Death Line

Late one night at the Russell Square station in the London Underground, university students Patricia and her American exchange student boyfriend Alex find an unconscious man on the stairwell. Fearing that he may be diabetic, Patricia checks his wallet and finds a card that reads James Manfred, OBE. They inform a police officer, but find that Manfred has vanished. Inspector Calhoun is assigned to look into the disappearance. Calhoun questions Alex and suggests that he and Patricia robbed the man.

Calhoun's colleague tells him about the history of the London Underground, particularly the Victorian railway workers who constructed the tunnels under dire conditions, and an urban legend that a group of descendants who survived an 1892 cave-in still live belowground. Meanwhile, one of the last surviving members of a family of these railway workers watches his female companion die; they have survived in the underground by resorting to cannibalism of the patrons. In an empty chamber, Manfred's body lies, mutilated. The man, now left in complete solitude, goes into a rage and brutally murders three maintenance workers.

One night, Alex and Patricia take a train home and get off at Holborn station. Patricia realizes she forgot her textbooks on the train. Alex attempts to retrieve them, but the doors close before he can exit; Patricia yells that she will meet him at home. Once the train leaves however, Patricia is attacked by the cannibal man and incapacitated. When she fails to meet him at their flat, Alex seeks help from Calhoun, who is dismissive. Alex returns to Holborn station and enters the tunnel. He breaches an abandoned area of the Underground and finds remnants of the miners who worked there over a century ago. Meanwhile, Patricia awakens in the cannibal's lair. She finds him to be aphasic and unable to communicate with her. She hits him over the head and manages to escape into a tunnel. He corners her and attempts to communicate with her, but becomes frustrated and violently attacks.

Alex finds them and begins fighting with the cannibal. Patricia begs Alex not to hurt him, and they watch as the cannibal stumbles into a passageway. Calhoun and several other detectives discover Alex and Patricia. As they search through the abandoned section, they uncover a room full of corpses laid in bunk beds – the generations of survivors from the cave-in that occurred a century before. There they find the cannibal, bleeding profusely, and he collapses in front of them, apparently dead. The detectives return meet Alex and Patricia, and head to the station platform. After they leave, the cannibal screams "Mind the doors!" as the credits roll.

Hugh Armstrong's role was originally to be played by Marlon Brando, but Brando had to back out when his son Christian became ill with pneumonia.[2]

Christopher Lee agreed to do the film for scale, because he wanted to work with Donald Pleasence. Despite this, the two never share the screen together, due to their large height difference. Director Gary Sherman kept them in separate shots until Lee sits down at the end of the scene, so that he would not have issues fitting them both into the same frame.[3]

Aldwych (formerly Strand) Underground Station was used for underground sequences, as it was only open for weekday Peak services since 1962, and was subsequently closed completely in 1994.

Death Line premiered in London in December 1972, and was later released in the United States under the title Raw Meat on October 3, 1973.[1] In the United States, it was released in an edited cut to avoid an X rating.[1] American International Pictures, the film's distributor, retitled the film for its American release, along with a marketing campaign that made it appear as though it were a zombie film.[1] In Los Angeles, it was paired as a double bill alongside the comedy-horror film Cannibal Girls (1973).[1]

On Rotten Tomatoes, the film holds an approval rating of 91% based on 11 reviews, with a weighted average rating of 7.22/10.[7] Roger Ebert of the Chicago Sun-Times called the film "a good debut, but it’s undermined by several vast improbabilities in the script and by the painfully inept performance of one of its leads, David Ladd."[8] Robin Wood of The Village Voice praised the film, writing that it "vies with Night of the Living Dead (1968) for the most horrible horror film ever. It is, I think, decidedly the better film: more powerfully structured, more complex, and more humanly involved. Its horrors are not gratuitous; it is an essential part of its achievement to create, in the underground world, the most terrible conditions in which human life can continue to exist and remain recognizably human. [It] is strong without being schematic; one can't talk of allegory in the strict sense, but the action consistently carries resonances beyond its literal meaning."[9]

Ramsey Campbell, in a review cut from The Penguin Encyclopedia of Horror and the Supernatural, but reprinted later,[10] calls Death Line "an unusually bleak and harrowing horror film...very little in the film offers the audience any relief from the plight of the Man...The violence would be intolerable if it were not for the tragic dimensions of the film, but Hugh Armstrong's performance is one of the greatest and most moving in horror films."

• List of London Underground-related fiction

• Death Line at AllMovie
• Death Line at IMDb
• Death Line at Rotten Tomatoes
• Death Line at the TCM Movie Database