Country rock

Gram Parsons in 1972

Country influences can be heard on rock records through the 1960s, including the Beatles' 1964 recordings "I'll Cry Instead", "Baby's in Black" and "I Don't Want to Spoil the Party", the Byrds' 1965 cover version of Porter Wagoner's "Satisfied Mind", on the Rolling Stones "High and Dry" (1966), as well as Buffalo Springfield's "Go and Say Goodbye" (1966) and "Kind Woman" (1968).[1] According to The Encyclopedia of Country Music, the Beatles' "I Don't Want to Spoil the Party", their cover of the Buck Owens country hit "Act Naturally" and their 1965 album Rubber Soul can all be seen "with hindsight" as examples of country rock.[6] In 1966, as many rock artists moved increasingly towards expansive and experimental psychedelia, Bob Dylan spearheaded the back-to-basics roots revival when he went to Nashville to record the album Blonde on Blonde, playing with notable local musicians like Charlie McCoy.[7] This, and the subsequent more clearly country-influenced albums, John Wesley Harding (1967) and Nashville Skyline (1969), have been seen as creating the genre of country folk, a route pursued by a number of, largely acoustic, folk musicians.[7]

Dylan's lead was also followed by the Byrds, who were joined by Gram Parsons in 1968. Parsons had mixed country with rock, blues and folk to create what he called "Cosmic American Music".[8] Earlier in the year Parsons had released Safe at Home (although the principal recording for the album had taken place in mid-1967) with the International Submarine Band, which made extensive use of pedal steel and is seen by some as the first true country-rock album.[1] The result of Parsons' brief tenure in the Byrds was Sweetheart of the Rodeo (1968), generally considered one of the finest and most influential recordings in the genre.[1] The Byrds continued in the same vein, but Parsons left before the album was released to join another ex-Byrds member Chris Hillman in forming the Flying Burrito Brothers. The Byrds hired guitarist Clarence White and drummer Gene Parsons, both from the country band Nashville West. The Flying Burrito Brothers recorded the albums The Gilded Palace of Sin (1969) and Burrito Deluxe (1970), which helped establish the respectability and parameters of the genre, before Parsons departed to pursue a solo career.[1]

Emmylou Harris, the "Queen of country rock", playing in Rotterdam, Netherlands (2006)

Country rock was a particularly popular style in the California music scene of the late 1960s, and was adopted by bands including Hearts and Flowers, Poco (formed by Richie Furay and Jim Messina, formerly of the Buffalo Springfield) and New Riders of the Purple Sage.[1] Some folk-rockers followed the Byrds into the genre, among them the Beau Brummels[1] and the Nitty Gritty Dirt Band.[9] A number of performers also enjoyed a renaissance by adopting country sounds, including: the Beatles, who re-explored elements of country in songs such as "Rocky Raccoon" and "Don't Pass Me By" from their 1968 self-titled double album (often referred to as the "White Album"),[10] and "Octopus's Garden" from Abbey Road (1969);[11] the Everly Brothers, whose Roots album (1968) is usually considered some of their finest work; former teen idol Ricky Nelson who became the frontman for the Stone Canyon Band; John Fogerty, who left Creedence Clearwater Revival behind for the country sounds of the Blue Ridge Rangers (1972);[12] Mike Nesmith, who had experimented with country sounds while with the Monkees, formed the First National Band;[13] and Neil Young who moved in and out of the genre throughout his career.[1] One of the few acts to successfully move from the country side towards rock were the bluegrass band the Dillards.[1] Doug Dillard left the band to form the group Dillard & Clark with ex-Byrds member Gene Clark and Bernie Leadon.[14]

Dickey Betts of the Allman Brothers Band, brought elements of country rock into the band during the 1970s

The greatest commercial success for country rock came in the 1970s, with the Doobie Brothers mixing in elements of R&B, Emmylou Harris (the former singer with Parsons) becoming a star on country radio and Linda Ronstadt the "Queen of country-rock" creating a highly successful pop-oriented brand of the genre.[15] Pure Prairie League, formed in Ohio in 1969 by Craig Fuller, had both critical and commercial success with 5 straight Top 40 LP releases,[16] including Bustin' Out (1972), acclaimed by Allmusic critic Richard Foss as "an album that is unequaled in country-rock"[17] and Two Lane Highway, described by Rolling Stone as "a worthy companion to the likes of the Byrds' Sweetheart of the Rodeo and other gems of the genre".[18] Former Poco and Buffalo Springfield member Jim Messina joined Kenny Loggins in a very successful duo and Former members of Ronstadt's backing band went on to form the Eagles (two members of band were from the Flying Burrito Brothers and Poco), who emerged as one of the most successful rock acts of all time, producing albums that included Desperado (1973) and Hotel California (1976).[15] However, the principal country rock influence in the Eagles came from Bernie Leadon, formerly of the Flying Burrito Brothers, and the Eagles are perceived as shifting towards hard rock after he left the band in late 1975. The Ozark Mountain Daredevils had hit singles “If You Wanna Get To Heaven” (1974) and "Jackie Blue" (1975), the latter of which peaked at #3 on the Billboard Hot 100 in 1975. The Bellamy Brothers had the hit "Let Your Love Flow"(1976). In 1979, the Southern rock Charlie Daniels Band moved to a more country direction, released a song with strong bluegrass influence, "The Devil Went Down to Georgia", and the song crossed over and became a hit on the pop chart.[19]