Barb horse

Doctors of animal paleontology maintained between 1987 and 2002 that it is probably a native breed in North Africa, descended from a domesticated wild horse that had lived there for tens of thousands of years.  Research carried out in Algeria establishes that bones of horse species are found in deposits dating back 4000 years and more.  In North Africa, the horse is an integral part of human life, throughout its history.  Cave paintings of horses have been found in Algeria.  The Barb is an indigenous breed from the Maghreb in North Africa (Algeria, Tunisia, Mauritania, Morocco and Libya), according to paleontological studies and DNA analysis.  This origin is reinforced by the rock engravings and paintings and by the monuments that exist on the soil of North Africa from Libya to Morocco.  These inscriptions represent the domestication of a horse with the morphological characteristics of the current bearded horse.  The Barb has been bred since ancient times for hunting, warfare, parade and work.  It is the traditional companion of nomads and breeders in The Atlas Mountains and The High atlas.

When imported to Europe, the Barbs were sometimes mistaken for Arabians, although they have distinctly different physical characteristics. The Europeans saw that their size was similar and their handlers were Berber Muslims who spoke Arabic. An example of such confusion is that the Godolphin Arabian, one of the foundation sires of the Thoroughbred, was an Arabian stallion but, due to his Tunisian origins, was referred to as the "Godolphin Barb."[1]

The Barb is now bred primarily in Morocco, Algeria, Spain and southern France. Due to difficult economic times in North Africa, the number of purebred Barbs is decreasing. The World Organization of the Barb Horse, founded in Algeria in 1987, was formed to promote and preserve the breed. In 2014, the FEI recognized the Barb horse as their Horse of Honor at the World Equestrian Games in Normandy.[2]

Conformation of the Barb

The Barb may have had more influence on the racing breeds throughout the world than any other horse except the Arabian.[3] Berber invaders from North Africa took their horses, the forerunners of today's Barbs, to Europe from the early eighth century onwards. Once established with settlers on the Iberian peninsula, the Barb horse was bred with Spanish stock under 300 years of Umayyad patronage to develop the Andalusian (and the Lusitano).[3] The Andalusian was highly prized and it was used for major development stock in horse breeding all over the world.[4]

Historical references to "Barbary" horses include Roan Barbary, owned by King Richard II of England in the 14th century. The Barb horses were valued by other Europeans, including the Italians, whose noble families established large racing stables.[3] During the 16th century, Henry VIII purchased a number of Barbary horses from Federico Gonzaga of Mantua, importing seven mares and a stallion.[3] He continued to buy other Barbs and Andalusians. After the Royal Stables were sold off under Cromwell, private owners in England continued to value the Barbs and used them to develop the Thoroughbred.[3] The influence of the Barb is also evident in the Argentinian Criollo, the Paso Fino, and many other Western Hemisphere breeds, including the American Quarter Horse, the Mustang and the Appaloosa.

Despite its importance as a progenitor of other breeds, the Barb is less renowned than the Arab, possibly because it was considered a less attractive-looking breed. In other important qualities, the Barb has the same stamina and endurance, the same ability to thrive on meager rations, and the same sure-footedness and speed over short distances. The Barb also was valued for its "strong, short-coupled body, perfect for collection— the posture that makes weight-bearing easiest for the horse—its eagerness to learn and its gentle nature."[3] Because of these characteristics, beginning in the 16th century, the horses were also trained for dressage, in Paris and other European capitals. Sixteenth-century and later portraits of royalty on horses frequently portrayed the latter in dressage positions.[3]