Amílcar de Castro
Amílcar Augusto Pereira de Castro (6 June 1920 – 21 November 2002) was a Brazilian artist, sculptor and graphic designer.[1]
Amílcar de Castro | |
|---|---|
| Born | Amílcar Augusto Pereira de Castro 6 June 1920 Paraisópolis, Minas Gerais, Brazil |
| Died | 21 November 2002 (aged 82) Belo Horizonte, Brazil |
| Nationality | Brazilian |
| Other names | Amílcar Ferreira de Castro |
| Occupation | Artist sculptor graphic designer |
| Years active | 1950s–2002 |
| Known for | Iron Sculptures |
| Spouse(s) | Dorcilia Caldeira Castro |
| Children | 3 |
Early life and education
Born in Paraisópolis, Minas Gerais, Brazil Amilcar de Castro was the child of a judge and the oldest of seven children.[1] Having moved to Belo Horizonte in 1934 he graduated in law from the Federal University of Minas Gerais (UFMG) in 1945. He frequented the Escola Guignard from 1944 to 1950 where he studied design with Alberto Guignard and figurative sculpture with Franz Weissman.
Career
Moving to Rio de Janeiro in 1953 de Castro began his career as a graphic designer with the magazines "Manchete" and "A Cigarra." He carried out the graphic redesign of the Jornal do Brasil newspaper in 1957-1959.[1] In the sixties, though he was increasingly artistically more focused on sculpture, he undertook graphic design for several other Brazilian newspapers as well as working as a book designer for the publisher Editora Vozes.
From the 1960s he focused on sculpture and – alongside Lygia Clark, Lygia Pape and Helio Oiticica – was one of the leading figures of the Brazilian neo-constructivist movement.[2]
After receiving a grant from the Guggenheim Foundation and the "Foreign Travel" prize at the 15th National Salon for Modern Art in 1957 he travelled to the United States, basing himself in New Jersey. In 1971 he returned to Belo Horizonte dedicating himself to artistic and educational activities. He directed the Escola Guignard Foundation from 1974-77 where he taught "bidimensional and tridimensional expression." He was Professor of Sculpture at the UFMG School of Fine Arts from 1979–90 and of Sculpture at the Art Foundation of Ouro Preto-FAOP in 1979.
Output
De Castro is particularly famous for large, bold simple iron forms nearly always characterized by a design based on "one cut, one fold."[1] His method can be linked both to his earlier work with graphic design and paper, and to the mining heritage of his home state of Minas Gerais.[2]
De Castro did not just produce steel sculptures, he also used wood, marble and glass. Reflecting his training under Alberto de Guignard and his work as a graphic designer, he also produced thousands of graphic works, drawings prints and large scale paintings, as well as objects and jewelry.[2]
Personal life
De Castro was married to Dorcilia Caldeira Castro. They had three children.[1] He died in Belo Horizonte, Brazil on 21 November 2002.[1]
Selected works
- Untitled at the Museum of Modern Art, 1960
References
- Romero, Simon (2 December 2002). "Amilcar de Castro, 82, Brazilian Sculptor Known for Works in Iron". The New York Times.
- Salles, Evandro (2014). "Folds of Time (Curator's note from the exhibition leaflet)". "Amilcar de Castro – Repetição e Síntese" Exhibition at the Centro Cultural Belo Horizonte.
External links
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Wikimedia Commons has media related to Amilcar de Castro. |
- Amilcar de Castro at Arevalo Gallery
- Amilcar de Castro at Frieze
