBW-AM), John Irving and Irv Weinstein (WKBW-TV)

Despite an exhaustive advertising campaign by WKBW for this show, several people were still convinced upon listening to it that the events unfolding in the show were genuine. Among those fooled included a local newspaper, several small-town police officers, and even the Canadian military, which dispatched troops to the Peace Bridge. Although the public concern over the legitimacy of the broadcast was not as great as was alleged in 1938 (and even that may have been overstated due to an ongoing feud between newspapers and radio at the time), creator Kaye and director Dan Kriegler feared that they were going to lose their jobs as a result of the broadcast; Kaye claimed that he actually submitted his resignation, certain that he was going to be fired the next day. However, no one involved in the broadcast was fired and the resignation was not accepted.[2] Part of the reason for the elevated concern, even compared to the original, was that although the Welles broadcast aired on a little-heard program with no sponsors, WKBW was one of the most-listened-to stations in Western New York at the time, with a 50,000 watt signal audible throughout eastern North America during the broadcast.[3]

During the broadcast, the show was interrupted every few minutes with commercials from AM&A's and other sponsors, ending with the disclaimer that it was just a dramatization. However, at four minutes before midnight, Jefferson Kaye interrupted the taped events to give this disclaimer, but not until after he threatened director Danny Kriegler that he would rip the still-playing tape off its machine and run along Buffalo's Main Street with it if he was not allowed to break in, as the number of calls received by the station from frightened listeners were getting out of hand:[2]

What you are listening to is a dramatization of H.G. Wells' War of the Worlds on WKBW radio, 1520 on your Buffalo dial. I repeat, it is a dramatization; it is a play. It is not happening in any way, shape or form. What you are listening to is a dramatization of H.G. Wells' War of the Worlds as being portrayed on WKBW 1520 Buffalo. The time is two and one half minutes before twelve o'clock.[4]

1971: Jackson Armstrong was the DJ at the beginning of this broadcast replacing Sandy Beach. This version was edited down to 63 minutes from the 78-minute original. Kaye reprised Danny Neaverth's role in the 1968 broadcast ,but added more emphasis on the aftermath of the adaptation from that year. This was rebroadcast in 1988 by the station in commemoration of the 50th anniversary of the original broadcast, then in 1998 and 2001.

1973: Shane "The Cosmic Cowboy" was the opening DJ and the rest of the broadcast was identical to the version two years earlier albeit with Ron Baskin added as newscaster. However, this version was not a stand-alone broadcast as other WKBW-produced radio thrillers bookend the dramatization. Unlike the previous installments, the disclaimers of "This is a dramatization" has been placed before and after commercial breaks. WGWE rebroadcast this edition in 2012.

1975: Considered by many to be the weakest of the versions, this edition contained sloppy editing done to eliminate on-air talent no longer with the station, notably Kaye, who would later become WPVI's Action News announcer until his death in 2012. Jim Quinn served as the disk jockey.

1998: A totally new remake was produced by 97 Rock to commemorate the 30th anniversary of the first WKBW version. Kaye and Weinstein (in one of his last appearances before his retirement at the end of that year) reprised their respective roles in the original, while personalities such as Don Postles, Larry Norton, Erie County Executive Dennis Gorski and Mayor Anthony Masiello participated. This was rebroadcast in 2001.[1] It will again be rebroadcast in 2018.[5]

Coinciding with the 30th anniversary of the 1968 broadcast, The Making of WKBW's The War of the Worlds was broadcast on WNED-TV, hosted by Bob Koshinski. It featured Jim Fagan, Irv Weinstein, Jefferson Kaye and director Danny Kriegler. This is to be followed up by the documentary WKBW Radio's War of the Worlds, 50 Years later. It is set to debut October 30, 2018.[6]