Coles Corner (album)

Professional ratings

Aggregate scores
Source	Rating
Metacritic	85/100[1]
Review scores
Source	Rating
AllMusic	[2]
The Guardian	[3]
Mojo	[4]
NME	7/10[5]
The Observer	[6]
Pitchfork	8.1/10[7]
PopMatters	8/10[8]
Q	[9]
Stylus Magazine	A[10]
Uncut	[11]

Critics were almost unanimous in their praise for Coles Corner. AllMusic said that "early rock & roll and rockabilly, country, traces of the vintage-'40s pop, jazz, and even some blues, fall together in a seamless, nearly rapturous whole... Coles Corner is glorious, magical, and utterly lovely in its vision, articulation, and execution".[2] PopMatters stated that "Coles Corner heads full-bore into the vintage sounds of five decades ago... It takes a certain flair for a modern-day artist to pull off such a retro sound, and Hawley's complete lack of irony and bombast on this record makes it work... It's certainly not uncommon for contemporary artists to mine the past and successfully corner the ever-growing adult contemporary market... but none of those youngsters can match the style and grace with which Richard Hawley crafts his music. It's achingly beautiful, disarmingly intimate, simply the best-kept secret in popular music today."[8] The Guardian called the tracks "old-fashioned, lovelorn, immaculately produced songs" and said "[Hawley's] third album follows the template of its predecessors... if there is a difference it's in the richness of the emotions and textures".[3] Mojo called it "a glorious melange of love, loss, regret, homesickness and romance".[4] Pitchfork said "Coles Corner is unapologetically retro to the max but it works... Hawley resides deep inside this material, writing songs with the melodic muscle to stand up next to standards... you realize that Hawley's music can go wherever he wants it to go. He's not stuck in the past. He inhabits his record collection because he likes it there and has a feeling we will too. He's right."[7]

MusicOMH felt that if there were any reservations it was that "many Hawley songs are interchangeable" and "apart from the title track itself - which really is a cracker - there isn't anything in this album we didn't hear in the first two. It's still gorgeous, though."[12] The cover photo is NOT Coles Corner, but it is actually The Stephen Joseph Theatre in Scarborough.

The album was included in the book 1001 Albums You Must Hear Before You Die.[13]

All tracks written and composed by Richard Hawley, except where noted.

1. "Coles Corner" – 4:49
2. "Just Like the Rain" – 3:17
3. "Hotel Room" – 3:42
4. "Darlin' Wait for Me" (Hawley, Shez Sheridan) – 3:53
5. "The Ocean" – 5:36
6. "Born Under a Bad Sign" – 3:41
7. "I Sleep Alone" – 3:44
8. "Tonight" – 4:32
9. "(Wading Through) The Waters of My Time" – 3:48
10. "Who's Gonna Shoe Your Pretty Little Feet?" (Traditional; arranged by Hawley) – 4:08
11. "Last Orders" – 4:59

In the UK, six singles were released from the album:

• "The Ocean" (22 August 2005) - # 102 UK
  • CD (CD MUTE 347): "The Ocean" (single version) / "The Ocean" (album version)
  • 7" vinyl (MUTE 347): "The Ocean" (single version) / "Kelham Island"
• "Coles Corner" (31 October 2005) - # 146 UK
  • CD (CD MUTE 352) b/w: "I'm Absolutely Hank Marvin"
  • 7" vinyl (MUTE 352) b/w: "A Bird Never Flew on One Wing"
• "Just Like the Rain" (23 January 2006) - # 94 UK
  • CD (CD MUTE 357): "Just Like the Rain" (single version) / "Room with a View" / "Long Black Veil"
• "Born Under a Bad Sign" (20 March 2006) - # 81 UK
  • CD (CD MUTE 362): "Born Under a Bad Sign" (single version) / "Dark Road" / "Just Like the Rain" (enhanced video)
  • 7" vinyl (MUTE 362): "Born Under a Bad Sign" (single version) / "I'm Just Here to Get My Baby Out of Jail"
• "Coles Corner" (re-issue) (12 June 2006) - # 136 UK
  • CD (CD MUTE 367) b/w: "Long Black Train"
  • 7" vinyl (MUTE 367) b/w: "Can You Hear the Rain, Love?" (Live Acoustic)
• "Hotel Room" (4 September 2006) - # 64 UK
  • CD (CD MUTE 379): "Hotel Room" (single version) / "Young and Beautiful" (Live Acoustic)
  • 7" vinyl (MUTE 379): "Hotel Room" (single version) / "Some Candy Talking"

• Richard Hawley – vocals, acoustic guitar, electric guitar, 12-string acoustic guitar, 12-string electric guitar, baritone guitar, Spanish guitar, Hawaiian lap steel, hammer dulcimer, enchanted lyre, Omnichord, piano, drums, steel drum, vibraphone, baby glockenspiel
• Andy Cook – drums
• Colin Elliot – baritone guitar, electric bass, upright bass, piano, percussion, backing vocals, string arrangements
• Shez Sheridan – acoustic guitar, electric guitar, 12-string acoustic guitar, 12-string electric guitar, baritone guitar, reverb tremolo guitar, backing vocals
• Jon Trier – piano, Fender Rhodes, vibraphone, baby glockenspiel
• Johnny Wood – upright slap bass
• Gaynor Sutcliffe, Lizz Lipscombe, Susannah Simmons, Lizzie Ball - violin
• Naomi Koop, Simon Graham - viola
• Liz Hanks - cello