747 (album)

Group member Hillary Scott told Billboard that they chose to name the album after the track "747" because "The track itself has this pushing, driving spirit about it that sums up our attitude right now. We are pushing ourselves as a band and as songwriters…taking ourselves out of our comfort zone and not taking ourselves too seriously. There's an urgency and an energy to it that we've never released before."[2] The group produced the album with Nathan Chapman making it their first album not to be co-produced with longtime collaborator Paul Worley.[3][4]

A deluxe version of the album was also released, containing three bonus tracks. One of these tracks, "Falling for You," was originally released on the soundtrack to the 2014 romantic drama The Best of Me. "Slow Rollin'" was originally recorded by Canadian country artist Dallas Smith.

Professional ratings

Aggregate scores
Source	Rating
Metacritic	66/100[16]
Review scores
Source	Rating
AllMusic[17]
Billboard[18]
Los Angeles Times[19]
The Michigan Daily[20]	(B)
The Boston Globe	(Negative)[21]

The album received generally positive reviews from contemporary music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 66, based on 5 reviews, which indicates "generally favorable reviews".[16] Stephen Thomas Erlewine of AllMusic rated the album three-and-a-half stars out of five, writing that the album's pop-leaning sound "showcases the trio at its best" and that 747 gives the impression that the band has embraced its crossover status.[17] Jill Menze of Billboard also noted the band's confidence on the record and attributed it to the more upbeat feel of the material. "The group's move away from its comfort zone is a worthy venture," writes Menze. "Lady A has always demonstrated the potential to deliver a little something more [and on] 747, we finally get a glimpse of it."[18] Billy Dukes of Taste of Country praised the band for mixing things up on 747 and deviating from the middle of the road vibe of prior releases: "Over their last few albums, Charles Kelley and company had fallen back to the middle... ’747′ provides depth, variety and most importantly, a vibe Lady Antebellum can call their own." Dukes also compared the sound on 747 favorably to the repertoire of Fleetwood Mac, noting "Golden" collaborator Stevie Nicks's influence.[22]

Michael McCall of MSN Entertainment described the album as having "a cohesive, celebratory feel that brings out the best in [the group] members" and praised the band for pursuing a sound that sets them apart from other country acts.[23] Gregory Hicks of The Michigan Daily wrote a positive review applauding the band for consistently delivering enjoyable country pop, but suggested that their sonic transformation on 747 was not as ambitious or pronounced as it has been made out to be. "As a typical Lady A-formulaic manufactured record," Hicks explains, "it’s an attractive, emotionally grasping LP... But don’t expect the album to cop an attitude in its sound."[20]

In a more critical review, reporter Mikael Wood of The Los Angeles Times felt the album was too heavy on "zippy pop-country arrangements" and that the trio's trademark harmonies suffered at the expense of tempo.[19] Marc Hirsh of The Boston Globe found the album's sequencing to be ineffective, drawing particular attention to the way the album "seems to simply stop" due to a lack of finality in the closing track, "Just a Girl", and criticized the band for being formulaic in their approach.[24]

747 received early predictions that the album would debut in the top ten and sell around 70,000 units.[25] The album debuted at number two on the US Billboard 200 chart, selling 74,000 copies in its first week.[1] This became Lady Antebellum's sixth US top-ten debut.[1] The album also debuted at number two on the US Top Country Albums chart. As of September 2015, the album has sold 285,900 copies in the United States.[26]

In Canada, the album debuted at number three on the Canadian Albums Chart, selling 8,000 copies in its first week.[27] On November 4, 2014, the album was certified gold by Music Canada for sales of over 40,000 copies.[28]

Musicians

Production