Twenty-One (game show)

Questions were still worth 1 to 11 points, but all main-game questions were multiple-choice, with no multiple-part questions. Questions worth six or fewer points had one correct answer out of three choices. Questions worth seven to ten points had one correct answer out of four choices; for ten-point questions, "none of the above" was an option. Questions worth 11 points had two correct answers out of five, and both were required. As with the original series, host Povich did not tell either contestant about the other's score or performance.

Incorrect answers no longer deducted points from a contestant's score. Instead, contestants received a strike for each incorrect response (or providing only one correct response on the 11-point questions); accumulating three strikes resulted in an automatic loss. This rule change meant that games could end without a winner, as the rounds were played to completion. If one contestant had struck out on his or her turn and the second contestant had two strikes, the contestant could also lose the game on an incorrect answer. However, a contestant did not know how an opponent had struck out unless explicitly told so by the host.[1]

Each contestant could call for a "Second Chance" once per game, allowing an opportunity to receive help from a friend or family member before answering. An incorrect response on a Second Chance penalized the contestant with two strikes instead of one. If the challenger struck out, and the champion had either one or two strikes and had not yet used his or her Second Chance, the round was played to completion because the champion could still strike out.

Games were still played to a maximum of five rounds, and beginning with the second episode, contestants had the option to stop the game after the second round if neither contestant had reached 21. If time ran out during a game and at least two complete rounds had been played, the contestant in the lead was declared the winner and advanced to the Perfect 21 bonus round at the beginning of the next episode.

Unlike the 1950s version, if the game ended in a tie, no new game was played. Instead, the contestants would be asked one question, and the first contestant to ring in could answer. If correct, he or she won the game and went on to play the bonus round; an incorrect answer gave the opponent a chance to respond. If both contestants missed the question, a new one was asked, with play continuing until a winner was determined.

Losing challengers received $1,000 as a consolation prize. Rather than receiving a dollar value multiplied by the point difference after winning each game, champions received progressively larger amounts for each opponent defeated.

All amounts are cumulative; in the first playout structure, winning four games would be worth $1,000,000. After winning a fourth game, the contestant started the chain again at $100,000 for defeating a fifth opponent, $200,000 for defeating a sixth, and so on. After a few early episodes, the number of matches required to win $1,000,000 increased; winning seven games would now be worth at least $2,675,000. As before, any contestant who defeated a seventh opponent started from the beginning of the chain.

When the rules changed, the returning champion had won one game and $100,000 in his appearance on the final show under the old prize structure. Instead of being "grandfathered" under the old prize structure, he played and won his second game for $250,000 (the next amount after $100,000), and played but lost his third game for $500,000.

Under both prize structures, champions remained on the show until being defeated, as in the original version. However, unlike the original show, new champions' winnings were not deducted from the totals of dethroned ones.

During the first six episodes, the audience chose the winner's next opponent. The audience would be presented with two potential challengers to face the current champion, and the audience would vote for an opponent using keypads. The person who received the higher vote played against the champion; the other person would be one of the two potential challengers to be voted upon for the next game. In the first episode, there were three potential opponents to face the champion. After the sixth episode, the process was changed to a random selection. At the beginning of the show, six potential challengers would be introduced, and would be selected randomly from that group for each new game. People who had not been selected by the end of the show were not guaranteed to return on the following show, although some did appear on the show multiple times before being selected to play.

The champion was asked a maximum of six true/false questions in a single category, starting at one point and increasing by one per question, to a maximum value of six. After any correct answer, the champion could stop playing and receive $10,000 per point; an incorrect answer ended the round and forfeited this money. Correctly answering all six questions won the top prize of $210,000.

Under the first payoff structure, Rahim Oberholtzer was the biggest winner, collecting $1,120,000 (at the time, the all-time game show winnings record) over four victories, three of which were the result of his opponents having struck out.

David Legler won $1,765,000 over six wins with the new payout structure and was the top winner in American game show history until 2001, he is now the eighth-highest winner.

The initial broadcast of Twenty-One was played honestly, with no manipulation of the game by the producers. That broadcast was, in the words of Enright, "a dismal failure"; the first two contestants were not successful at answering questions. Show sponsor Geritol, upon seeing this opening-night performance, reportedly became furious with the results and demanded improvements.[3]

As a result, Twenty-One became not only rigged, but almost completely choreographed as well. Contestants were cast almost as if they were actors, and in fact were active and (usually) willing partners in the deception. They were given instructions as to how to dress, what to say to the host and when, which questions to answer correctly or miss, and even when to mop their brows. The producers could shut off the air conditioning to either booth in order to make the contestants sweat more, making them appear to be under great stress.

Charles Van Doren in the isolation booth on the quiz show Twenty-One, with host Jack Barry (1957)

College professor Charles Van Doren (1926–2019) was introduced as a contestant on Twenty-One on November 28, 1956 as a challenger to champion Herbert Stempel (1926-2020), a dominant contestant who had become somewhat unpopular with viewers and eventually the sponsor. Van Doren and Stempel played to a series of four 21–21 games, with audience interest building with each passing week and each new game, until Van Doren eventually prevailed.

