Vazante (film)

Vazante is a Brazilian-Portuguese historical drama adventure film about slavery in 1820s Brazil, directed by Daniela Thomas. The film premiered in the Panorama section of the 67th Berlin International Film Festival.[1]

Vazante
Film poster
Directed byDaniela Thomas
Produced byBeto Amaral
Maria Ionescu
Sara Silveira
Written byDaniela Thomas
Beto Amaral
StarringAdriano Carvalho
Luana Nastas
CinematographyInti Briones
Edited byEstevan Schilling
Tiago Marinho
Production
company
Cisma Produções
Dezenove Som e Imagem
Ukbar Filmes
Release date
  • 10 February 2017 (2017-02-10) (Berlin)
Running time
116 minutes
CountryBrazil
Portugal
LanguagePortuguese

Plot

In 1821 a slave trader and miner, Antonio, returns home with imported African slaves only to discover his wife has died in childbirth along with their son. In grief he abandons his home and heads to the wild. As the mines have dried up and there is no other work or chance of money, Antonio's brother-in-law, Batholomeu, decides to take the slaves to be sold himself. On the journey the slaves manage to overpower Batholomeu and free themselves from their coffle. However as the leader of the group is fleeing he comes across Antonio who is close to death and saves him by returning him to his family.

Antonio re-enslaves the man who saved him. He remains despondent until he is approached by a free black man, Jeremias, who offers to turn his land into a profitable farm. During the burning of the brush Antonio briefly glimpses Beatriz, Batholomeu's youngest daughter who was attracted by the fire. Though she has not yet begun to menstruate, he decides to marry her, much to the distress of her parents who feel they cannot say no due to Batholomeu's loss of the slaves and their own financial difficulties.

Antonio does not consummate the marriage as Beatriz is too young, and shortly after their wedding leaves to obtain grains and other goods. Meanwhile Beatriz's family decides to leave for Serro.

Lonely and bored, Beatriz befriends some of the children enslaved by her husband, including Virgílio, a boy her own age. While out playing they accidentally discover the leader of the African slaves who saved Antonio, dead. The death bonds them together, and while out in the fields together they are discovered by Jeremias and are bound and dragged back to the farm. Jeremias flees and the rest of the slaves conspire to keep the incident a secret. Shortly after Beatriz begins to menstruate for the first time.

Antonio returns home. After learning that Beatriz has begun menstruating he initially puts off consummating their marriage and rapes Virgílio's mother, Feliciana. However he soon begins raping Beatriz. Feliciana soon grows pregnant as does Beatriz. Upon learning of Beatriz's pregnancy Antonio swears he will never leave her again. Beatriz tries to run away but is caught and brought back by Antonio.

Beatriz goes into labour. Antonio leaves and when he returns discovers that Beatriz has birthed a black child, fathered by Virgílio. In a rage Antonio murders Beatriz's child and grandmother as well as Virgílio and Feliciana.

As Antonio warns the other slaves not to touch their bodies Beatriz come out of the house and retrieves Feliciana and Antonio's crying child and begins to suckle the baby.

Cast

  • Adriano Carvalho as Antonio
  • Luana Nastas as Beatriz
  • Sandra Corveloni as Dona Ondina
  • Juliana Carneiro de Cunha as Dona Zizinha
  • Maria Helena Dias as Domingas
  • Roberto Audio as Batholomeu
  • Jai Baptista as Feliciana
  • Toumani Kouyaté as Lider
  • Vinícius dos Anjos as Virgílio
  • Fabrício Boliveira as Jeremias
  • Adilson Maghá as Porfírio
  • Geisa Costa as Joana

Release

Vazante premiered in the Panorama section of the 67th Berlin International Film Festival.[2]

Reception

As of June 2020, the film holds an 85% approval rating on review aggregator Rotten Tomatoes, based on 34 reviews with an average rating of 7.16/10.[3] On Metacritic, the film has a weighted average score of 68 out of 100, based on 12 critics, indicating "generally favorable reviews".[4]

The Hollywood Reporter described the film as 'a hushed opera that builds to a shattering climax'.[5]

References

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