Where the Boys Are

Where the Boys Are is a 1960 American CinemaScope comedy film directed by Henry Levin and starring Connie Francis, Dolores Hart, Paula Prentiss, George Hamilton, Yvette Mimieux, Jim Hutton, and Frank Gorshin. It was written by George Wells based on the 1960 novel of the same name by Glendon Swarthout. The screenplay concerns four college co-eds who spend spring break in Fort Lauderdale. The title song "Where the Boys Are" was sung by Connie Francis, who also co-starred in a supporting role.

This article is about the film. For the song, see Where the Boys Are (Connie Francis song). For the 1980s remake, see Where the Boys Are '84.
Where the Boys Are
DVD cover by Reynold Brown
Directed byHenry Levin
Produced byJoe Pasternak
Screenplay byGeorge Wells
Story byGeorge Wells
Glendon Swarthout
Based onWhere the Boys Are (1960 novel)
by Glendon Swarthout
StarringConnie Francis
Dolores Hart
Paula Prentiss
George Hamilton
Yvette Mimieux
Jim Hutton
Frank Gorshin
Music byScore:
George Stoll
Jazz:
Pete Rugolo
Songs:
Neil Sedaka (music)
Howard Greenfield (lyrics)
CinematographyRobert J. Bronner
Edited byFredric Steinkamp
Color processMetrocolor
Production
company
Distributed byMetro-Goldwyn-Mayer
Release date
  • December 28, 1960 (1960-12-28)
Running time
99 minutes
CountryUnited States
LanguageEnglish
Budget$2 million[1] (equivalent to $14 million in 2019)
Box office$3.5 million (US rentals)[1] (equivalent to $23.6 million in 2019)

Where the Boys Are was one of the first teen films to explore adolescent sexuality and the changing sexual morals and attitudes among American college youth. Aimed at the teen market, it inspired many American college students to head to Fort Lauderdale for their annual spring break.[2] It won Laurel Awards for Best Comedy of the Year and Best Comedy Actress (Paula Prentiss).[3]

Plot

The main focus of Where the Boys Are is the "coming of age" of four girl students at a midwestern university during spring vacation. Merritt Andrews (Dolores Hart), the smart and assertive leader of the quartet, expresses the opinion in class that premarital sex might be something young women should experience. Her speech eventually inspires the insecure Melanie Tolman (Yvette Mimieux) to lose her virginity soon after the young women arrive in Fort Lauderdale, Florida. Tuggle Carpenter (Paula Prentiss) seeks to be a "baby-making machine", lacking only a man to join her in marriage. Angie (Connie Francis) rounds out the group as an athletic girl who is clueless when it comes to romance.

The girls find their attitudes challenged. Merritt, a freshman, meets the suave rich-boy Ivy Leaguer Ryder Smith (George Hamilton), a senior at Brown University, and realizes she's not ready for sex. Melanie discovers that Franklin (Rory Harrity), a boy from Yale University who she thought loved her, was only using her for sex. Tuggle quickly fixes her attention on the goofy "TV" Thompson (Jim Hutton), a junior at Michigan State University, but becomes disillusioned when he becomes enamored of the older woman Lola Fandango (Barbara Nichols), who works as a "mermaid" swimmer/dancer in a local bar. Angie stumbles into love with the eccentric jazz musician Basil (Frank Gorshin).

The post-adolescent relationship angst of Merritt, Tuggle, and Angie evaporates when they discover Melanie is in distress after going to meet Franklin at a motel and instead finding there another of the "Yalies", Dill, who had raped her. Franklin had moved on to another girl, but told Dill that Melanie was "easy" and set up the ambush. Melanie, with her dress torn, ends up walking into the busy road nearby looking distraught and wanting to die. Just as her friends arrive, she is sideswiped by a car and goes to the hospital.

Ultimately, it seems the girls have learned the potentially serious consequences of their actions, and they resolve to act in a more mature and responsible manner. The film ends on a melancholy note, with Melanie's recovering in the hospital while Merritt looks after her, and with Merritt's promises to Ryder to continue a long-distance relationship. He then offers to drive them back to their college.

