Deceit (album)

In a 1991 interview, Charles Hayward explained that the threat of nuclear warfare motivated the band and provided the album with an underlying theme: "The whole speak, 'Little Boy', 'Big Boy' [sic], calling missiles cute little names. The whole period was mad! We had a firm belief that we were going to die and the record was made on those terms.… The whole thing was designed to express this sort of fear, angst, which the group was all about, really."[3] The album's subject matter also deals with war and imperialism.[4]

As with other This Heat recordings, much of the album was recorded at Cold Storage, a disused refrigerated storeroom at a former meat pie factory in Acre Lane, Brixton, England.[5] The music included new improvisations along with songs the band had been playing during live performances; portions of these songs were culled from actual concert recordings, such as "Makeshift Swahili", which was assembled from three different performances.[3][5] As Hayward describes, "some of the album was really plush sounding, some dim and pokey. Sometimes it would sound like the machinery was breaking up. We deliberately would make it sound as though the record player was exploding."[3][lower-alpha 1]

The cover art for Deceit, designed by bandmember Gareth Williams and Nicholas Goddall, reflects the album's lyrical concerns, and includes a photomontage of images such as mushroom clouds, thematic maps depicting nuclear arsenals and photographs of Ronald Reagan, Leonid Brezhnev and Nikita Khrushchev. Charles Hayward explained that the album's cover photograph was achieved by using cut-out images from a Protect and Survive pamphlet, which were then assembled into a mask shape, photographed and projected over Williams' face.[6]

During the 1990s, intermittent availability made Deceit a rarity and a collector's item among fans. In 2006, This Is, a Recommended Records imprint, released a remastered version of Deceit as part of the 6-CD Out of Cold Storage box set. This Is also released the album as a separately available CD. In January 2016, Light in the Attic imprint Modern Classics Recordings pressed remastered reissues of Deceit, This Heat, and Health and Efficiency on vinyl.[7]

Professional ratings

Review scores
Source	Rating
AllMusic	[8]
Pitchfork	9.0/10 (2002)[9] 9.1/10 (2016)[7]
PopMatters	[10]
Uncut	9/10[11]

Deceit has been well received by critics. Andy Kellman of AllMusic wrote of the album: "Out of all the boundary breaking that occurred during the fertile era of post-punk, This Heat's Deceit is one of the most expansive, imaginative and remarkably wild records to have been produced during the time—and very possibly the last three decades."[8] The Trouser Press Record Guide described the album as "austere, brilliant and indescribable."[1] Miles Bowe of Tiny Mix Tapes called it a "radiation-soaked masterpiece".[12]

Deceit is regarded as a classic of the post-punk era, and was ranked at number 20 on Pitchfork's 2002 list of "The Top 100 Albums of the 1980s"[13] and at number 73 on its 2018 list of "The 200 Best Albums of the 1980s".[2]

All tracks are written by This Heat (Charles Hayward, Gareth Williams, Charles Bullen).

This Heat

• Charles Hayward – vocals, bass guitar, keyboards, drums, tape music
• Gareth Williams – vocals, bass guitar, keyboards, tape music
• Charles Bullen – vocals, clarinet, guitar, drums, tape music

Production

• David Cunningham – production
• Martin Frederick – mixing
• Laurie-Rae Chamberlain – colour xerography
• Nicholas Goodall – sleeve photography direction
• Studio 54 – sleeve design

• Deceit at Discogs (list of releases)
• The Quietus article on Deceit