Velina Hasu Houston

The youngest of three, Houston was born in international waters on a military ship en route to a U.S. base in Japan. Her mother, Setsuko Takechi, is Japanese originally from Matsuyama, Ehime, a provincial town in Shikoku Island. Her father, Lemo Houston, was African Native American/Blackfoot-Pikuni Native American Indian originally from Linden, Alabama. Houston's ancestral lineages include historical ethnic ties to India, Cuba, Armenia, Greece and China, with family ties to Hawaii, England, Germany, Brazil, Argentina and Scotland.[2]

Her parents met in Kobe in 1946, beginning their nine-year courtship at the disapproval of Velina's maternal grandfather who committed suicide as a result of his country's defeat in World War II (exacerbated by his daughter's desire to marry an American) and by the loss of his family's land due to the land reform policies supported by the US occupation. After the couple married, they eventually severed ties with both their families. The couple went on to adopt their only son Joji Kawada George Adam Houston, an Amerasian, in Tokyo after he was left orphaned at eight years old during the U.S. occupation.

In 1949, Velina's father returned to the United States. In order to be reunited with Setsuko, he volunteered for active duty in the Korean War and returned to Asia in 1951. Lemo and Setsuko's nine-year courtship was due to the fact that he respected her wishes to remain in Japan to care for her ailing mother. The couple married in 1954 and came to the U.S. in 1957 with the adopted Joji and Velina's sister Hilda Rika Hatsuyo, Velina being born en route and granted citizenship at her father's first U.S. military assignment at Fort Riley. Their new American experience was met with being discriminated against by Americans (including Japanese Americans) from both within and outside of their family, but the experience strengthened them and planted the seeds for the young writer.

The family settled in Junction City, Kansas, a small town adjacent to the military base, living a culturally Japanese lifestyle at the insistence of Velina's mother, Setsuko. In 1969, as a result of combat-related stress and alcoholism, Velina's father died. Setsuko continued raising her family in Junction City, a community consisting of hundreds of mostly Japanese and European immigrant women who married Americans after World War II.

Houston attended graduate school at the University of California at Los Angeles and at the University of Southern California. She holds a PhD from USC's School of Cinematic Arts, and an MFA from the University of California at Los Angeles' School of Theater, Film, and Television.

Houston has been recognized as a Japan Foundation Fellow, a Rockefeller Foundation Fellow (twice), a Sidney F. Brody Fellow, a James Zumberge Fellow (thrice), a California Arts Council fellow, and a Los Angeles Endowment for the Arts Fellow. She is a Pinter Review Prize for Drama Silver Medalist for Calling Aphrodite, which also was a finalist for the American Theatre Critics Association Steinberg New Play Award for its 2007 world premiere.

Houston continues to write plays and also work in other genres of writing.

Houston is Professor, Associate Dean of Faculty, Resident Playwright, and Founder/Director of the undergraduate Playwriting Program and Master of Fine Arts in Dramatic Writing at the University of Southern California. For several years, she taught master classes in screenwriting at the University of California at Los Angeles School of Theater, Film, and Television.[3]

Her most recent production was a premiere of her adaptation of Little Women, produced by the Playwrights' Arena in Los Angeles, on October and November, 2017.[4]

Houston resides in Los Angeles, with homes in Hawaii and Kyoto. She is married to Peter H. Jones of Manchester, England, with whom she has two children and two stepsons: Kiyoshi S. S. Houston, K. Leilani Houston, Evan W. Jones, and Jason K. Jones. Raised as a Buddhist and Shintoist, Houston attends an Episcopal parish, but practices a polytheistic faith.[2]