Van Diemen's Land (album)

Professional ratings

Review scores
Source	Rating
Renowned for Sound	[4]
The Music Au	[5]
Reverb Online	[6]
Rolling Stone Australia	[7]

Angus Fitz-Burden from Renowned for Sound said; "Other than the minimalist mid-album blues dirges "Breaker Morant" and "Loch and Gorge" and the telephone-filtered "Sandakan", the vast majority of the album doesn’t really stray from the stock standard, no frills Aussie pub-band sound of the early ‘80s that you still seem to hear in seedy pubs throughout the land however virtually doesn’t exist anymore on the vast spectrum of modern music. While it’s definitely nice to hear some attention paid to intriguing, textured lyrical content nowadays, they kind of read like that dusty old book of bush poetry that sits unread to this day on the bookshelf in your dad’s home-office."

Liz Giuffre from The Music AU said; "Clearly yearning for an old Australia, or at least wanting to have fun with some old myths and styles of old music, Russell Morris has delivered a mellow collection with Van Diemen's Land. Morris mixes international influences with local references from over time for his latest release. [It's] a good collection of folk/blues and national myths delivered by a man who knows his way around the local biz."

Courtney Laura of Reverb Online said; "It is evident through the detailed lyrics that he has spent quality time researching wonderful Australian stories and national myths, and constructing them into a collection of stunning folk and blues tracks. Throughout the whole album, Morris’s voice doesn’t waver as he adapts his vocals to each individual song and admirably clearly enunciates the stories through the lyrics. As each track is an unfolding story, they too have their own identity within the musicianship accompanying Morris." adding "Showcasing the spirit and history of our country, this is yet another of Morris’s projects to go out and add to your collection."

Michael Dwyer of Rolling Stone Australia said; "Like its predecessor, Van Diemen’s Land is all-true Aussie histories strung up on wiry blues arrangements like so many pages cut from yellowing broadsheets. The panorama spans colonial horrors to WW2 bombers and Japanese labour camps; dramas on river and sea and character portraits from Birdsville to Kings Cross. Morris’s voice is never less than totally engaged and engaging.”

At the ARIA Music Awards of 2014, the album was nominated for ARIA Award for Best Blues and Roots Album, losing out to Flesh & Blood by John Butler Trio[8]

• Artwork – Ian Phillips
• Bass, Percussion, Keyboards – Mitch Cairns
• Cello - Anita Quayle
• Double Bass - Scott Owen
• Drums, Percussion – Adrian Violi, Rob Hirst
• Guitar – Shannon Bourne, Joe Robinson, Ross Hannaford, Phil Manning
• Guitar [slide] - Rick Springfield, Peter Robinson
• Mastered By – Joe Carra
• Mixed By – Michael Carpenter, Mitch Cairns
• Producer - Mitch Cairns
• Saxophone - Joe Camilleri
• Tambone - Dave Palmer