Woollen, Molzan and Partners

Twenty-seven-year-old Evans Woollen III (1927–2016), who received a B.A. and an M.Arch. degree from Yale School of Architecture in 1952, founded the architectural firm in his hometown of Indianapolis, Indiana, in 1955. At Yale, Woollen studied under modern architects Philip Johnson, Louis Kahn, Paul Schweikher, and John M. Johansen.[3][4] Woollen also apprenticed at Johnson's firm in New Canaan, Connecticut, and worked on his own for two years before returning to Indianapolis.[5][6] 

In 1968 Woollen formed a partnership with Lynn Molzan, a Tacoma, Washington, native who joined the Indianapolis-based firm in 1965. Evans Woollen and Associates incorporated as Woollen Associates in 1968; after the addition of more partners, it was incorporated and renamed Woollen, Molzan and Partners in 1982. In addition to Woollen and Molzan, the principals of the firm included, among others, Laurence R. O'Connor; William Brady, who joined the firm in 1980; and Kevin Huse, who joined the firm in 1985 and later served as its president. The firm remained in operation for more than five decades. Woollen sold his interest in the firm and retired from the practice around 2001. Woollen Molzan employed as many as nine licensed architects during the 1990s; by 2006 it had only four. The architectural firm was dissolved and closed in April 2011; architects Molzan, Huse, and Mike Brannan joined Ratio Architects Inc., a local competitor.[7][8][9]

Woollen initially maintained an office on Indianapolis's Monument Circle in downtown Indianapolis. In 1980 the firm's leaders acquired the historic Majestic Building, restored it, and maintained its offices there for several years. When Woollen Molzan closed in 2011, its headquarters were located on South Kentucky Avenue in Indianapolis.[9]

Initially, Woollen specialized in designs for private homes, but the firm's work soon expanded to include commercial and urban-design projects.[7] Woollen's early commissions were primarily mid-century modern residences, such as the International-style home (ca. 1960–63) he designed for the Perlov family in Indianapolis. The project was featured in House and Garden magazine.[10] For the Leibman residence (ca. 1962–64), another of Woollen's early residential commissions that was featured in House Beautiful and House and Garden magazines, he created a modern interpretation of an old peasant farmhouse in southern Italy. The cluster house had two circular structures with conical roofs.[11]

Woollen's notable early commercial projects that were built in Indianapolis included Fesler Hall (1962), an addition to the John Herron Art Institute, and Clowes Memorial Hall (1963), which he co-designed John M. Johansen. Clowes Hall was built on the campus of Butler University.[12][13] These two buildings are notable for their exposed concrete slabs, which are typical of the Brutalism architecture style. The $3.5 million Clowes Hall project, which included a 2,200-seat concert hall for the university and the Indianapolis Symphony Orchestra, was the firm's first major work. Since its opening in 1963, the architectural community has praised its bold design,[14] and its success led to other major commissions, including the design of other performing-arts facilities. Another of the firm's early projects was the modern design for the Marian University library (1966) in Indianapolis. It was the firm's first academic library, which also became a specialty of the firm.[15]

In addition to these works, the firm designed the twenty-floor John J. Barton Tower (1967) in Indianapolis. The estimated $3.5 million project was the first high-rise apartment building in the city that provided low-cost housing for senior citizens.[5] Some of its critics described the tower as "ungainly" and "awkward," but it received international coverage in architecture journals for its "inventive take on public housing."[16] The firm also designed several banking facilities for the American Fletcher National Bank (a predecessor to the present-day Chase Bank in Indianapolis) and became known for designing religious buildings. One of its notable early churches was Saint Thomas Aquinas Church (1968) in Indianapolis. It received an Indiana Society of Architects award for its bold, geometric design.[17][18]

Minton-Capehart Federal Building/ Indianapolis, Indiana

The firm's major commissions in the 1970s included the Indiana University's Musical Arts Center (1972) in Bloomington and the Minton-Capehart Federal Building (1976) in Indianapolis.[7] The IU project, another example of Woollen's interpretation of the Brutalist style, includes work and storage spaces arranged around a cylindrical, 1,500-seat opera house. The $20 million Minton-Capehart Federal Building, which fills in the east side of the Indiana World War Memorial Plaza, was also designed in the "Brutalist architecture style. The federal building includes a rainbow-colored mural by graphic artist Milton Glaser that wraps around the exterior's base. Some have called the block-long, six-story building a "pigeon coop" and "the ugliest building in Indianapolis."[19][20] However, architects consider the massive building as one of the city's few "cutting-edge designs from the 1970s."[21] In addition to these projects, the firm designed the 45-room New Harmony Inn (1975) at historic New Harmony, Indiana.[22] and the renovation of a community auditorium.

