Who's Singin' Over There?

The old World War I veteran (played by Mića Tomić) is a cranky oldtimer on his way to Belgrade to visit his recently drafted son. He's extremely gratified that his successor is continuing the family's proud military tradition and doesn't miss an opportunity to let anybody caring to listen know about it. He's also the only passenger whose name (Aleksa Simić) we learn when he defiantly states it along with his military regalia during a random conversation.

Being extremely irritable, he is very cantankerous in his dealings with the other passengers. He basically only addresses them when he's got something to complain and vent his anger about.

The old man expresses non-verbal concern about German rampage through Europe which was already in full swing at the time, but doesn't indicate a shred of fear regarding a possible attack on Yugoslavia. At one point, in response to Germanophile's praise of German medicine and work ethic, he confidently and angrily retorts: "I gather you'd kinda like it if those scumbags came again. Bring 'em on, I was picking them off like fleas 'round these parts in 1917".

In another situation while paying for the bus ticket, the veteran asks conductor Krstić Sr. if he can ride for free, reasoning that he's taking money to his son in the military who "needs every dinar he can get". Krstić Sr. refuses, to which budding singer chimes in cynically from the back of the bus: "C'mon, let the old-timer ride for free, you can see he doesn't have a pot to piss in". Steamed by the snide comment, the veteran hops to his feet fuming and demanding to be sold 5 tickets in order to prove his buying power. Krstic Sr. turns him down again, this time angrily ("Stop annoying me old man"), and sells him a single ticket.

The Germanophile (played by Bata Stojković) is the polar opposite of the impulsive veteran, hence serving as a character foil to him. Speaking in proper and pointed tone, he displays constant subtle disdain for the surroundings he moves about in. From his straight posture with a nose pointed upwards to frequent condescending remarks, everything about him seems to indicate a personal opinion about being too good for people that surround him.

It is never explicitly indicated whether he's a Nazi sympathizer. He is, however, in utter awe of all aspects of German lifestyle. In the above testy discussion with the veteran, his parting shot regarding a possible Nazi invasion of Yugoslavia is: "Well, listen sir, at least we'd see some order around here".

The Germanophile is quick to criticize. While talking to the consumptive about a personal propensity for collecting rare rocks and folk tales, he laments the lack of interest in his activities that he encounters from everyday people.

He is also the first to castigate, chastising the young married couple for having been seen enjoying sex in the woods. As the two are doing the deed, unknowingly being peeped on by the rest of the passengers, he remarks while watching them in disgust: "Have they no shame?". When reminded by the budding singer about the fact that "we came here to watch them", the Germanophile reasons that "that has no relevance". Later on the bus, the humiliated young bride offers him her seat, but he vehemently refuses: "You've shown yourself in that bush - who you are and what you are".

Still later when it is discovered that the veteran's wallet is missing and as Krstic Sr. announces he'd search every one of the passengers until wallet is produced, the Germanophile stops him: "Why bother all these honest people when we know who around here likes to steal" pointing to two Gypsies, thus prompting their wrongful beating since the wallet was dropped along the way.

The speech patterns, manners, and visual appearance of the Germanophile are constructed in order to bear a very clear resemblance to Milan Stojadinović, the pro-German authoritarian conservative Prime Minister of Yugoslavia between 1935 and 1939.

With his Elmer Fudd-like appearance and tipsy walking style, the hunter is a spaced-out goofball used mostly for comic relief. After initially being late for the bus, he attempts to board it by hailing it midway. This leads to an absurdly funny scene in which Krstic Sr. decides to exercise some misplaced authority by refusing to allow him onto the bus, reasoning: "The stop is 200m downhill. You want someone to see me letting you on outside it and fine me?", despite their surroundings at the time being a complete wasteland with absolutely no signs of life .

The hunter is later thrown off the bus by Krstic Sr. when his rifle accidentally goes off. This was before he had the passengers angry for accidentally almost shooting the Germanophile while firing at a rabbit during an extended stopover and accidentally shooting from an army cannon...

The hunter is played by Taško Načić.

The budding singer (played by Dragan Nikolić) is a small-town dandy with dreams of turning schlager singing into a career and achieving fame. His reason for travelling to Belgrade is an audition for a singing stint at Lipov lad bohemian kafana. Since the other passengers are older and of not much interest to him, he mostly communicates with the young bride through flirtatious banter to which she seems very receptive. When the group discovers the young married couple having sex in the woods and gathers to peep on them, the singer famously quips: "The kid doesn't have a clue" - referring to the young groom's seeming awkwardness in the sack. During the peeping, the Hypochondriac inadvertently coughs and the Singer disdainfully remarks: "May God let you cough to death!", disappointed because the cough was heard by the couple, making them stop. He later openly makes a pass at the bride, offering her to stay with him in Belgrade.

The young newlyweds (played by Slavko Štimac and Neda Arnerić) offer a light-hearted injection of comedy and lust. The young bridegroom is obsessed with only two things: his constant eating and his irrepressible lust for his young bride. He seems singularly unaware, even as the singer makes every effort to seduce his young bride. The bride, meanwhile, wants nothing more than to see the big world—or at least to see Belgrade and the sea. The most memorable point in their performance is probably their comic scene of lovemaking in the bushes, while the rest of the passengers secretly assemble to watch.

From the very opening, the consumptive (played by Boro Stjepanović) is seen making health-related complaints and producing a hacking cough while holding a handkerchief up to his mouth. He is a bald, middle-aged, frail looking man with defeated demeanor and dark outlook on life that only add to his overall image of a doomed weakling.

Despite constant hacking and complaining, he's seen running and engaging in other physical activities in several scenes, leading to conclusion that some of his health issues might be exaggerated. At first some of the passengers offer positive reinforcement, but soon give up after facing his strong intent on feeling and displaying self-pity. On the other hand, he really does seem to have tuberculosis — a common disease at that time — as at one point he coughs out some blood onto his handkerchief.

A very colorful character, Mr. Krstić is the owner of the old bus the story takes place in. He is in his late 50s, overweight, seemingly harsh and greedy but very supportive of his son, and determined to help his child and himself in life. He is the owner of the bus, but he is also a pig merchant and a sort of con man. Towards the beginning of the film, he loads several pigs onto the back of the bus, despite the obvious disgust of the passengers. "When I sell the pigs in Belgrade, I'll earn more money than your tickets brought me", he says. He is also quick to criticize and throw people off his bus, but only after they have paid the ticket. His character evolves from a stereotypical grouch (although non-malevolent) at the beginning of the movie, to a loving, caring father towards the film's end. In the peeping scene, when Krstic Jr. says: "Dad, I would like to do this too", he, gaping at the young couple exhilarates: "Dad would as well, son" - a sentence which later became a very common utterance of agreement in Serbia.

The two Gypsy musicians provide a running commentary through the film, like a Greek chorus. One of them plays an accordion and sings, while the other plays a Jew's harp. The movie begins with them singing their recurring song, to which the refrain is "I'm miserable, I was born that way, I sing to sing my pain away... dear Mama, I wish this was just a dream." Near the end of the film, they are accused of stealing the veteran's wallet, and during the ensuing scuffle the bus is bombed. The musicians are the only survivors, and after they crawl out of the wreckage, the movie ends with them singing their song.