Timberlake Wertenbaker

Wertenbaker was born in New York City to Charles Wertenbaker, a journalist, and Lael Wertenbaker, a writer.[4][5] Much of her childhood was spent in the Basque Country in the small fishing village of Ciboure.[4]

She has been described as possessing a "characteristic reticence"; she has indicated that this may spring partly from her upbringing in Ciboure: "One thing they would tell you as a child was never to say anything because you might be betraying someone who had done something politically or whatever. So I was inculcated with this idea of emotional privacy."[6]

Wertenbaker was the resident writer for Shared Experience in 1983 and the Royal Court Theatre from 1984 to 1985.[7] She was on the Executive Council of the English Stage Company from 1992 to 1997 and on the Executive Committee of PEN from 1998 to 2001. She served as the Royden B. Davis professor of Theatre at Georgetown University, Washington D.C., for 2005–06. She was the Leverhulme Artist in Residence at the Freud Museum in 2011. She was also the artistic director of New Perspective Theatre Company.

Currently, Wertenbaker is the Chair in Playwriting at the University of East Anglia. In addition, she is artistic adviser to the Royal Academy of Dramatic Art and on the council of the Royal Society of Literature.

Central topics in her work are the efforts of individuals, particularly women: pursuing quests, seeking change, breaking boundaries, and constructing or challenging gender roles. A central technique is the revisioning of actual or imaginary lives from the past, sometimes remote in place as well as in time.

There is a further recurring theme in her work: displacement. In her plays, characters are often removed from the familiarity of home and are forced to live in new cultures, sometimes defined by national boundaries, other times by cultural and class divisions. From this central theme emerge related themes, including isolation, dispossession, and the problem of forging an identity within a new cultural milieu. In her work, individuals often seem to assume roles, as if identity were a matter of persons performing themselves. Wertenbaker's work also demonstrates a keen awareness that communication occurs through language that often inadequately expresses experience.

She has a home in north London, where she lives with her husband, the writer John Man. They have one daughter.

In 1997, the British Library acquired Wertenbaker's archive consisting of manuscripts, correspondence and papers relating to her works.[8]

• 1985 Plays and Players Most Promising Playwright Award for The Grace of Mary Traverse
• 1988 Evening Standard Award for Most Promising Playwright, Our Country's Good
• 1988 Laurence Olivier/BBC Award for Best New Play, Our Country's Good
• 1989 Eileen Anderson Central Television Drama Award for The Love of the Nightingale
• 1989 Whiting Award for Drama
• 1990 Drama Critics' Circle Award for Best New Foreign Play (New York), Our Country's Good
• 1991 Critics' Circle Theatre Awards for Best West End Play (London), Three Birds Alighting on a Field
• 1992 Susan Smith Blackburn Prize for Three Birds Alighting on a Field
• 1992 Writers' Guild Award (Best West End Play) for Three Birds Alighting on a Field
• 2016 Writers' Guild Award (Best New Play) for "Jefferson's Garden"

Wertenbaker was made a Fellow of the Royal Society of Literature in 2006.[9]

• Mark Lawson, "Timberlake Wertenbaker: ‘You can’t get a straightforward history of America’", The Guardian, 7 February 2015.
• Profile and Production History at The Whiting Foundation