Viktor Bulla

Viktor Bulla was the son of photographer Karl Bulla. Raised in a Catholic family, he attended a British School in St. Petersburg in 1899 before studying photography in Germany. After completing his studies, he worked with his brother Alexander in his father's photography firm, Bulla & Sons.[1]

Viktor's work was first recognized when he was nineteen years old, working as a photojournalist for the Siberian Reserve Brigade during the Russian-Japanese war. His reports from the front were published in the journals Niva and Sparks, and were often reprinted in Russian and overseas news publications. He was at the center of wartime events, and was awarded the Silver Medal for Courage.

After the war, he returned to his job as a photojournalist in the family photo agency, and soon developed an interest in newsreels. In 1909, he and his brother Alexander launched a documentary film company, Apollo. Viktor was the partnership's cameraman, producer and director. Apollo produced and distributed newsreels, nature films, films covering sporting events (including an international skating competition in Vyborg and a 1910 automobile race from St. Petersburg to Rome and back), and adaptations of classic works of literature (including A. Ostrovsky and M. Maeterlinck's On The busiest place and Blue Bird, and even a fairy tale, The Frog Princess).[2][3]

After the outbreak of World War I, Viktor returned to work in the family photography agency, shooting the revolutionary events of 1917-1918 and taking part in the creation of a documentary film on the February Revolution of 1917, titled Chronicle of the Revolution in Petrograd. His dynamic and still shots served as the foundation for directors Sergei Eisenstein and M. Chiaureli in the creation of films about the revolution of 1917.

Viktor photographed the events of the October 1917 uprising, and directed the photography of the Petrograd Soviet. He was one of the progenitors of film and photographic depictions of Vladimir Lenin, filming Lenin in the eighth and ninth congresses of the Russian Communist Party in 1919 and 1920, and during the second and third congresses of the Comintern, in 1920 and 1921. He created portraits of many famous Russian Leaders Grigori Zinoviev, Lev Kamenev, Joseph Stalin and other Soviet and Party leaders, essentially acting as a staff photographer in Smolny.[4][5]

In 1928 Viktor and his brother Alexander submitted 30 photographs to the exhibition Soviet photography over 10 years. The jury awarded Viktor an honorary diploma.

In 1935, the Bulla family's photographic collection, consisting of approximately 132,683 negatives, was handed over to the Archives of the October revolution and socialist construction of the Leningrad Region.

After the murder of Sergey Kirov who recognized the importance of Viktor Bulla's work Bulla's position worsened. In 1936 he was dismissed from the position of the agency's head and forbidden to do artistic work. The lab was supposed to do just routine commercial work for the residents of the city.

On 19 July 1938 Bulla was arrested following a denunciation from the new director Bulla photo agency named Bortkevich. Viktor Bulla was questioned twice. The first round of questioning failed to produce any charges against Bulla, but during the second interrogation he was forced to confess to espionage activities. In 1938, a relative said that he was an "Enemy of the people", and he was exiled to the far east where he was sentenced to remain "ten years in solitary confinement." There were rumors that he died in one of the labor camps in 1942. In reality Viktor Bulla was executed on 30 October 1938. [6]