An Officer and a Gentleman

The film was shot in late 1981 on the Olympic Peninsula of Washington, at Port Townsend and Fort Worden. The U.S. Navy did not permit filming at NAS Pensacola in the Florida panhandle, the site of the actual Aviation Officer Candidate School[5] in 1981. Deactivated U.S. Army base Fort Worden stood in for the location of the school, an actual Naval Air Station in the Puget Sound area, NAS Whidbey Island. However, that installation, which is still an operating air station today, was and is a "fleet" base for operational combat aircraft and squadrons under the cognizance of Naval Air Force Pacific, not a Naval Air Training Command installation.

A motel room in Port Townsend, The Tides Inn on Water Street (48.1105°N 122.765°W / 48.1105; -122.765), was used for the film.[6] Today, there is a plaque outside the room commemorating this (although the room has been extensively refurbished in the interim). Some early scenes of the movie were filmed in Bremerton, with ships of the Puget Sound Naval Shipyard in the background.

The "Dilbert Dunker" scenes were filmed in the swimming pool at what is now Mountain View Elementary School (Port Townsend Jr High School during filming).[6] According to the director's commentary on the DVD, the dunking machine was constructed specifically for the film and was an exact duplicate of the actual one used by the Navy. As of 2010, Mountain View Elementary is closed and is now home to the Mountain View Commons, which holds the police station, food bank and the YMCA, the latter of which holds the pool.

The filming location of Paula Pokrifiki's house was 1003 Tremont in Port Townsend.[6] As of 2009, the house was shrouded by a large hedge, and the front porch had been remodeled. The neighboring homes and landscape look identical to their appearance in the film, including the 'crooked oak tree' across the street from the Pokrifiki home. This oak tree is visible in the scene near the end of the film in which Richard Gere returns to the home to request Paula's help in finding his friend Sid. In the film, the plot has Paula leaving on a ferry ride away from the naval base. In reality, Paula's home is located approximately 8 blocks from Fort Worden.

Lynette Pomeroy's house was located on Mill Road, just west of the main entrance of the Port Townsend Paper Corp. mill. The house no longer exists, but the concrete driveway pad is still visible.

The interior of the USO building at Fort Worden State Park was used for the reception scene near the beginning of the film.

Battery Kinzie, scene of "I got nowhere else to go!"

The concrete structure used during the famous Richard Gere line "I got nowhere else to go!" is the Battery Kinzie located at Fort Worden State Park. The scene was filmed on the southwest corner of the upper level of the battery. The 'obstacle course' was constructed specifically for the film and was located in the grassy areas just south and southeast of Battery Kinzie.

The decompression chamber was one of the only sets constructed for the film and as of 2013, it is still intact in the basement of building number 225 of the Fort Worden State Park. It can be seen through the windows of the building's basement.

Building 204 of Fort Worden State Park was used as the dormitory and its porch was used for the film's closing 'silver dollar' scene.

The blimp hangar used for the famous fight scene between Louis Gossett Jr. and Richard Gere is located at Fort Worden State Park and as of 2013 is still intact, but has been converted into a 1200-seat performing arts center called the McCurdy Pavilion.

The filming location for the exterior of 'TJ's Restaurant' is located at the Point Hudson marina in Port Townsend. The space is now occupied by a company that makes sails. The fictional "TJ's" is an homage to the Trader Jon's bar in Pensacola, Florida, as a naval aviator hangout until it closed later in November 2003. For years, it was traditional for graduating Aviation Officer Candidate School classes to celebrate their commissioning at "Trader's."[7]

Originally, folk music singer and occasional actor John Denver was signed to play Zack Mayo. But a casting process eventually involved Jeff Bridges, Harry Hamlin, Christopher Reeve, John Travolta, and Richard Gere.[8][9] Gere eventually beat all the other actors for the part. John Travolta had turned down the role, as he did with American Gigolo (another Richard Gere hit).[9][10]

The role of Paula was originally given to Sigourney Weaver,[11] then to Anjelica Huston[11] and later to Jennifer Jason Leigh, who dropped out to do the film Fast Times at Ridgemont High instead.[12] Eventually, Debra Winger replaced Leigh for the role of Paula. Rebecca De Mornay,[12] Meg Ryan,[11] and Geena Davis[11] auditioned for the role of Paula.

