Barbara Pym

Barbara Mary Crampton Pym was born on 2 June 1913 in Oswestry, Shropshire, the elder daughter of Irena Spenser, née Thomas (1886–1945) and Frederic Crampton Pym (1879–1966), a solicitor.[1] She was educated at Queen's Park School, a girls' school in Oswestry. From the age of 12, she attended Huyton College, near Liverpool. Pym's parents were active in the local Oswestry operatic society, and she was encouraged to write and be creative from a young age.[2]

In 1931, she commenced studying English at St Hilda's College, Oxford. At Oxford, Pym developed a close friendship with the future literary critic Robert Liddell who would read her early works and provide key feedback[3]

In early 1939, Pym approached Jonathan Cape about a job in publishing, however none was available at the time. The outbreak of World War II changed her plans, and Pym served in the Women's Royal Naval Service. From 1943, she served in naval postal censorship, eventually being posted to Naples.[4]

In June 1946, Pym commenced work at the International African Institute in London. She was the assistant editor for the scholarly journal Africa, where she would work until her retirement in 1974.[5] This inspired her use of anthropologists as characters in some of her novels, notably Excellent Women, Less than Angels, and An Unsuitable Attachment. Pym's sister Hilary separated from her husband in 1946, and the two sisters moved in together in a flat in Pimlico. They would later move to a house in Queen's Park.[6]

Pym never married or had children, despite several close relationships with men. In her undergraduate days, these included Henry Harvey (a fellow Oxford student, who remained the love of her life),[7] Rupert Gleadow[8] and the future politician Julian Amery.[9]

Pym wrote her first novel, Some Tame Gazelle, in 1935, but it was rejected by numerous publishers including Jonathan Cape and Gollancz.[10] She wrote another novel, Civil to Strangers in 1936 and several novellas in the following years, which were collectively published as Civil to Strangers after Pym's death. In 1940, Pym wrote the novel Crampton Hodnet, which would also be published after her death.[11]

After some years of submitting stories to women's magazines, Pym heavily revised Some Tame Gazelle which this time was accepted by Jonathan Cape for publication in 1950.[12] The poet Philip Larkin regarded Some Tame Gazelle as Pym's Pride and Prejudice.[13] The novel follows the lives of two middle-aged spinster sisters in an English village before the War, who are both given the possibility of love. That year, Pym also had a radio play – Something to Remember – accepted by the BBC.[14]

Pym's second novel, Excellent Women (1952) was well received, although her third, Jane and Prudence (1953) received more mixed reviews.[15] Her fourth novel, Less than Angels (1955) had poorer sales than the previous three.[16] but it attracted enough attention to be Pym's debut novel in the United States. A representative from Twentieth Century Fox came to England with an interest in securing the film rights, but this ultimately fell through.[17]

Pym's fifth novel, A Glass of Blessings (1958) was poorly reviewed, with Pym noting that - of her first six novels - it was the worst reviewed.[18] However the inclusion of sympathetic homosexual characters, in an era when homosexuality was largely frowned upon, attracted some interest in contemporary reviews, including The Daily Telegraph.[19] Pym's sixth novel was No Fond Return of Love (1961), in which two female academic research assistants fall in love with the same man. All of Pym's books up to this point had featured either the Anglican church community or anthropologists; No Fond Return of Love combines the two. The novel continued the downward trend of Pym's novels receiving minimal critical attention, however it was positively reviewed in Tatler, with the reviewer commenting:

I love and admire Miss Pym's pussycat wit and profoundly unsoppy kindliness, and we may leave the deeply peculiar, face-saving, gently tormented English middle classes safely in her hands.

In 1963, Pym submitted her seventh novel - An Unsuitable Attachment - to Cape. Editor Tom Maschler, who had recently joined the firm, rejected the manuscript, on the advice of two readers.[20] Pym wrote back to protest that she was being unfairly treated, but was told (sympathetically but firmly) that the novel did not show promise.[21] Pym revised the manuscript and sent it to several other publishers, but with no success. Pym was advised that her style of writing was old-fashioned, and that the public were no longer interested in books about small-town spinsters and vicars. She was forced to consider finding a new authorial voice, but ultimately felt that she was too old to change to adapt to what publishers considered popular taste.[22] Pym was told that the minimum 'economic figure' for book sales was 4,000 copies, whereas several of her books from the 1950s had not achieved that number.[23]

As a result, Pym did not publish anything from 1962 until 1977. Regardless, she continued writing novels and short stories, and refining existing works, while she continued her professional career at the International African Institute. Pym never fully forgave Cape, or Tom Maschler. She and her sister invented a dessert called "Maschler pudding", which was a combination of lime jelly and milk.[24] In 1965, she wrote in a letter, "I really still wonder if my books will ever be acceptable again".[25] Pym wrote The Sweet Dove Died in 1968 and An Academic Question in 1970. She submitted Dove to several publishers but it was again rejected. However her earlier novels were reprinted during this era due to popular demand among local libraries.[26] Pym wrote 27 short stories, of which only 6 were published during her lifetime. The remainder are stored in the Pym archives at the Bodleian Library.[27]

In 1961, Pym began a letter-writing correspondence with Philip Larkin, as he was preparing to write a review article of one of her novels.[28] They continued a constant series of letters for 19 years, right up until her death. They met for the first time in April 1975, at the Randolph Hotel, Oxford.

