Wijdan Ali

Born, Sharifa Wijdan bint Fawwaz in Baghdad on 29 August 1939 into a noble family, she was raised in Jordan. She was the daughter of architect, Sharif Fawwaz Muhana and his wife, Sharifa Nafi'a bint Jamil Ali. Both her parents could trace their ancestry to the Prophet Mohammed, which allowed her to be given the title of Sharifa.[2]

In 1962, she joined the Foreign Office of the United Nations in Jordan, shortly after completing her B.A. in Middle Eastern history from Beirut University College (1961), now the Lebanese American University.[3] She was the first woman to enter the Ministry of Foreign Affairs in Jordan (1962) and also the first woman delegate to represent Jordan at United Nations meetings[4] and the first female diplomat at the United Nations General Assembly.

While working as a diplomat, she was studying art privately and received some of her early arts training from French teacher, Alice Ladoux.[5] In 1966, following her marriage to Prince 'Ali bin Naif the second son of the ruling Hashemite family on Jordan, she resigned from her diplomatic post and began to take art seriously. She then began to study art formally with Jordanian artists, Muhanna Al-Dura and Armando Bruno.[6] She received a Ph.D. in Islamic art from the University of London in 1993.[1]

Wijdan Ali is both a contemporary painter and art historian. Her art explores themes of universal tragedy, especially dramatic events in Arab history, such as the Karbala series, which explores the tragedy that occurred in seventh century Karbala, when the Prophet Mohammed’s grandson, Hussein, was martyred.[7] She also uses the motif of Islamic calligraphy as a graphic form, which was itself a revival of a traditional art form.[8] Her writing explores the rise and fall of an Islamic aesthetic in Islamic art and the dilution of centuries-long traditions, with the arrival of colonialism in North Africa and the Middle East.[9]

She is founder of the Royal Society of Fine Arts and of the Jordan National Gallery of Fine Arts. She is also founder and dean of the newly established Faculty of Arts and Design at the University of Jordan.[10] She is also a patron of the arts and has curated a number of exhibitions of Islamic art.[11]

Princess Wijdan Bint Fawwaz Muhana took the oath of office as Jordan's new ambassador to Italy before King Abdullah II on October 3, 2006.[12]

In her art, she develops the traditions of Arabic calligraphy in a modern format and, as such, she forms part of the contemporary school of Arabic calligraphic painting.[13] Due to her use of Arabic calligraphy as a graphic form, she has been described as a pioneer of the Hurufiyyah Art Movement. [7] Her work, which has won awards in Belgium and France, is found in museums and private collections internationally, including the collections of the British Museum, the Ashmolean Museum, the American National Museum of Women in the Arts and the National Art Gallery, Pakistan.[10] She has participated in the cross cultural cooperation " the Dance of Visions" in Gothenburg Sweden, invited by the Swedish artist Ragnhild Lundén. Her best known art works are a series of shimmering desert-scapes made during the 1980s.[14]

She is a highly respected historian of Islamic art,[15] and has authored, edited and contributed to a number of books, including several devoted to female artists in the Islamic world.[16]

Two of her seminal works in the field, are:[13]

• Contemporary Art from the Islamic World, 1989
• Modern Islamic Art: Development and Continuity, 1997

Select list of paintings

• Desert Hills, 1980s
• Desert Rain, 1980s
• Moab and Jordan Valley, 1980s
• Hussein, mixed media on paper, from the Karbala Series, 1993, Collection of the British, Museum, London
• Women of Karbala, Triptych, mixed media, from the Karbala series
• You and I are One, date unknown
• Broken Heart, date unknown

She is the daughter of Sharif Fawwaz Muhana, an architect, and Sharifa Nafi'a bint Jamil Ali. In 1966, she married Prince 'Ali bin Naif of Jordan, the grandson of King Abdullah I.[4] Following her marriage, she became a member of the Royal family and was given the title of Her Royal Highness Princess Princess Wijdan Ali.

• Islamic art
• Jordanian art
• List of Jordanians

• Bio on ircica.org
• Anne Mullin Burnham, 1994, Reflections in Women's Eyes, Saudi Aramco World

• Jonathan M. Bloom and Sheila S. Blair (eds), The Grove Encyclopedia of Islamic Art and Architecture, Volume 3, p. 363
• Sheila S. Blair, Islamic Calligraphy, Edinburgh University Press, 2006
• Ghada Hashem Talhami, Historical Dictionary of Women in the Middle East and North Africa, Rowman & Littlefield, 2013