Cyril Raymond

Raymond was the son of Herbert Linton Raymond and his wife Rose. Herbert died in 1906 at the Grand Hotel, Broad Street, Bristol, which he and his wife ran.[1] Raymond became a pupil at Sir Herbert Tree's Academy of Dramatic Art.[2] He made his professional debut in 1914 at the Garrick Theatre, London, playing the Second Spanish Gentleman in Bluff King Hal.[3] As Little Billee in Trilby he supported Tree's Svengali at His Majesty's Theatre in 1915. While still a boy actor he appeared in plays by Louis N. Parker, Edward Knoblock and Harold Brighouse. In 1916 he played a major juvenile role, Lord Deerford, in Parker's Disraeli. The Observer reported that he "played very cleverly".[4] A film was made of the play; he repeated his role of Deerford.[5]

In 1922 Raymond married the actress Iris Hoey.[n 1] They had one child, John Raymond, who became an author and critic.[7] The couple co-starred in several West End plays in the 1920s; Raymond also worked extensively with the producer Basil Dean. He and Hoey divorced in 1936 and the following year he married the actress Gillian Lind.[2]

In the view of Raymond's obituarist in The Times it was in the mid-1930s that "he found what might be called his vocation, in contributing balanced, controlled, humorous pieces of acting as foils to more flamboyant performances by highly accomplished leading ladies".[2] He co-starred as the spouse or partner of a range of leading ladies over the next twenty or so years, including Sybil Thorndike in Short Story (1935), Ruth Chatterton in The Constant Wife (1937 revival), Gertrude Lawrence in September Tide (1948), Edith Evans in Waters of the Moon (1953) and Yvonne Arnaud in Mrs Willie (1956).[2][3]

During the Second World War Raymond served in the Royal Air Force from 1939 to 1945, and was awarded the MBE.[3] In the cinema he appeared as Celia Johnson's husband in the 1945 film Brief Encounter. In The Observer, C. A. Lejeune praised "the sweetness, the sobriety, and the fresh delicacy" of his performance and those of Johnson and Trevor Howard.[8]

In the 1960s Raymond appeared in plays by writers of the younger generation, including Nigel Dennis, Giles Cooper and John Osborne.[2] In Osborne's Inadmissible Evidence in 1965 he appeared with Nicol Williamson and John Hurt.[9] This was one of his last appearances, and ill health obliged him to retire several years before his death.[2]

• Summertime by Louis N. Parker (1919)
• The Last Hour by Charles Bennett (1928)
• The Return of the Soldier by John Van Druten (1928)
• There's Always Juliet by John Van Druten (1931)

• Cyril Raymond at IMDb
• Cyril Raymond at the Internet Broadway Database