In 1971, Pym was diagnosed with breast cancer and underwent a mastectomy on her left breast. The operation was successful and she was deemed clear of cancer.[29] In 1972, Pym and her sister Hilary purchased Barn Cottage at Finstock in Oxfordshire. The sisters played an active role in the social life of the village. Pym retired from her career in 1974.[30] That year, she had a small stroke, which left her with temporary dyslexia.[31] She continued to write, completing Quartet in Autumn in 1976, which was similarly rejected by Hamish Hamilton Limited. Although Pym was no longer being published, she found a job on the awards committee of the Romantic Novelists' Association.

On 21 January 1977, the Times Literary Supplement ran an article in which high-profile literary figures listed their most underrated and overrated British novelists of the century. Pym was chosen as the most underrated writer by both Larkin and Lord David Cecil; she was the only novelist to be selected by two contributors. On the strength of this review, literary interest in Pym was revived after 16 years.[32][12] Pym and Larkin had kept up a private correspondence for 17 years, but even his influence had previously been of no use in getting her a new publishing contract. Several publishing companies expressed an interest, including her former publisher Cape. Pym rejected them in favour of Macmillan, who agreed to publish Quartet in Autumn the same year.[33] Before Quartet had been published, Macmillan also agreed to publish The Sweet Dove Died, which Pym had reworked since completing it 10 years earlier. Cape reprinted her earlier novels, to which they still had the rights. The BBC interviewed Pym for a programme, Tea with Miss Pym, which aired on 21 October 1977. Reviews were Quartet were almost uniformly positive, and the novel was nominated for the 1977 Booker Prize. Pym attended the ceremony, however the award went to Paul Scott's Staying On.

The rediscovery also meant Pym was noticed in the United States for the first time. E.P. Dutton secured the rights to all of Pym's existing novels, commencing with Excellent Women and Quartet in Autumn, and published Pym's entire oeuvre between 1978 and 1987.[34] The discovery of Pym's novels, combined with the narrative of her "comeback", made her a minor success in the USA during this period.[12] Pym was elected as a Fellow of the Royal Society of Literature following her return to the public eye.[35] Pym was interviewed for an episode of Desert Island Discs on 1 August 1978, which was replayed on BBC Radio 4 Extra on 2 June 2013 – the centenary date of her birth.[36]

Pym's final novels have a more sombre, reflective tone than her earlier novels which were in the high comedy tradition. By mid-1977, Pym had conceived an idea for her next novel, A Few Green Leaves, which would turn out to be her last. In January 1979 a lump in Pym's abdomen was diagnosed as malignant, a return of the breast cancer she had battled in 1971. She underwent chemotherapy while completing the draft of A Few Green Leaves.[37] Aware she did not have long to live, Pym attempted to complete the novel before her death. She had already considered the plot of another novel, which would follow two women from different social backgrounds starting with their youth and moving through to maturity, including sequences set in World War II[38] but she would never get to start work on it. By October 1979, Pym was confined to bed.[39] Pym had not been entirely satisfied with the final draft of A Few Green Leaves but she submitted it to Macmillan, who published it in 1980, shortly after her death.

On 11 January 1980 Barbara Pym died of breast cancer, aged 66. Following her death, her sister Hilary continued to champion her work, and was involved in setting up the Barbara Pym Society in 1993. Posthumously, Crampton Hodnet, An Academic Question, and An Unsuitable Attachment were published in conjunction with Pym's literary executor, the novelist Hazel Holt. Holt and Hilary Pym also published a collection Civil to Strangers and Other Writings which collected short stories and novellas from Pym's early years. Holt and Hilary Pym published three additional volumes: A Very Private Eye, an "autobiography" comprising Pym's edited diaries and letters; A Lot To Ask: A Life of Barbara Pym, a biography written by Holt, and A la Pym, a cookbook comprising recipes for dishes featured throughout Pym's novels.

Hilary lived at Barn Cottage until her death in February 2004. Pym and her sister are buried in Finstock churchyard. A blue plaque marking the cottage as a historic site was placed in 2006.