Q (magazine)

The magazine had an extensive review section, featuring: new releases, reissues, compilations, film and live concert reviews, as well as radio and television reviews. It used a star-rating system from one to five stars; indeed, the rating an album received in Q was often added to print and television advertising for the album in the UK and Ireland. While its content was non-free they hosted an archive of all of their magazine covers.[11]

Much of the magazine was devoted to interviews with popular musical artists.[2] It also compiled lists, ranging from "The 100 Greatest Albums" to "The 100 Richest Stars in Rock", with a special edition magazine called "The 150 Greatest Rock Lists Ever" published in July 2004.[12] Q also produced a number of special editions devoted to a single act/artist like U2 or Nirvana, but these magazines stopped in 2018, with its sister magazine, Mojo[2] (also owned by Bauer) continuing to produce specials devoted to artists like Bob Dylan.

Promotional gifts were given away, such as cover-mounted CDs[11] or books. The January 2006 issue included a free copy of "The Greatest Rock and Pop Miscellany … Ever!", modelled on Schott's Original Miscellany.

Every issue of Q had a different message on the spine. Readers tried to work out what the message had to do with the contents of the magazine. This practice (known as the "spine line") has since become commonplace among British lifestyle magazines, including Q's sister publication Empire and the football monthly FourFourTwo.

The magazine had a relationship with the Glastonbury Festival, producing both a free daily newspaper on-site during the festival and a review magazine available at the end of the event. This was first started as a Select magazine spin-off, though as Q moved its focus away from stadium rock and 'CD-quality' acts of the 1980s (like Dire Straits and Phil Collins) to the Britpop and indie rock stars of the 1990s, it was decided that EMAP did not need two monthly titles (and Raw magazine as well) covering the same genre of music; Select was shut in late 2000, with Q continuing. In January 2008, Mojo was launched by EMAP as a rival to Uncut Magazine and focused on all the rock stars, now viewed upon as being heritage and classic, that Q originally featured in its pages in 1986.

In late 2008, Q revamped its image with a smaller amount of text and an increased focus on subjects other than music. This "Rolling Stone-isation" led to criticism from much of the traditional Q readership, especially given that the total number of pages per issue had by then effectively halved since the earlier years of its publication.

In July 2020, Bauer published a Special Collector's Issue of the magazine (Q414), which it had intended to be the last edition[13][14][15] before deciding to attempt to sell the publication to another media group. This issue was more of a 'throwback' publication, similar to what Mojo had been doing, and featured articles and acts from 34 years of Q magazine. However, with other firms, such as Long Live Vinyl's owner Anthem Publishing,[16] ending the publication of a number of monthly music magazine titles, a buyer could not be found for the title, with editor Ted Kessler announcing that issue Q415 would be the last, on 20 July 2020.[17][18]

In the early days of publication, the magazine's format was much closer in tone to that of Rolling Stone (though with some of the characteristic humour of former Smash Hits staff shining through), with Tom Hibbert's "Who The Hell..." feature (including interviews with people like Jeffrey Archer, Robert Maxwell, Ronnie Biggs[19] and Bernard Manning) and film reviews.[20] However, after EMAP started to publish a new magazine called Empire in 1989 (the idea being that Empire would be 'Q with films'), the movie reviews migrated to the new publication, with Q becoming a magazine focused on music (one found for sale alongside Select and Vox in various magazine racks).

In the 1990s, former NME staff writers, such as Andrew Collins, Danny Kelly, Stuart Maconie, and Charles Shaar Murray joined Paul Du Noyer and Adrian Deevoy over at Q. Music coverage in IPC's 'inkie' indie weekly[21] was becoming more serious after Melody Maker closed down and so names like Maconie[22] felt more at home at a publication that would still run tongue-in-cheek articles such as "40 Celebs About Whom We Only Know One Thing" and "Do I Have To Wear This, Boss?" (Du Noyer's feature about every band having a member who looks out of place in the line-up).[19]

In 2006, Q published a readers' survey, "The 100 Greatest Songs Ever", which was topped by Oasis' "Live Forever".[23]

Q has a history of associating with charitable organisations, and in 2006 the British anti-poverty charity War on Want was named its official charity.

In the April 2007 issue, Q published an article listing "The 100 Greatest Singers", which was topped by Elvis Presley.[24] Lady Gaga posed topless in a shoot for the April 2010 issue of the magazine, which was banned by stores in the United States due to the singer revealing too much of her breasts.[25]

After a few years as a radio jukebox, Q Radio launched in June 2008 as a full-service radio station with a complete roster. Shows and presenters include Drivetime with Danielle Perry and Q the 80s with Matthew Rudd. The station was transmitted on the digital television networks in the UK and online. Coldplay were involved with the launch of the station by giving an exclusive interview on Q's flagship programme QPM on the launch day. It was based in Birmingham alongside the now-closed Kerrang! 105.2 after moving from London in 2009. The station was closed in mid-2013 after owners Bauer Media decided to use the station's bandwidth on various platforms (DAB, Digital TV) to launch Kisstory, a spinoff of their Kiss brand. There was a Q TV television channel in the UK, which launched on 2 October 2000 and closed on 3 July 2012.[26]

Q held a yearly awards ceremony called the Q Awards from 1990 until 2019. The Q Awards came to an end along with the publication itself.

In February 2012 Andrew Harrison was recruited as editor, replacing Paul Rees during a difficult period when on-line publishing had lead to a 17% decline in the magazine's circulation in the first half of 2012. It then fallen to 64,596 unites; a reduction in volume described by The Guardian as "the worst performance of any music magazine in the period".[27][28] Direct reporting to Publishing Director Rimi Atwal of Bauer Media Group, Harrison's brief was to "refocus" and revive the magazine, and to that end he took on a number of new journalists and launched their iPad edition, but decided against a rebranding. Under his tenure, Q was named "Magazine of the Year" at the 2012 "Record of the Day" awards.[29] He left just 14 months later, according to the Guardian, "as print music magazines continue to endure torrid times" and even free titles were failing to compete against blogs and platforms dependent on online advertising.[27]

According to the global business magazine Campaign in 2008, Q had been criticised for "playing it safe" with its album reviews and cover mounts.[30]

In a 2001 interview in Classic Rock, Marillion singer Steve Hogarth criticised Q's refusal to cover the band despite publishing some positive reviews:

I don’t understand why Q Magazine won't write about us. The most memorable review they gave us was of Afraid of Sunlight which said, "If this were by anything other than Marillion it would be hailed as near genius". And they still wouldn't give us a feature. How can they say, "this is an amazing record ... no, we don't want to talk to you"? It's hard to take when they say, "here's a very average record ... we'll put you on the front cover". Why don't they just stop pretending that it's all about music and admit it's really about money? Then put the top-selling five bands on the cover and tell everyone else to fuck off.[31]

In 2005, after winning the Q Legend award at the Q Awards, New Order bassist Peter Hook called the magazine "two-faced cunts who give us bad reviews".[32]

• Official Q website
• Q Magazine lists