Cast

Production

Joe Pasternak bought the film rights to the novel, which originally was known as Unholy Spring, even before it was published. He assigned George Wells to write the script.[4]

"There isn't a gat, knife, or marijuana cigarette in the whole thing", said Pasternak. "These are good students. We'll use our young contract players, such as George Hamilton, Joe Cronin, Denny Miller, Alfredo Sadel, Bill Smith, Russ Tamblyn, Luana Patten, Maggie Pierce, Carmen Phillips, and Nancy Walters; then get one star to head the cast."[5] Natalie Wood, who had just made All the Fine Young Cannibals for MGM, was mentioned as a possible star at one stage.[6]

MGM eventually persuaded the book's author to change the title from Unholy Spring to Where the Boys Are.[7][8]

Henry Levin was signed to direct. The first two stars confirmed for the movie were George Hamilton and Yvette Mimieux.[9] Paula Prentiss was cast despite never having made a movie before.[10] Connie Francis also made her movie debut.[11]

The novel contained a section where the students help raise money to ship arms to Fidel Castro for his revolution in Cuba. Pasternak decided to remove this. "The author was very sympathetic to Castro", said Pasternak. "Politics does not belong in entertainment. As actors or writers or movie makers of any sort, we have a right to our political preferences. But that is why we have secret ballots... We felt that the only revolution these youngsters should be involved in was their personal revolution."[12]

George Hamilton got a bit part for his friend Sean Flynn in the movie.[13][14]

Hamilton says he improvised the scene where he wrote a question mark in the sand to Dolores Hart. He thought he was making a "little nothing of a film" and did not enjoy the shoot but it became a big success. The film also featured the screen debut, in an unaccredited role, by former Miss Ohio and Elvis Presley consort Kathy Gabriel.[15]

Music

The kind of cool modern jazz (or west coast jazz) popularized by such acts as Dave Brubeck, Gerry Mulligan, and Chico Hamilton, then in the vanguard of the college music market, features in a number of scenes with Basil. Called "dialectic jazz" in the film, the original compositions were by Pete Rugolo.[16]

MGM had bolstered the film's success potential by giving a large role to Connie Francis, the top American female recording star and a member of the MGM Records roster. Francis had solicited the services of Neil Sedaka and Howard Greenfield, who had written hit songs for her, to write original material for her to perform on the film's soundtrack including a "Where the Boys Are" title song. Sedaka and Greenfield wrote two potential title songs for the film, but producer Joe Pasternak passed over the song Francis and the songwriting duo preferred in favor of a lush 1950s style movie theme. Francis recorded the song on October 18, 1960 in a New York City recording session with Stan Applebaum arranging and conducting.

Although it only peaked at #4 in the U.S., the theme song of "Where the Boys Are" became Connie Francis's signature tune, followed by several cover versions.

Main article: Where the Boys Are (Connie Francis song)

Besides the theme song, Francis sang "Turn on the Sunshine", another Sedaka-Greenfield composition, in the film.

The film's soundtrack also features "Have You Met Miss Fandango?" The song was sung by co-star Barbara Nichols and featured music by Victor Young and lyrics by Stella Unger.[16]

MGM did not release a soundtrack album for Where the Boys Are.[17][18]

Reception

The film was a success at the box office.

MGM signed Henry Levin, Dolores Hart, Prentiss and Hutton to long-term contracts.[19]

Critical

American humanities professor Camille Paglia[20] has praised Where the Boys Are for its accurate depiction of courtship and sexuality, illustrating once-common wisdom that she contends has been obscured by second-wave feminism:

The theatrics of public rage over date rape are [feminists'] way of restoring the old sexual rules that were shattered by my generation. Because nothing about the sexes has really changed. The comic film Where the Boys Are (1960), the ultimate expression of '50s man-chasing, still speaks directly to our time. It shows smart, lively women skillfully anticipating and fending off the dozens of strategies with which horny men try to get them into bed. The agonizing date rape subplot and climax are brilliantly done. The victim, Yvette Mimieux, makes mistake after mistake, obvious to the other girls. She allows herself to be lured away from her girlfriends and into isolation with boys whose character and intentions she misreads. Where the Boys Are tells the truth. It shows courtship as a dangerous game in which the signals are not verbal but subliminal.

Accolades

The film is recognized by American Film Institute in these lists:

Proposed sequel

In 1960, it was announced Pasternak would make a follow up titled Where the Girls Are, starring George Hamilton. It was meant to be an entirely different story rather than a sequel.[22] But this was never produced.[23][24]

Pasternak also announced plans to reunite Hamilton, Prentiss, Hutton and Mimieux in a romantic comedy titled Only a Paper Moon from a story by George Bradshaw, "Image of a Starlet".[25] This became A Ticklish Affair, and was made, but without any of those actors.[26]

Nonetheless there were a number of unofficial follow-ups. MGM liked Paula Prentiss and Jim Hutton as a team so much they put them together in three more movies: Bachelor in Paradise, The Honeymoon Machine and The Horizontal Lieutenant. MGM also made a number of other romantic comedies in the style of Where the Boys Are, including Come Fly with Me and Follow the Boys.

