Vivah

Poonam Mishra (Amrita Rao) is a middle class girl who lives in the small town of Madhupur. After the death of her parents, while very young, her uncle Krishnakant (Alok Nath) fulfilled the void of a father in her life. However, her aunt Rama (Seema Biswas) is jealous and unable to accept Poonam as her own child, driven by the fact that her own daughter Rajni (Amrita Prakash) is dark in complexion and less beautiful than Poonam. Harishchandra (Anupam Kher), a renowned businessman from New Delhi, has two sons: Sunil (Samir Soni) who has married Bhavna (Lata Sabharwal), and Prem Bajapaye (Shahid Kapoor), who is a soft-spoken and well-educated person.

Poonam's simple and affectionate demeanor impresses Bhagatji (Manoj Joshi), a close friend of Krishnakant and a jeweller by profession. Bhagatji takes Poonam's marriage proposal for Prem. When Harishchandra takes his opinion on the proposition, Prem is initially hesitant and feels he is too young for marriage and needs to focus on his career first. Harishchandra convinces Prem to meet Poonam before deciding about anything. Respecting his father's wishes, Prem agrees to meet Poonam, get to know better and then take a decision. They visit Krishnakant's family and let Prem and Poonam get acquainted with each other. Though their first conversation is awkward, Prem and Poonam agree to get married, as they are instantly attracted to each other. Prem and Poonam get engaged and are set to be married in six months. Krishnakant invites Prem's family to their summer residence in Som Sarovar, so Prem and Poonam get the opportunity to know each other better.

Prem and Poonam go through the most magical and romantic period of their lives. Coming from different sensibilities, both want their relationship to be very right for each other. Both realize the importance of the engagement rings that they have given to each other and the special right that they have got on each other in return. They begin to fall in love and become attached to each other, thanks to the gentle prodding of their respective siblings. After several days, Harishchandra and his family return home to attend a business meet on urgent basis, which leaves Poonam and Prem the choice to communicate via telephone and letter. Prem joins the family business and takes on an important project in Japan. Upon returning, the family brings Poonam as a surprise and they celebrate their engagement.

However, two days before the actual wedding, a fire breaks out at Krishnakant's house. Although Poonam runs out of the house in time, she realizes that Rajni is still inside and goes to save her. Poonam gets heavily burnt in the process. The doctor informs her father that in such cases, even families disown their own. Bhagatji broken heartedly calls Prem right as he is leaving for Madhupur for the ceremony. As he is about to sign the waiver allowing her surgery, he begins to cry and cannot do so. Prem arrives, determined to marry Poonam despite her injuries and bringing with him the finest doctors from Delhi. He marries her informally before her surgery. With the aid of the Delhi doctors, the hospital successfully performs surgery on Poonam.Later, Poonam and Prem are traditionally married and go home to their new life. The film ends with Poonam and Prem consummating the marriage

Director/writer Sooraj Barjatya noted that the story of Vivah is based upon a newspaper article his father read in 1988.[4] Like in all of Sooraj R. Barjatya's previous films, the male lead is called Prem. The story combined elements of Hindu tradition to set itself up as a film of cultural significance and was constructed differently than Barjatya's earlier films. Barjatya hoped that the film would be remembered as the first to tackle the definitions and dynamics of a marriage.[5] In an interview with Times of India Barjatya said, he kept in mind all the novels of Saratchandra Chatterjee while making Vivah.[6] Barjatya felt that the film should possess a lyrical feel, since it was, according to him, "a lyrics oriented film."[7]

Filming took place during the first months of 2006.[8] The main hurdle came up with the location.[7] Barjatya wanted to shoot film in an authentic way. He asked the film's art director Sanjay Dhobade to create the entire town of Madhupur that can give a realistic look, particularly portions where water leaking takes place and portions where spit marks were visible on the walls of the buildings in the film.[7] Later, the town was created in film city, Mumbai. Outdoor session of the film was done in Delhi, Lonavla, Ranikhet, Nainital and Almora.[9]

Additional production credits include: Jay Borade – dance choreographer, Sound — Jitendra Chaudhary, Dialogue — Aash Karan Atal, Cinematography — Harish Joshi and Editor — V N Mayekar. Amrita Rao's costumes were created by Indian designer Anna Singh and Shahid Kapoor's clothes were created by Shabina Khan.[7] To promote the film, Shahid Kapoor and Amrita Rao sold tickets at the Fame Theatre in Malad, Mumbai.[10]

The soundtrack (songs and the background score) and lyrics for Vivah was scored by Ravindra Jain. Vivah was seventh collaboration of Ravindra Jain with Rajshri Productions.[7] It was produced under the Saregama label. The composer primarily gave special importance to "taal" and opted to keep two "antras" followed by a "mukhra" in the songs.[7] The orchestra combines with classical Indian instruments, like the sitar, sarod, violin, dholak and tabla to produce a blend between classical western and classical Indian music.[11] The complete film soundtrack album was released on 26 September 2006.[11][12]

Although the songs were appreciated, the music was criticised due to its monotony choice of instruments and music arrangements being very similar to one another. Rediff.com wrote in its music review that, "Vivah's music disappoints".[13] Nofil of Glamsham gave the album 2.5 out of 5 stars and noted that, "The music of Vivah fails to emerge as successful as other Rajshri family potboilers, Maine Pyar Kiya, Hum Aapke Hain Koun [sic] and Hum Saath-Saath Hain."[14]

Kapoor's performance earned him nomination for Best Actor,[15] while Rao received Best Actress nomination at the Screen Awards.[16]

Indian painter M. F. Husain, decided to create a series of paintings inspired by Amrita Rao and Vivah. He planned to create an entire exhibition around her.[32] He organised a private screening for 150 friends and press attendees to "convey his interest for the film" at Dubai's Plaza cinema.[33] The Regent, a theater in Patna, Bihar, put up a festive banner to promote the movie.[34] The banner reads Poonam weds Prem. Vivah inspired couples at that time to emulate the protagonists.[35]

• Official website
• Vivah at IMDb
• Vivah at AllMovie
• Vivah at Rotten Tomatoes
• Vivah at Bollywood Hungama
• Vivah at EPIC ON
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