Crispin Glover

Crispin Glover in September 2008

Glover began acting professionally at the age of 13.[9] He appeared in several sitcoms as a teenager, including Happy Days and Family Ties. His first film role was in 1983's My Tutor. That led to roles in Teachers (1984) and Friday the 13th: The Final Chapter (1984).[10] He then worked with director Trent Harris on the third chapter of the Beaver Trilogy, entitled The Orkly Kid. In this short film, he portrayed a small-town man who organizes a local talent show to showcase his obsession with Olivia Newton-John, much to the embarrassment of the local community. At the climax of the film, Glover does his rendition, in full drag, of Newton-John's "Please Don't Keep Me Waiting" from her 1979 album Totally Hot.

His breakout role was as George McFly in Robert Zemeckis's Back to the Future, an international box office success in 1985; his character was the father of Marty McFly, despite being three years younger than Michael J. Fox in real life. Glover and the producers could not agree on suitable terms for him to appear in the sequels, so the role was greatly reduced and recast. In Back to the Future Part II, Zemeckis reused brief footage of Glover which had been filmed for the first film. Glover was billed as "George McFly in footage from Back to the Future" in the closing credits. The older footage was combined with new footage of actor Jeffrey Weissman wearing a false chin, nose and cheekbones, and various obfuscating methods – in the background, wearing sunglasses, rear shot, upside down – to play George McFly. Because these methods suggested that Glover himself had performed for the film, he sued the producers on the grounds that they had used his likeness without permission, as well as not having paid him for the reuse of the footage from the original film. As a result of this suit, there are now clauses in the Screen Actors Guild collective bargaining agreements which state that producers and actors are not allowed to use such methods to reproduce the likeness of other actors.[11]

Glover in March 2010

He has continued to play exceedingly eccentric types, including playing Andy Warhol in Oliver Stone's The Doors in 1991, as well as the title characters in Bartleby (2001) and Willard (2003). He received mainstream attention as the "Thin Man" in the Charlie's Angels films;[12] the character had initially been cast as a speaking role, but Glover, noting that the lines as written were exposition, convinced the producers to eliminate the lines to create a precise image for the character.

Glover was a co-interlocutor with Norm Hill and Werner Herzog for the special feature commentary for the DVD of Werner Herzog's Even Dwarfs Started Small[13] and Fata Morgana.[14]

Glover appeared in the 2007 film Beowulf as the monster Grendel, playing the part through performance capture technology. The film was Glover's first collaboration with director Robert Zemeckis since the original Back to the Future film. He voiced the character "6" in the film 9. Glover played Ilosovic Stayne / The Knave of Hearts in Tim Burton's Alice in Wonderland. He played the one-armed bellman in Hot Tub Time Machine, and the unwitting employee of Robert De Niro's character in The Bag Man.

In 1989, during a hiatus from films, Glover released an album titled The Big Problem Does Not Equal the Solution, The Solution Equals Let It Be through Restless Records, produced by Barnes & Barnes. The album features original songs such as "Clowny Clown Clown", odd versions of Lee Hazlewood's "These Boots Are Made for Walkin'", and Charles Manson's "I'll Never Say Never to Always" (sung in falsetto), and readings from his art books Rat Catching and Oak Mot. Sample pages from these books are featured in the album's liner notes.

Glover recorded a version of the Michael Jackson song "Ben" to coincide with the release of his 2003 film Willard; the song had been written for the sequel to the original 1971 version of the film. In the music video for the song, he sings to a rat named Ben.

A number of songs using Glover's name as the title have been recorded by various artists, including shoegaze/gothic rock band Scarling., Chicago outsider musician Wesley Willis and a New Jersey-based band called Children in Adult Jails.

Glover has written between 15 and 20 books.[15] Oak-Mot and Rat Catching are featured prominently during his Big Slide Show presentation, and are presented as visual art as much as written art. He constructs the books by reusing old novels and other publications which have fallen into the public domain due to their age (for example, Rat Catching was constructed from an 1896 book Studies in the Art of Rat Catching, and Oak-Mot was constructed from an 1868 novel of the same title). He rearranges text, blacks out certain standing passages, and adds his own prose (and sometimes images) into the margins and elsewhere, thus creating an entirely new story. Five of his books have been published so far, through his publishing company, Volcanic Eruptions. Other known titles include The Backward Swing, and A New World.

• Billow and the Rock (1983)[15]
• Rat Catching (1988)
• Oak-Mot (1989)
• Concrete Inspection (1990)
• What it is, and How it is Done (1992)
• Round My House (2016)

* The publishing years listed above may not represent first-edition publication dates, but subsequent available editions.

Glover made his directorial debut with 2005's What Is It?, a surreal film featuring a cast of actors with Down syndrome. It premiered at the 2005 Sundance Film Festival. With a budget of only $150,000, it took almost a decade to complete, and was originally intended to be a short film. Most of the primary footage was shot in 12 days, stretched over a two-and-a-half-year period. Production was mostly funded by Glover's roles in Willard and the Charlie's Angels films.

Glover's second film, It Is Fine! Everything Is Fine., was written by Utah writer and actor Steven C. Stewart. Stewart was born with severe cerebral palsy and had been confined to a nursing home for about 10 years. The film is a fantastical psychosexual retelling of life from Stewart's point of view. It premiered at the 2007 Sundance Film Festival.[16][17]

Glover has completed shooting his third feature film as a director, which he developed as a vehicle for his father Bruce Glover and himself to act together. This film is not part three of the It? trilogy.

Glover was recognized for his directorial work in 2013 when the Museum of Arts and Design in New York City staged the series It Is Crispin Hellion Glover. The program consisted of screenings of all of his directorial work, live performances, and speaking engagements.[18][19][20]

Glover appeared on Late Night with David Letterman on July 28, 1987 to promote River's Edge.[25] Unknown to Letterman and the audience, Glover appeared in character as Rubin from the then-unreleased film Rubin and Ed, wearing platform shoes and a wig. Rather than a conventional interview, Glover staged an Andy Kaufman-like prank. After being goaded by a woman in the audience (who some argue had been planted),[26] Glover stated he "knew that this was gonna happen" and "the press, they can do things, they can twist things around." After challenging Letterman to an arm-wrestling match, Glover delivered an impromptu karate kick a few feet from Letterman while stating "I'm strong...I can kick!"[27] Letterman then abruptly ended the segment by walking off stage, saying "I'm going to check on the Top 10," as the program cut to commercial.

The subsequent confusion and controversy surrounding his appearance was compounded by the fact that Rubin and Ed was not released until 1991. However, the film had been in development since before Back to the Future, and Glover already had devised Rubin's "look" by 1985.[15] Glover has refused to go into detail about the reasons for his behavior on the show, other than to mention that he was flattered that fans are still speculating on the performance decades later.[28] He also stated that he prefers there to be an "air of mystery" about the appearance. In an interview in 2011, Back to the Future co-star Michael J. Fox talked about the incident with Letterman, saying "Crispin isn't crazy, just excitable."