The Waylors

The Waylors, later Waymore's Outlaws, is a country music band, best known as the backing and recording band of country music singer Waylon Jennings. Jennings formed the band in 1961, consisting of Jerry Gropp on the guitar and Richie Albright on the drums after moving to Phoenix, Arizona. The band earned a local fan base during its appearances on the night club JD's.

Waymore's Outlaws
Waylon Jennings and the Waylors at the Rocky Gap festival in 1991
Background information
OriginPhoenix, Arizona, U.S.
GenresCountry
Years active1961 (1961)–1999, 2008-present
Associated actsWaylon Jennings
Shooter Jennings
Websitehttp://www.waymoresoutlaws.com
MembersRichie Albright (1961-present)
Jerry Bridges (1980-present)
Fred Newell (1996-present)
Tommy Townsend (2008 - present)
Past membersJerry Gropp (1961-1984)
Ralph Mooney (1970 -1996)
Johnny Gimble (1976-2002)
Paul Foster
Rance Wasson (1980 - 2002)
Gordon Payne (1980 -2002)
Cliff Robertson (1980 - 2002)
Carter Robertson (1980 - 2002)
Reggie Young
Barney Robertson
Rick Gilbreath
Billy Ray Reynolds, 1970-76

In 1965 RCA Records signed Jennings to a contract. The conservative restrictions of the producers of the label did not allow him to record with the Waylors. In 1972 he renegotiated his contract, and he included the Waylors for the first time on a RCA album in Honky Tonk Heroes. The lineup was expanded during the next decade, they backed Jennings until his death in 2002.

Reformed in 2008, the group performs on its own with Tommy Townsend as their lead vocalist, with occasional performances as the band for Albright's namesake son of Waylon Jennings and Jessi Colter, Waylon Albright "Shooter" Jennings.

Background

Waylon was being managed by Buddy Holly's former first manager 'Hi-Pockets' Duncan who recommended Waylon to Buddy. With money out of his own pocket, Buddy produced Waylon's first record, a Rock & Roll version of 'Jolie Blon' & Waylon is considered to be Buddy's 'protoge'. In 1959 Buddy Holly hired Waylon Jennings to play electric bass for him during his "Winter Dance Party Tour".[1] After a show in Clear Lake, Iowa, Holly chartered a plane for himself, Allsup and Jennings to avoid a long bus trip to Fargo, North Dakota. This is because the tour organizers provided very inadequate transportation & the buses broke down in freezing weather. Jennings gave up his seat to J. P. Richardson, who was suffering from a cold and complaining about how uncomfortable a long bus trip was for a man of his size.[2] During the early morning hours of February 3, 1959, later known as The Day the Music Died, the charter crashed outside Clear Lake, killing all on board.[3] Jennings and Allsup continued the tour for two more weeks, featuring Jennings as the lead singer.[1] When the tour ended, he returned to his DJ spot on KLLL and performed regionally.[4]

Phoenix and the Nashville sound

In 1961, Jennings lived briefly in Coolidge, Arizona working in radio, before moving to Phoenix, where he formed The Waylors, consisting in Jerry Gropp on the guitar and Richie Albright on the drums.[5] Jennings and his band performed at a newly opened nightspot called JD's. The band earned a small fan base, eventually signing with the independent label Trend Records. In 1963, Jennings signed a contract with A&M Records.[5][6] Jennings and The Waylors recorded an album on BAT called Waylon at JD's.[7] Singer Bobby Bare, who covered Ian Tyson's "Four Strong Winds" and Jenning's "Just To Satisfy You", recommended Jennings to producer Chet Atkins, who signed Jennings to RCA Victor in 1965.[8]

Jennings was accustomed to performing and recording with his own band, The Waylors; a practice that was not encouraged by powerful Nashville producers that instead used session musicians. Over time, however, Jennings felt limited by the Nashville sound's lack of artistic freedom.[9] The music style publicized as "Countrypolitan" was characterized by orchestral arrangements, and the absence of traditional country music instruments.[5] By 1972 he renegotiated his contract with RCA, that gave him complete creative control over his works. [10] For the recording session, Jennings replaced the typical studio musicians of Nashville sessions with his band.[11][12][13]

Later years

By the 1980s the lineup included the additions of Ralph Mooney from The Strangers, Johnny Gimble, Rance Wasson, Gordon Payne, Jerry Bridges, Barney Robertson and Carter Robertson.[14]

Mooney retired in 1996 and was initially replaced by Fred Newell, an established Nashville studio player, followed by Robby Turner, who Waylon first worked with as part of the Highwaymen touring band. The band backed Jennings until 1999 when he formed a short-time project, The Waymore Blues Band, which was Jennings' "hand-picked dream team." Waymore Blues Band backed him until his death.

Now known as Waymore's Outlaws, the band continues today, with Tommy Townsend as lead guitar and vocalist. In 2014, the Outlaws came full circle by playing with Waylon's son and Richie Albright's namesake Waylon Albright "Shooter" Jennings for the first time on tour.[15]

References
  1. Carr & Munde 1997, p. 155.
  2. Texas Monthly, January 1988; p.108
  3. Everitt 2004, p. 18,19.
  4. Dansby, Andrew (February 14, 2002). "Waylon Jennings Dead at Sixty-four". Rolling Stone. Wenner Media LLC. Retrieved November 1, 2011.
  5. Carr & Munde 1997, p. 156.
  6. Erlewine, Stephen Thomas. "Waylon Jennings - Biography". Allmusic. Rovi Corporation.
  7. Country Music Foundation; p.53
  8. Wolff 2000, p. 360.
  9. Petrusich 2008, p. 105.
  10. Petrusich 2008, p. 106.
  11. Shaver & Reagan 2005, p. 35.
  12. Reid 1976, p. 213.
  13. Glaser 2011, p. 148.
  14. "Talent in Action". Billboard. Nielsen Business Media, Inc. 1980-12-20.
  15. Whitaker, Sterling (January 3, 2014). "Shooter Jennings Touring With Waylon's Band, Waymore's Outlaws". The Boot.

Bibliography
  • Carr, Joseph; Munde, Alan (1997). Prairie Nights to Neon Lights: The Story of Country Music in West Texas. Texas Tech University Press. ISBN 978-0-89672-365-8.
  • Everitt, Rich (2004). Falling Stars: Air Crashes That Filled Rock and Roll Heaven. Harbor House. ISBN 978-1-89179904-4.
  • Glaser, Dennis (2011). Music City's Defining Decade: Stories, Stars, Songwriters & Scoundrels of the 1970s. Xlibris Corporation. ISBN 978-1-4628-5767-8.
  • Petrusich, Amanda (2008). It Still Moves: Lost Songs, Lost Highways, and the Search for the Next American Music. Macmillan. ISBN 978-0-86547-950-0.
  • Reid, Jan (1976). "Who Killed Redneck Rock?". Texas Monthly. Emmis Communications. 4 (12). ISSN 0148-7736.
  • Shaver, Billy Joe; Reagan, Brad (2005). Honky Tonk Hero. University of Texas Press. ISBN 978-0-292-70613-2.
  • Wolff, Kurt (2000). Duane, Orla (ed.). Country Music: The Rough Guide. Rough Guides Ltd. ISBN 978-1-85828-534-4.
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