Casting Crowns (album)

Casting Crowns was formed in 1999 by Mark Hall (lead vocals), Hector Cervantes (guitar, vocals), Juan DeVevo (guitar, vocals), and Melodee DeVevo (violin, vocals) as a student worship band. The band is originally from Daytona Beach, Florida but relocated to Eagle's Landing First Baptist Church in McDonough, Georgia in 2001, where they recruited Megan Garrett (piano/vocals), Andy Williams (drums), and Chris Huffman (bass guitar) as members.[4][5] One of their independent records was discovered by Mark A. Miller, the lead vocalist for country band Sawyer Brown.[6] Although Casting Crowns had not released their independent records with intentions of receiving a record deal, Miller offered the band the opportunity to become the first artists signed to his record label.[6] The band agreed to join and signed with the as-yet-unnamed record label, an imprint of Provident Label Group, and began work on their debut album.[7] As a group, Casting Crowns was unusual in several ways, such as having seven members, never having toured before, and their producer (Miller) having no history in the Christian music industry. However, Christian singer and songwriter Steven Curtis Chapman was brought in to co-produce the album with Miller, giving the project a greater amount of support in the Christian music industry.[4] Terry Hemmings, Provident Label Group CEO/President and a personal friend of Miller, openly predicted success for Casting Crowns and made them one of his top priorities at the label.[4][7] While most artists in a similar situation would have received nine months for artist development, Hemmings gave the band four months and sped up the album's release.[4]

Most of Casting Crowns was recorded and mixed by Sam Hewitt at Zoo Studio in Franklin, Tennessee, with the exception of "If We Are the Body", which was mixed by Steve Bishir at Oxford Sound. Additional recording for "Voice of Truth", "What if His People Prayed", and "If We Are the Body" was conducted by Matt Goldman at Glow in the Dark Studio in Decatur, Georgia. The album was mastered by Ken Love at MasterMix in Nashville, Tennessee.[8]

Mark Hall, Casting Crowns' lead singer, wrote or co-wrote all but one of the album's tracks.

To promote the album prior to its release, lead single "If We Are the Body"[6][7] was released to Christian AC and Christian CHR radio on July 26, 2003.[1][9] The single was a significant hit at Christian radio stations,[10] peaking at number 1 on the Radio & Records Christian AC and Christian CHR charts[11] and at number 3 on the Billboard Hot Christian Songs and Hot Christian AC charts.[12][13] Casting Crowns was released on October 7, 2003[14] and debuted at number 198 on the Billboard 200 selling 6,000 units;[15] it also debuted at number 11 on the Christian Albums chart[16] and number 9 on the Heatseekers Albums chart.[17] By March 2004, the album had sold 168,000 copies in the United States, in large part due to the success of "If We Are the Body".[10] For the chart week of March 6, 2004, Casting Crowns reached its peak position of number 2 on the Christian Albums chart. The following week, the album reached the number 1 position on the Heatseekers Albums chart. "Who Am I", the album's 2nd single,[18] was released on February 22, 2004 to Christian AC, Christian CHR, and Soft AC/Inspirational radio.[2][19][20] The song topped the Radio & Records Christian AC, Christian CHR, and Soft AC/Inspirational charts[21] as well as the Billboard Hot Christian Songs and Hot Christian AC charts.[12][13] In May 2004 the album reached its peak position of number 59 on the Billboard 200.[22] "American Dream" was serviced to Christian Rock radio on June 24, 2004[23] while "Voice of Truth", the album's 3rd single,[24] was released to Christian AC, Christian CHR, and Soft AC/Inspirational radio on September 18, 2004.[3][25][26] "Voice of Truth" peaked atop the Radio & Records Christian AC and Soft AC/Inspirational charts[27] as well as the Billboard Hot Christian Songs and Hot Christian AC charts.[12][13]

By the end of 2004, Casting Crowns had sold over 710,000 copies.[28] It ranked as the 2nd best-selling Christian album[29] and the 126th best-selling album of 2004 in the United States.[30] Casting Crowns ranked as the 5th best-selling Christian album[31] and the 179th best-selling album of 2005 in the United States.[32] By September 10, 2005 the album had sold over 1 million copies.[4] Casting Crowns received re-releases in 2006 and 2007, both of them featuring bonus DVD content.[33][34] After first charting on the Billboard Catalog Albums chart in 2005[35] the album reached a peak position of number 7 on the chart for the chart week of September 5, 2009.[36] The album ranked as the 11th best-selling Christian album of the 2000s decade[37] and had sold around 1.7 million copies in the United States by December 5, 2009.[38] The album received a 2× Platinum certification from the Recording Industry Association of America (RIAA) in 2012,[39] signifying shipments of over 2,000,000 units.[40] It is one of only 8 Christian albums to reach that certification.[41] As of March 2014, the album has sold more than 1.9 million copies.[42]