Community redevelopment became a major area of focus for the firm in the 1970s. The firm's design for the $2.5 million Pilot Center (1972–84) in the Over-the-Rhine neighborhood of Cincinnati, Ohio, was a milestone in its professional development. It was here that Woollen and O'Connor first initiated the firm's "live-in" approach to its design process that encouraged client and community stakeholder participation.The U.S. Department of Housing and Urban Development provided funding to build the Pilot Center, which was a grouping of four, mixed-use buildings (a recreational center, a senior citizens center, a Montessori school and daycare center, and a meeting and event space) within a two-block area.[23][24]

The firm was also involved in several major renovations that repurposed older buildings in Indianapolis into inner-city housing. Its adaptive reuse projects turned the former Saint Agnes Academy, a former headquarters of the Carpenter's Union, and the former Saint Vincent's Hospital on North Illinois Street into apartment buildings and saved the aging structures from demolition. The hospital renovation, whose construction cost was $3.5 million, was the U.S. Department of Housing and Urban Development's largest rehabilitation project in Indiana. Renamed the Weyerbacher Terrace, the project's 296 units opened for rental in 1975.[25] (The hospital building was later remodeled and became part of the present-day Ivy Tech Community College campus.)[26]

Churches, libraries, museums, historic renovations, and performing-arts facilities continued to be hallmarks of the firm's work in the 1980s, which included several major projects. In 1979 the firm began design work at St. Meinrad Archabbey, a Benedictine monastery in Spencer County, Indiana. The archabbey is one of only two s in the United States. The firm's architectural designs included a new monastery and academic library, in addition to renovation of the historic archabbey church.[27] Saint Andrew's Abbey Church (1985–86) in Cleveland, Ohio, another of the firm's major works in the 1980s, has an asymmetrical exterior and striking modern sanctuary of exposed steel, concrete walls, and an upward-sloping ceiling.[28] The firm also designed churches in Indianapolis, including Saint Phillip's Church (1986) and a modern addition (1983–89) to Christ Church Cathedral, an Indianapolis landmark on Monument Circle.[7]

Grainger Engineering Library

The award-winning Cushwa-Leighton Library (1981–82) at Saint Mary's College in Notre Dame, Indiana was another notable project in the firm's academic library portfolio. The library was one of the five winners of the AIA/ALA Library Building Award for 1983.[29] The Grainger Engineering Library (1984) at the University of Illinois at Urbana–Champaign was also a notable project for the firm. University officials believed that its design would serve as a "model for future academic libraries."[30]

The firm also designed the west atrium entrance (1989) to The Children's Museum of Indianapolis as part of a multi-phase update to make it less intimidating for children, but still capable of handling more than a million visitors annually. In addition to a new entrance, the four-story addition included gallery space, a gift shop, a restaurant, a box office, and an information desk.[31]

Moody Music Center / University of Alabama - Tuscaloosa / Photographer: Balthazar Korab

Another of the firm's notable performing-arts buildings was the Moody Music Center (1983–90) on the University of Alabama campus in Tuscaloosa.[5] The firm also completed several historic preservation projects during the 1980s. Notable examples in Indianapolis include restorations of the Indiana Theatre, the main shed of Union Station, the Majestic Building, and Christ Church Cathedral.[9][14]

The 1990s began with the completion of the historic renovation of Hall Auditorium on the campus of Miami University in Oxford, Ohio. The firm also began work on the Wabash Valley Correctional Facility, the first all-new prison facility in Indiana in over a hundred years.[32][33] This project started the firm's work in the correctional market. Other major work in the 1990s included churches such as Holy Cross Lutheran Church (1990) and Saint Monica's Church (1993) in Indianapolis and a contemporary design for the White River Gardens Conservatory (1999) at the Indianapolis Zoo.[34]

Indianapolis Public Library / Central Library / Photographer: Jeffrey A. Kisling

The Indianapolis Central Library addition and atrium project (2007) was Woollen Molzan's largest commission and the final one before Evans Woollen III retired from the firm. The project included restoration of the Indianapolis Public Library's historic Central Library, which was designed by Paul Philippe Cret and built in 1917, and a new, six-story curved-glass and steel structure that connected to the Cret building through an expansive atrium.[35] The firm was commissioned in 2001 to design the new building, but work was temporarily halted in 2004 due to construction problems and subsequent lawsuits. The Woollen Molzan firm was eventually released from the project, which cost an estimated $150 million; however, the library addition was completed in 2007 using its design. Woollen Molzan's lawsuit with the library was settled in 2006. The firm paid the library $580,000, but denied accusations that the building had design flaws, and the library paid the Woollen Molzan firm $130,000 in fees.[9][36] The library's structural consultants "were exonerated in court" in 2009; "it is generally accepted that the innocence extended to Woollen, Molzan too."[36]

Charles V. Park Library, Central Michigan University

In its final years of operation, the firm designed several major academic buildings. These included ACES (2001), a $21 million project to create the College of Agricultural, Consumer, and Environmental Sciences Library, Information, and Alumni Center at the University of Illinois at Urbana-Champaign; the Kinlaw Library and Kirkland Learning Resources Center (2001), which cost $14 million to construct at Asbury University in Wilmore, Kentucky; the Charles V. Park Library and Information Services Center (2002), a $50 million project at Central Michigan University in Mount Pleasant; and the David L. Rice Library (2006) at the University of Southern Indiana near Evansville.[37] In 2010 the firm completed design work on its final project, a $3.4 million renovation of the historic Indianapolis City Market.[9]