Abel Góngora

Góngora began his career in Europe, joining the Irish animation studio Cartoon Saloon in 2006.[5][6] He initially served as a location designer and later became an animator, working on the television series Skunk Fu! (2007–08).[6][7] In 2007, Góngora moved to the French animation studio Ankama,[6] where he worked as an animator on the initial seasons of the company's Flash-animated series Wakfu (2008–12).[7] During his time at Ankama, the studio opened a Japan-based subsidiary, Ankama Japan, and relocated a group of 25 European animators to the Tokyo studio to work with a team of Japanese artists.[8] Góngora was one of the animators who temporarily moved to Tokyo; while there, he worked with director Masaaki Yuasa, who would later co-found Science SARU.[5] After Ankama Japan closed in 2011,[9] Góngora returned to the main Ankama studio in France. However, he remained in touch with Yuasa and his producer associate Eunyoung Choi, and following the foundation of Science SARU in 2013, joined the new company.[5][6]

Góngora was one of the first five staff members to join Science SARU, including Choi and Yuasa.[2] An admirer of Yuasa since his work on the animated series Kemonozume (2006),[10] Góngora was eager to work with him due to his distinctive artistic aesthetic and directorial style.[1] Unlike other Japanese animation studios which have focused either on traditional hand drawn animation or computer animation, Science SARU prioritizes the use of 'digitally assisted animation' which combines hand drawn and digital animation using programs such as Adobe Animate; an advantage of this production method is enabling efficiency with a small team.[3][11]

Góngora began his work with Science SARU on the studio's first project, an episode of the American Adventure Time animated series entitled Food Chain (2014); he served as one of three animators on the episode.[12] He next served as a digital animator on the studio's first television series Ping Pong the Animation (2014);[7] Science SARU provided 'digitally assisted' animation production services,[13] while Tatsunoko Production served as the primary studio.[14] Góngora made his directorial debut with a trio of promotional episodes for the American animated series OK K.O.!: Let's Be Heroes (2015–17).[4] A later directing assignment was the creation of the second opening credit sequence for Garo: Vanishing Line (2017–18), which Góngora also storyboarded and animated.[15] Thanks to these early experiences, Góngora quickly became the leader of digital animation at the studio, eventually becoming the studio's lead digital artist.[3] As the studio transitioned to larger projects, Góngora served as the head of digital animation on Science SARU's feature film productions Lu Over the Wall (2017) and The Night Is Short, Walk On Girl (2017), the Netflix series Devilman crybaby (2018), and the feature film Ride Your Wave (2019).[7][15] In 2020, Góngora won praise for his creation of the opening credit sequence for Keep Your Hands Off Eizouken! (2020),[16] which subsequently inspired internet memes,[17][18] received over 10 million views on Crunchyroll's official YouTube channel,[19] and was nominated for Best Opening Sequence at the 2021 Crunchyroll Anime Awards.[20]