It also inspired a number of imitations from other studios, including the Beach Party series and Palm Springs Weekend.

1984 film

Where the Boys Are '84 was released in 1984 by TriStar Pictures. While it bears the distinction of being the first film released by TriStar, the film was a critical and commercial failure. Although it was touted as a remake, Roger Ebert reported that "It isn't a sequel and isn't a remake and isn't, in fact, much of anything."[27]

References
  1. Tom Lisanti, Hollywood Surf and Beach Movies: The First Wave, 1959–1969, McFarland 2005, p38-42
  2. https://www.americanexperiment.org/reports-books/where-the-boys-are/
  3. Lisanti, Thomas (2015-05-07). Hollywood Surf and Beach Movies: The First Wave, 1959–1969. ISBN 9781476601427.
  4. Scheuer, Philip K. (Oct 20, 1959). "Columbia to Join in Hawaiian Cycle: Carol Haney Going Dramatic: Nick Adams Agreeable Rebel". Los Angeles Times. p. A7.
  5. Hopper, Hedda (July 3, 1959). "Looking at Hollywood: Joe Pasternak to Film College Vacation Tale". Chicago Daily Tribune. p. a4.
  6. Hopper, Hedda (Dec 24, 1959). "Looking at Hollywood: Natalie and Career Are in Good Shape". Chicago Daily Tribune. p. a1.
  7. "MGM, With 44 Films, Maps Plans Into 1960". Los Angeles Times. July 8, 1959. p. C10.
  8. Kennedy, Pagan (Mar 24, 2013). "Who Made That?: SPRING BREAK". New York Times Magazine. p. 20.
  9. Scott, John L. (May 18, 1960). "New Pictures Get Go-Ahead Signals: Karlson, Levin Will Direct for Widmark and Pasternak". Los Angeles Times. p. A11.
  10. Hopper, Hedda (June 10, 1960). "Pasternak Signs Unknown as Star: Paula Prentiss Will Have Lead in 'Where Boys Are'". Los Angeles Times. p. A9.
  11. Wolters, Larry. (June 26, 1960). "What's the Silliest Thing on Radio?". Chicago Daily Tribune. p. n12.
  12. MURRAY SCHUMACH (Aug 4, 1960). "PASTERNAK BARS POLITICS IN FILM: Producer Cuts Part on Cuba in 'Where the Boys Are,' Based on Swarthout Book". New York Times. p. 16.
  13. "Flynn's Son Making His Movie Debut". Los Angeles Times. June 27, 1960. p. 10.
  14. Hopper, Hedda (July 16, 1960). "Jimmy Stewart Wants to Do Play in London". Chicago Daily Tribune. p. n18.
  15. George Hamilton & William Stadiem, Don't Mind If I Do, Simon & Schuster 2008 p 143
  16. TCM Music
  17. Francis, Connie and others: Souvenirs, companion book to 4 CD retrospective "Souvenirs", Polydor (New York) 1995, Kat.-Nr. 314 533 382-2
  18. Roberts, Ron: Connie Francis Discography 1955–1973, revised editions 1979 and 1983
  19. Scheuer, Philip K. (Oct 13, 1960). "MGM Reactivates 'Spring' Musical: It's 'Early' Lerner-Loewe; Paramount Takes New Play". Los Angeles Times. p. B17.
  20. Camille Paglia "It's A Jungle Out There", first published in 1991 in New York Newsday
  21. "AFI's 100 Years...100 Songs Nominees" (PDF). Retrieved 2016-08-05.
  22. Hopper, Hedda (Nov 2, 1960). "Sinatra, Martin Planning Comedy: Janet Leigh Paged for Lead; Barrie Chase in 'State Fair'". Los Angeles Times. p. A9.
  23. Scheuer, Philip K. (Nov 15, 1960). "Harrison, Portman Up for 'Sherlock': Stevens Directs Gail Russell; Production in Spurt at 20th". Los Angeles Times. p. B7.
  24. EUGENE ARCHER (Oct 19, 1960). "MOVIE PRODUCER CITES STAR POWER: Pasternak Has 2 Scripts Prepared for Doris Day -- 3 New Films Today". New York Times. p. 55.
  25. EUGENE ARCHER (Mar 16, 1961). "FOX ABANDONING 'CLEOPATRA' SET: Studio Will Film Spectacle in Hollywood or Rome -- Comedy-Fantasy Opens". New York Times. p. 44.
  26. Smith, Cecil. (Nov 29, 1963). "Swift Comes Back for Loot, Not Art". Los Angeles Times. p. C32.
  27. Chicago Sun-Times Review:Where the Boys Are '84 by Roger Ebert, January 1, 1984
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