The film Quiz Show depicts the turning point as a question for Stempel asking him to name the film that won the Academy Award for Best Motion Picture for 1955.[4] Stempel knew that the correct answer Marty, as it was one of his favorite films. The producers ordered him to answer the question with 1954's Best Motion Picture winner, On the Waterfront. Stempel later recalled that there was a moment in the booth when his conscience and sense of fair play warred with his sense of obligation and that he almost disrupted the scripted outcome by giving the correct answer. Stempel answered incorrectly as he was instructed, but redeemed himself by staying in the game and earning enough points to tie Van Doren's score, unlike the depiction of events in Quiz Show. Stempel was finally defeated in the next game. The surviving kinescope of the broadcast shows Stempel failing to come up with the title of William Allen White's August 15, 1896 editorial in the Emporia Gazette titled "What's the Matter with Kansas?" After the missed question, Van Doren quit with 18 points, which was enough to win. Van Doren's victory began one of the longest and most storied runs of any champion in the history of television game shows. His popularity soared as a result of his success, earning him a place on the cover of Time magazine and even a regular feature spot on NBC's Today show; at one point, the program even surpassed CBS' I Love Lucy in the ratings. He was finally unseated as champion by Vivienne Wax Nearing (1926–2007) on March 11, 1957 after having won a total of $129,000 (the equivalent of $1,174,297 today).

In the meantime, Stempel, disgruntled over being ordered to lose, attempted to blow the whistle on Twenty-One, even going so far as to have a federal investigator look into the show. Initially, little came of these investigations and Stempel's accusations were dismissed as jealousy because there was no hard evidence to back up his claims. While a congressional investigation did affect Twenty-One during this period, the much larger ongoing investigation was the HUAC hearings into possible communists in entertainment; the show's director, Charles S. Dubin, was fired by NBC in June 1958 after he refused to answer whether he had ever been a member of the Communist Party USA.[5]

In August 1958, the popular CBS daytime game show Dotto was abruptly canceled after a contestant found a notebook containing the answers to every question that was to be asked to the show's current champion, future journalist Marie Winn. Stempel's allegations about Twenty-One began to gain credibility. A grand jury was convened in Autumn 1958 to investigate Dotto and other possible game-show fixing, investigated by Joseph Stone, the assistant district attorney of New York. Stone said in his book Prime Time and Misdemeanors that question writer Glorianne Rader was instructed by Dan Enright and associate producer Al Freedman, who had chosen the categories for the next broadcast earlier in the week, to place the questions in Barry's dispensing machine a few minutes before airtime; this was done to avoid any slip-ups in the planned outcome. Stone reached out to former Twenty-One contestants, including Richard Jackman, who confessed to the fixing of the show.[3] Three days after Jackman's confession,[3] and without advance public warning, Twenty-One was canceled after its broadcast of October 17, 1958, amid plummeting ratings. A nighttime version of Concentration took over its time slot the following week.

Further eroding Barry and Enright's claims of honesty, another former contestant, James Snodgrass, came forward with corroborating proof that the show had been rigged: using a series of registered letters that he had mailed to himself, Snodgrass documented every answer for which he was coached prior to airtime. He testified before Congress in 1959.[6]

The scandal forced producers Barry and Enright into virtual exile. Barry did not host another national TV show for more than a decade, and Enright moved to Canada to continue his production career.

The scandal also caused the Federal Communications Commission to mandate the sale of Barry-Enright's radio station in Hollywood, Florida, WGMA (now WLQY). The station was purchased by its general manager, C. Edward Little, who promptly affiliated the station with the Mutual Broadcasting System. After serving for a time as the head of Mutual's affiliates association, Little became the president of Mutual from 1972–79. During this time Little created the Mutual Black Network, the first U.S. broadcast network catering exclusively to African-Americans, in addition to the Mutual Spanish Network and the Mutual Southwest Network. Under Little's administration, Mutual became the first commercial broadcasting entity to use satellite technology for program delivery. During his tenure as head of Mutual, Little hired Larry King to host an all-night phone-in talk show Little had created. King was a one-time announcer for Little at WGMA. King, who had previously hosted a similar morning show on Miami radio station WIOD, went on to national fame on both radio and television, winning a coveted Peabody Award along the way.

Barry finally returned to game-show hosting in 1969, succeeding Dennis Wholey on ABC's The Generation Gap, for which he publicly thanked the producers and ABC for giving him a chance for a comeback. In 1971, he sold ABC his first new game show, The Reel Game, which he also hosted; it ran for 13 weeks. He became a success again as a producer-host with The Joker's Wild, which ran on CBS from 1972–1975 and in syndication from 1977–1986 (Barry died in May 1984 and was replaced by Bill Cullen for the final two years); it also saw a revival in syndication for one season in 1990. Enright would work as Joker's executive producer in the show's final year on CBS, and the two revived their partnership full-time in 1976, reviving Tic-Tac-Dough, which ran until 1986. It was revived once more but was canceled after a few months. Enright died in 1992.[7]

An unsold pilot was made in 1982 with Jim Lange as host and Charlie O'Donnell announcing, but it was not picked up. In the pilot, a bonus round was introduced, which consisted of a flashing display showing random numbers between 1 and 11. The contestant would decide whether he or she wanted the number or preferred that the computer take it, with the object of the game to either score 21 exactly first (or be closest to 21 without going over), or get the computer to bust by going over 21. Once the computer hit 17 or more, its score froze for the rest of the game, but this rule did not apply to the contestant.[8] The bonus-round prize was $2,000 and a trip.[8]

A second revival attempt was made by NBC in the wake of the success of ABC's Who Wants to Be a Millionaire, it aired on January 9, 2000. The new version was produced by Phil Gurin and Fred Silverman. The rules of this version, hosted by Maury Povich (and announced by John Cramer), were somewhat different from those of the 1950s version. It was taped at NBC Studios' Stage 1 in Burbank, the longtime studio of The Tonight Show.