Casting Crowns is noted as having a Christian rock,[14] pop rock[33][43][44] and rock[33][34][45] sound. Some critics noted that the album sounds somewhat similar to the work of Chapman.[43][44][46] The album's main instrumentation consists of guitar, keyboard, and violin.[43] The album's lyrics, which have been described by music critics as "bold"[47] and "straightforward",[44] take an approach which was described by Russ Breimeier of Christianity Today as "no-nonsense... tell[ing] it like it is, simply and with conviction".[44]

Album opener "What If His People Prayed", described as a pop song[44] challenges the listener; the couplet "What if the church, for heaven's sake/Finally stepped up to the plate/Took a stand upon God's promise/And stormed hell's rusty gates?" has been cited as an example.[47] "If We Are the Body", an acoustic rock song,[48] features the mandolin, violin, and accordion in its arrangement.[45] Inspired by a verse in the second chapter of James where the writer "admonishes the church for giving preferential treatment to any one particular group over another",[49] the song questions why the church does not minister impartially to everyone. The song's chorus, which references the Christian concept of the body of Christ, asks "If we are the body/why aren't his arms reaching?/Why aren't his hands healing?/Why aren't his words teaching?/And if we are the body/Why aren't his feet going?/Why is his love not showing them there is a way?"[49]

"Voice of Truth" was written around Hall's struggles with dyslexia and learning issues as a child.[50] Co-written by Chapman, the track is a pop rock[48] ballad,[44] encouraging listeners to tackle their personal fears and replace them with faith.[44][47] The song "Who Am I" has been described as a pop rock,[48] adult contemporary[44] and pop country song.[51] The ballad incorporates orchestral sounds[43] and lyrically explains emptiness without Christ.[44][47]

"American Dream", considered a rock anthem, features an arena rock sound.[48] Cited as an example of Hall's "in-your-face" approach to songwriting by Breimeier,[44] the track challenges the fixation of society with wealth, even at the cost of personal relationships.[4] It encourages listeners to not neglect their families in pursuit of their careers[47] and challenges fathers to spend a greater amount of their time with their families.[44]

"Here I Go Again" relates the story of a Christian, who instead of "sharing the gospel" with a friend, engages in "mindless conversation".[4] The song encourages listeners to overcome their fear of spreading the gospel in the chorus.[44][47] The album's final 4 songs are all worship songs,[47] with folk instruments incorporated in several of them.[44] "Praise You with the Dance", sung by the female members of the band,[43][44] has been described as a country rock song.[44] The song also incorporates a violin solo of "Lord of the Dance".[44] "Glory", described as a worship song, has been noted as displaying the "distinctive production touch" of Chapman.[45] The album closes with a cover of Darrell Evans' song "Your Love Is Extravagant"; it features harmony vocals from the band.[44]

Professional ratings

Review scores
Source	Rating
Allmusic	[52]
CCM Magazine	B[43]
Christian Broadcasting Network	[47]
Christianity Today	[44]
Cross Rhythms	[45]

Casting Crowns received positive reviews from music critics. Particular praise was given to the album's lyrical content[44][45][47] and production quality.[44][45] Ashleigh Kittle of Allmusic gave it 3 out of 5 stars, comparing the album's overall sound to that of Chapman, Caedmon's Call, and Phillips, Craig & Dean.[52] Andy Argyrakis of CCM Magazine gave the album a B grade, praising the album as a "promising freshman effort" but critiquing its "tendency to occasionally reflect its primary muse a bit too liberally".[43] Belinda S. Ayers of Christian Broadcasting Network praised the album's lyrics and sound.[47] Steve Best of Cross Rhythms gave Casting Crowns ten out of ten squares, saying, "The passion of lead vocalist and youth pastor Hall jumps out of each set of lyrics, while Chapman's distinctive production touch...makes this a must listen album".[45] While praising the album's overall production and lyrical content, Breimeier said the album "too readily recalls the work of its producers, leaving us to wonder how much of it is really Casting Crowns" – he gave the album 3.5 out of 5 stars.[44] The album received positive reviews from Brian Mansfield of USA Today, Robin Parrish of CMCentral.com, and Michael Herman of Christianity Today.[53]

All lyrics are written by Hall except where noted; all music is composed by Casting Crowns.

Credits adapted from the album liner notes.[8]

Casting Crowns

• Hector Cervantes – guitar
• Juan DeVevo – guitar, background vocals
• Melodee DeVevo – violin, vocals
• Megan Garrett – accordion, keyboard, vocals
• Mark Hall – lead vocals
• Chris Huffman – bass guitar
• Andy Williams – drums

Additional musicians

• Rob Graves – guitar
• Bernie Herms – strings
• Chris Mosher – keyboard, string arrangement, strings
• Jonathan Yudkin – string arrangement, strings

Technical

• Steve Bishir – mixing
• Steven Curtis Chapman – producer
• Matt Goldman – recording
• Ken Love – mastering
• Terry Hemmings – executive producer
• Sam Hewitt – recording, mixing
• Mark A. Miller – producer
• Chris Mosher – programming