Unsung: A History of Women in American Music

Unsung: A History of Women in American Music is a non-fiction book written by Christine Ammer about the subject of women in music and was first published in 1980 with a second edition published in 2001. The book covers approximately 200 years of American women's involvement in music.[1] Unsung has become a "standard text" for the subject of American women in music.[2]

Unsung: A History of Women in American Music
First edition
AuthorChristine Ammer
CountryUnited States
LanguageEnglish
SeriesContributions in Women's Studies no. 14
SubjectWomen in music
PublisherGreenwood Press, Amadeus Press
Publication date
1980, 2001
Media typePrint
Pages317, 382
ISBN9780313229091
OCLC5289380

Unsung covers many aspects of women in music with the exception of singers, due to the author's assertion that they do not experience the same level of gender discrimination as other endeavors women pursue in music, such as conducting or composing.[3] Unsung discusses this sexism that many women face during their musical careers, especially in the world of classical music and academia.[4]

First edition

Ammer wrote the first edition of Unsung because there was a lack of material about women in music at the time.[4] When Unsung was first published in 1980 it was considered "a pioneering volume at a time when women in music was a fledgling area located at the margins of musicology," according to Music & Letters.[5] Not only did the first edition of Unsung bring attention to women's roles in music, but also helped music from the United States gain "scholarly legitimacy."[5] Library Journal praised the first addition for its accessible prose and for the information about living composers "available nowhere else."[6]

Second edition

The second edition contains much of the same work as the original, with the additions of women's contributions to jazz and popular music.[5] Other changes include the additions of women involved in electronic music, music for film, performance art, and "international fusion."[3]

Criticism

Library Journal felt that the title was somewhat negative, saying that "many of these fine musicians have been widely acclaimed."[6]

References
  1. Riippa, Laurele (22 January 2001). "Spring 2001 Book List". Publishers Weekly. 247 (4). Retrieved 25 January 2016.
  2. Garnett, Liz (2006). "New Historical Anthology of Music by Women". Music & Letters. 87 (1): 167–171. doi:10.1093/ml/gci164. Retrieved 25 January 2016 – via Project MUSE.
  3. Dopp, Bonnie Jo (15 February 2001). "Unsung (Book Review)". Library Journal. 126 (3): 169. Retrieved 25 January 2016 – via EBSCO.
  4. Thomson, Andrew (15 October 2001). "Gendering Musical Modernism". Musical Times. 142 (1876): 62–63. doi:10.2307/1004628. JSTOR 1004628.
  5. Citron, Marcia (August 2002). "Unsung (Book)". Music & Letters. 83 (3). Retrieved 25 January 2016 – via EBSCO.
  6. Newlin, Dika (April 1980). "Unsung (Book Review)". Library Journal. 105 (7): 860. Retrieved 25 January 2016 – via EBSCO.
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