The World of Henry Orient

The novel was published in 1958. The New York Times said it was written with "warmth, insight and nostalgia."[3]

The pianist's unusual surname, "Orient", came about because Nora Johnson based the character on Oscar Levant, a real-life concert pianist, raconteur, and film actor on whom she had a crush as a teenager.[4] Since the word "levant" means Orient in French (literally the direction from which the sun rises), the name is a play on words. In the film, several allusions to the pianist's unusual name occur when his two teenage fans put on Chinese conical hats, address their idol as "Oriental Henry," kowtow to an Asian-style altar, and adopt vaguely Japanese-sounding names for themselves.

Nora Johnson's father Nunnally was a noted screenwriter but he said for three years, "it never occurred to me that it could be filmed, because I couldn't think of two girls to do it. "[5] Johnson said his point of view changed when he saw Hayley Mills in a film and felt it could be done with Mills and Patty Duke. Johnson decided to write the script on "spec" and gave it to his agent to sell - one of the rare times in his career he had done this.[5]

In April 1962, Nunnally Johnson said he wanted to adapt the book into a screenplay for 20th Century Fox.[6]

Johnson says his daughter had written a script herself but felt it did not work as she was too inexperienced as a dramatist and too faithful to the book. He purchased the screen rights from her and they agreed to split the screenplay fee fifty-fifty.[7]

United Artists were interested in buying the script. Henry Koster, who had directed several comedies written by Johnson at Fox, read the script and loved it and pressured Richard Zanuck at Fox to buy it; Zanuck was keen but wanted his father Daryl to read it first. Daryl did not get around to reading it and Johnson decided to sell to United Artists. This upset Daryl Zanuck who felt he had been misled and ended the formerly close relationship between him and Johnson.[8]

In April 1963, George Roy Hill announced that he and producer Jerome Hellman had bought the screen rights and would film it for their Pan Arts company which had a deal with United Artists.[9]

Johnson wrote the role of Henry Orient for Rex Harrison but Harrison turned it down as the part was not big enough.[10] In May 1963, Peter Sellers signed to play the male lead. It would be his first American movie.[11] Sellers reportedly became available when a broken ankle meant he missed out on another job. The film's production was sped up to take advantage of his availability.[1]

Sellers said his character had "a dreadful Brooklyn accent but in an attempt to appear cultured and charming he hides it with a phoney French accent."[12]

Spaeth, who was 15 at the time of filming, had no previous acting experience except for a minor role in a school production, and was cast after the head of her school's drama department suggested her to a talent scout. The World of Henry Orient is Spaeth's only film appearance, as she shortly thereafter left acting.[4]

Walker, who was 16 at the time of filming (turning 17 shortly before the film was released), had worked as a model and was suggested to the film's producer by a photographer.[13] The filmmakers had auditioned hundreds of girls but the two who were chosen were recommended through friends.[14]

According to a 2012 article in The New Yorker by John Colapinto, director George Roy Hill handpicked Walker from hundreds of actresses who auditioned for the role of "Val". The filmmakers were so impressed with her performance that they reshaped the film during editing to focus more on her character, and shot the scene of her walking through a snowy Central Park months after production had wrapped. According to Colapinto, in the 2000s Walker revealed through a series of posts on IMDb that she and Hill fell in love during the filming, and that the relationship lasted throughout most of Walker's senior year in high school, despite the fact that Hill was married with children and, at age 44, was nearly 30 years older than Walker. Walker claimed that the resulting Hollywood gossip made others reluctant to cast her and contributed to her decision to stop acting in the early 1970s.[4]

Eddie Duchin's son Peter made his acting debut in the film.[15]

Filming started on July 29, 1963, at the Long Island studios at Roosevelt Field. It wrapped that October.

Johnson said Hill made some notable contributions to the film including "those runs through the park. He used trampolines and some kind of slow motion, and it gave it a real quality of soaring childhood, released, all the way through. He's one of these dedicated directors, one that takes trouble. I thought he did it beautifully, and I appreciated it."[16]

It was the official U.S. entry at the 1964 Cannes Film Festival.[17][18]

In 1965, it was nominated for the Golden Globe Award in the category "Best Motion Picture, Musical or Comedy" and for a Writers Guild of America Award for "Best Written American Comedy."

The film was well received by critics and has an 88% rating at Rotten Tomatoes. In his review for The New York Times, Bosley Crowther wrote that it was "one of the most joyous and comforting movies about teenagers that we've had in a long time".[19]

It was voted one of the Year's Ten Best Films by the National Board of Review in 1964.[20]

Johnson said "when I saw the picture, I was just delighted with it."[5]

Johnson says the film performed strongly at the box office in New York but struggled elsewhere and failed to return its costs. He and Hill felt that "the title was very bad though he didn't realize it then. It conveyed nothing to anybody." Johnson felt that this may have turned children off from going into the film.[16] Johnson also thought Peter Sellers, while funny, played the role too broadly, and that the film would have worked better with Rex Harrison.[10]