Thommie Walsh

In 1975 Walsh was invited by choreographer Tony Stevens to participate in a series of frank conversations among Broadway dancers, known as "gypsies," about their experiences, hopes, and dreams. The result was Michael Bennett's A Chorus Line, in which he originated the role of Bobby. The musical opened on Broadway on July 25, 1975.[5] The role of Bobby was in large part based on his life [6] and also used material from a comedy stand-up routine he used at the time. (Samples: "I thought about killing myself, but then I realized to commit suicide in Buffalo is redundant." and "I used to break into people's houses. I didn't steal anything; I'd just rearrange their furniture.") He co-wrote a book with Baayork Lee, another Chorus Line cast member, about the musical's origins and evolution, entitled On the Line, published by William Morrow in 1990.[7][8]

Walsh soon left his dancing career to concentrate on choreography, musical staging, and direction. His credits include The Best Little Whorehouse in Texas (1978 and 1982) with Chorus cast member Pam Blair, The 1940's Radio Hour (1979), A Day in Hollywood/A Night in the Ukraine (1980), with Chorus cast member Priscilla Lopez, Do Black Patent Leather Shoes Really Reflect Up? (1982), Nine (1982), My One and Only (1983) with Chorus cast member Ron Dennis,[9] Marilyn: An American Fable (1983),[10] and My Favorite Year (1992).[11]

He received the Tony and Drama Desk Awards for his choreography in A Day in Hollywood/A Night in the Ukraine and My One and Only which also earned him a Tony nomination for best direction.[9]

He went on to direct Lucky Stiff Off-Broadway in 1988[12] the musical Always in 1997 (West End debut),[13] and A Broadway Baby at Goodspeed Opera House in 1984.[14]

With such a developed reputation in the industry, Walsh was brought in as a show doctor on many of Broadway's shows during the 1980s, such as The Grand Tour, Black and Blue, The Tap Dance Kid; he also choreographed many numbers in Grand Hotel.

Walsh has also directed and staged musical numbers for Chita Rivera, Sandy Duncan, Mitzi Gaynor, Donna McKechnie, Whoopi Goldberg, Lorna Luft, Priscilla Lopez, Joel Grey, Barbara Cook, and Julie Budd.[15]

Walsh also directed and choreographed many commercials such as the NY Lottery, Perdue Chicken, Crush, and MCI. Walsh's last direction and choreography before his death was the national tour of The Best Little Whorehouse in Texas starring Ann-Margret and Gary Sandy.[16]

At the time of his death, he was working on a musical adaptation of A Tale of Two Cities as choreographer, for a Broadway opening.[17][18] Much of his work was done in collaboration with Tommy Tune, including The Best Little Whorehouse in Texas.[7]

He also was a judge for Miss America, Danny Hoctor's Dance Caravan and Stars of Tomorrow in conjunction with the Professional Dance Teachers Association.