In spite of the strong on-screen chemistry between Gere and Winger, the actors did not get along during filming. Publicly, she called him a "brick wall" while he admitted there was "tension" between them. Thirty years later, Gere was complimentary towards Winger when he said that she was much more open to the camera than he was, and he appreciated the fact that she presented him with an award at the Rome Film Festival.[13]

R. Lee Ermey was originally the main cast for Gunnery Sgt. Emil Foley due to his time of being an actual drill instructor for the United States Marine Corps at Marine Corps Recruit Depot San Diego in the 1960s. However, Taylor Hackford instead cast Louis Gossett Jr. and had Ermey coach him for his role as the film's technical advisor. It was there where the "steers and queers" comment from Gossett's character in the 1982 movie came from, which was later used for Ermey's role in the 1987 film Full Metal Jacket.[14]

Hackford kept Gossett Jr. in separate living quarters from other actors during production so Gossett could intimidate them more during his scenes as drill instructor.[15] In addition to R. Lee Ermey, Gossett was advised by Gunnery Sergeant Buck Welscher.[15]

Richard Gere rides a 750cc T140E Triumph Bonneville. In the United Kingdom, Paramount linked with Triumph Motorcycles (Meriden) Ltd on a mutual promotion campaign. Triumph's then-chairman, John Rosamond, in his book Save The Triumph Bonneville! (Veloce 2009), states it was agreed cinemas showing the film would be promoted at their local Triumph dealer, and T140E Triumph Bonnevilles supplied by the dealer would be displayed in the cinema's foyers.

Richard Gere balked at shooting the ending of the film, in which Zack arrives at Paula's factory wearing his naval dress whites and carries her off the factory floor. Gere thought the ending would not work because it was too sentimental. Director Taylor Hackford agreed with Gere until, during a rehearsal, the extras playing the workers began to cheer and cry. When Gere saw the scene later, with a portion of the score (that was used to write "Up Where We Belong") played at the right tempo, he said it gave him chills. Gere is now convinced Hackford made the right decision.[16] Screenwriter Michael Hauge, in his book Writing Screenplays That Sell, echoed this opinion: "I don't believe that those who criticized this Cinderella-style ending were paying very close attention to who exactly is rescuing whom."

The film has been available on various formats, first on VHS and also DVD. It was first released on DVD in 2000 with two extra features, audio commentary and film trailer. It was released as a collectors edition in 2007 with new bonus material. The film debuted on Blu-ray in the U.S. by Warner Bros. and UK by Paramount Pictures in 2013, however the same bonus features ported from the 2007 DVD are only on the U.S. release.[17][18] It was re-released in 2017 by Paramount Pictures.[19]

An Officer and a Gentleman was an enormous box office success and went on to become the third-highest-grossing film of 1982, after E.T.: The Extra Terrestrial and Tootsie.[20] It grossed $3,304,679 in its opening weekend[21] and $129,795,554 overall at the domestic box office.[22] It sold an estimated 44 million tickets in the US.

An Officer and a Gentleman was well received by critics and is widely considered one of the best films of 1982.[23][24][25] The film holds a 79% "Fresh" rating on the review aggregate website Rotten Tomatoes, based on 28 reviews, with the consensus: "Old-fashioned without sacrificing its characters to simplicity, An Officer and a Gentleman successfully walks the fine line between sweeping romance and melodrama".[26] It received rave reviews from critics, most notably from Roger Ebert, who gave it four stars. Ebert described An Officer and a Gentleman as "a wonderful movie precisely because it's so willing to deal with matters of the heart...it takes chances, takes the time to know and develop its characters, and by the time this movie's wonderful last scene comes along, we know exactly what's happening, and why, and it makes us very happy."[27]

Rex Reed gave a glowing review where he commented: "This movie will make you feel ten feet tall!" The British film critic Mark Kermode, an admirer of Taylor Hackford observed, "It's a much tougher film than people remember it being; it's not a romantic movie, it's actually a movie about blue-collar, down-trodden people."

The film is recognized by American Film Institute in these lists:

• 2002: AFI's 100 Years...100 Passions—#29[28]
• 2004: AFI's 100 Years...100 Songs:
  • "Up Where We Belong"—#75[29]
• 2006: AFI's 100 Years...100 Cheers—#68[30]

Louis Gossett Jr. became the first African-American actor to win the Academy Award for Best Supporting Actor and the fourth African-American Oscar winner overall (after Hattie McDaniel, Sidney Poitier and Isaac Hayes).

Producer Don Simpson complained about the song "Up Where We Belong", "The song is no good. It isn't a hit," and unsuccessfully demanded it be cut from the film. It later became the number one song on the Billboard charts.