The vulture and the little girl

In March 1993 Robert Hadley, a former photographer and at this time the information officer for the UN Operation Lifeline Sudan, offered João Silva and Kevin Carter to come to Sudan and report about the famine in southern Sudan. It was an offer to go into southern Sudan with the rebels. Silva saw this as a chance to work more as war-photographer in the future. He started the arrangements and secured assignments for the expenses of the travel. Silva told Carter about the offer and Carter was also interested in going. According to fellow war photographer Greg Marinovich, Carter saw the trip as an opportunity to fix some problems "he felt trapped in". To take photos in Sudan was an opportunity for a better career as freelancer, and Kevin was apparently "on a high, motivated and enthusiastic about the trip".[4] To pay for the travel Carter secured some money from the Associated Press and others, but needed to borrow money from Marinovich, for commitments back at home too.[5] Not known to Carter and Silva was all the time that the UN Operation Lifeline Sudan did have "great difficulties in securing funding for Sudan pancake", explains Marinovich.[6] Marinovich wrote further: "The UN hoped to publish the famine… Without publicity to show the need, it was difficult for aid organizations to sustain funding". About the political differences and fighting "João and Kevin knew none of this – they just wanted to get in and shoot pictures".

Silva and Carter had prepared carefully for the trip. They stopped in Nairobi on their way to Sudan. The new fighting in Sudan forced them to wait in Nairobi for an unspecified period of time. In between Carter was flying with the UN for one day to Juba in south Sudan to take photos of a barge, with food aid for the region. But soon the situation changed again. The UN received permission from a rebel group to fly food aid to Ayod. Also Rob Hadley was flying on a UN light plane in and invited Silva and Carter to fly with him to Ayod.[7]

The next day their light aircraft touched down in the tiny hamlet of Ayod with the cargo aircraft landing shortly afterwards. The residents of the hamlet have been looked after by the UN aid station for some time. Greg Marinovich and João Silva described that in the book The Bang Bang Club, Chapter 10 "Flies and Hungry People".[8] The child was already cared for before Kevin Carter and João Silva landed there and Carter took his famous picture. Marinovich wrote that the villagers were already waiting next to the runway to get the food as quickly as possible: "Mothers who had joined the throng waiting for food left their children on the sandy ground nearby."[9] Silva and Carter separated to take pictures of both children and adults, both the living and dead, all victims of the catastrophic famine that had arisen through the war. Carter went several times to Silva to tell him about the shocking situation he had just photographed. Witnessing the famine affected him emotionally. Silva was searching for rebel soldiers who could take him to someone in authority and when he found some soldiers Carter joined him. The soldiers did not speak English, but one was interested in Carter's watch. Carter gave him his cheap wristwatch as a gift.[10] The soldiers became their bodyguards and followed them for their protection.[11][12]

To stay a week with the rebels they needed the permission of a rebel commander. Their plane was due to depart in an hour and without the permission to stay they would be forced to fly out. Again they separated and Silva went to the clinic complex to ask for the rebel commander and he was told the commander was in Kongor, South Sudan. This was good news for Silva, as "their little UN plane was heading there next". He left the clinic and went back to the runway, taking pictures of children and adults on his way. He came across a child lying on his face in the hot sun – he took a picture.[13]

Carter saw Silva on the runway and told him, "You won't believe what I've just shot! … I was shooting this kid on her knees, and then changed my angle, and suddenly there was this vulture right behind her! … And I just kept shooting – shot lots of film![13] Silva asked him where he shot the picture and was looking around to take a photo as well. Carter pointed to a place 50 m (160 ft) away. Then Carter told him that he had chased the vulture away. He told Silva he was shocked by the situation he had just photographed, saying, "I see all this, and all I can think of is Megan", his young daughter. A few minutes later they left Ayod for Kongor.[14]

In 2011, the child's father revealed the child was actually a boy, Kong Nyong, and had been taken care of by the UN food aid station. Nyong had died four years prior, c. 2007, of "fevers", according to his family.[15]

Due to the public reaction and questions about the child's condition, The New York Times published a special editorial in its 30 March 1993 edition, which said in part, "A picture last Friday with an article about the Sudan showed a little Sudanese girl who had collapsed from hunger on the trail to a feeding center in Ayod. A vulture lurked behind her. Many readers have asked about the fate of the girl. The photographer reports that she recovered enough to resume her trek after the vulture was chased away. It is not known whether she reached the center."[18]

Four months after being awarded the Pulitzer Prize for Feature Photography, Carter died of suicide by carbon monoxide poisoning on July 27, 1994, at age 33.[22][23] Desmond Tutu, Archbishop Emeritus of Cape Town, South Africa, wrote of Carter, "And we know a little about the cost of being traumatized that drove some to suicide, that, yes, these people were human beings operating under the most demanding of conditions."[24]

• Marinovich, Greg; Silva, João (20 September 2000). The Bang-Bang Club: Snapshots from a Hidden War. New York, N.Y.: Basic Books. ISBN 0-465-04413-1. SELIBR 4962156.