2005 National Society of Film Critics Awards

1. Capote
2. A History of Violence
3. 2046

1. David Cronenberg – A History of Violence
2. Wong Kar-wai – 2046
3. Bennett Miller – Capote

1. Philip Seymour Hoffman – Capote
2. Jeff Daniels – The Squid and the Whale
3. Heath Ledger – Brokeback Mountain

1. Reese Witherspoon – Walk the Line
2. Keira Knightley – Pride & Prejudice
3. Kate Dollenmayer – Funny Ha Ha
3. Vera Farmiga – Down to the Bone

1. Ed Harris – A History of Violence
2. Mathieu Amalric – Munich
2. Frank Langella – Good Night, and Good Luck.

1. Amy Adams – Junebug
2. Zhang Ziyi – 2046
3. Catherine Keener – The 40-Year-Old Virgin, The Ballad of Jack and Rose, Capote, and The Interpreter

1. Noah Baumbach – The Squid and the Whale
2. Dan Futterman – Capote
3. Tony Kushner and Eric Roth – Munich

1. Christopher Doyle, Kwan Pun Leung, and Lai Yiu-fai – 2046
2. Robert Elswit – Good Night, and Good Luck.
3. Emmanuel Lubezki – The New World

1. Head-On (Gegen die Wand)
2. 2046
3. Caché

1. Grizzly Man
2. Darwin's Nightmare
3. Ballets Russes

1. Symbiopsychotaxiplasm: Take One (1968) and Symbiopsychotaxiplasm: Take 2​¹⁄₂ (2005), William Greaves' remarkable investigation into the nature of the acting process and power relationships on a movie set.
2. 13 Lakes, Ten Skies, and 27 Years Later, the three 2005 productions of James Benning. Few have done more over the last thirty years to expand the sensory and temporal boundaries of moving pictures.

• Unseen Cinema, the 7-disc DVD box set collection of pre-1942 American avant-garde cinema assembled by Anthology Film Archives and Bruce Posner—a massive and unprecedented undertaking made in concert with 60 other film archives and preservation organizations across the globe.

• The NSFC commends and congratulates our colleagues Kevin Thomas for his 44-year tenure as a movie critic at the Los Angeles Times, for his tireless championing in the heart of the world's movie capital of the power and beauty of independent, experimental and foreign film, for his long and important service to moviegoers around the industry, the country and the world.