Duty (album)

Duty is Hamasaki's first studio album inside the 2000 decade, and her third consecutive studio album to be fully produced by Japanese musician and businessman Max Matsuura.[2] For the album, Hamasaki's record label Avex Trax hired several Japanese musicians, Ken Harada, Kazuhito Kikuchi, Dai Nagao, HΛL, among many others to work on the album.[2] Those producers are just some of whom worked with Hamasaki on her second studio album, the predecessor Loveppears (1999).[3][4] Duty is also Hamasaki's third consecutive album to be composed, arranged, and produced by Japanese producers and composers.[2] For the album, she contributed as the main and background vocalist, and became her third studio album to feature songs written by her. Three songs on the album; the trilogy set "Vogue", "Far Away", and "Seasons", focus on the theme of hopelessness, a reflection of Hamasaki's disappointment that she had not expressed herself thoroughly in any of her previous lyrics and a sense of shame of her public image.[5] Likewise, many of the songs she wrote for the album involved feelings of loneliness, chaos, confusion, and the burden of her responsibilities. She described her feelings after the song writing was done as "unnatural" and was constantly "nervous" for the finished result.[6][7]

The album is a J-pop and rock album with numerous musical elements of Latin pop and dance. According to Takako Tsuriya from Cawaii magazine, much of the musical style was "darker" than Loveppears.[8] Likewise, the magazine labelled it a "rock"-influenced album with only one dance song, "Audience".[8] "Audience" is also Hamasaki's second self-written song to incorporate an English word.[2] The album opens with the house-influenced "Starting Over", which is an instrumental track.[9] "Vogue" was influenced by the musical element of Latin pop.

"Vogue", alongside "Far Away", and "Seasons" are all written about three different time frames; "Vogue" discusses Hamasaki's presence, "Far Away" details her past, and "Seasons" talks about her future.[10][11] The title track, "Scar", "End of the World", and "Surreal" were referenced by a staff reviewer at Yahoo! GeoCities as "dark" rock songs with "mad[ness]" lyrics.[9][10] "Teddy Bear" is a piano-only ballad track that discusses Hamasaki's nostalgia.[9] "Key (Eternal Key)" is a midtempo pop rock song with several guitar riffs.[9] The album's closer is "Girlish", a "warm" pop rock song.[9]

Duty was released on September 27, 2000 by Avex Trax in three different formats. It was also released on the same day as her single "Surreal".[12] The stand-alone CD featured the twelve tracks in a jewel case, with first press editions including an obi.[2] A limited edition Playbutton, which is a headphone-insert device, featured the twelve tracks. The final format is the digital release, which was released in Japan at the time. In September 2008, the album, alongside several other albums and singles released by her, were released digitally on iTunes Store and Amazon.com.[13] The album artwork was photographed by Toru Kumazawa, and features Hamasaki in a leopard-print cat-suit. She is standing in between two elastic poles, similar to a cage or jail cell.[2] The art direction and designing was handled by Shinichi Hara and Shigeru Kasai from RICE, and leopard print was printed throughout the booklet.[2] An out take of the album cover was used as the cover sleeve for the CD single and DVD/VHS release of "Surreal".[14][15]

Professional ratings

Review scores
Source	Rating
Amazon Japan	(positive)[16]
CD Journal	(positive)[9]
Yahoo! GeoCities	[10]

Duty received positive reviews from most music critics. Kiyoshiga Ebihara from Amazon Japan was very positive in his review. Ebihara commended Hamasaki's song writing, where he stated that it was projected by her variety of "emotions"; he labelled this the "Ayu color". He commended how the material went "deeper" and called it one of the best Japanese albums within the 2000s decade.[16] A staff reviewer from CD Journal was positive in their review. In comparison to Hamasaki's second album, Loveppears, the reviewer praised her application of "poetic" lyrics and clearer vocals.[9] A staff reviewer from Yahoo! GeoCities was very positive in his review, awarding the album eight stars out of ten. The reviewer complimented the album's divided themes; the first half being "crazy" while the second half was "gentle".[10] At the Annual 2001 Japan Gold Disc Awards, Hamasaki won Domestic Artist of the Year, Duty was awarded Pop Album of the Year and the single "Seasons" was awarded Song of the Year.[17]

In 2020, Jonathan McNamara of The Japan Times listed Duty as one of the 10 Japanese albums worthy of inclusion on Rolling Stone's 2020 list of the 500 greatest albums of all time, describing it as "an essential album for anyone seeking to comprehend the ever-evolving landscape of Japanese pop music."[18]

In Japan, Duty debuted at number the top spot on the Oricon Albums Chart with over 1.6 million units sold in its first week of sales.[19][20] This became Hamasaki's highest first week sales for an album, until it was surpassed by her 2001 greatest hits compilation A Best with 2.874 million units in its first week of sales.[21] Duty stayed at number one for a second week, with 339,810 units sold in its second week of sales.[22] It stayed at number one for a third week, with 205,180 units sold in its third week of sales.[23] It stayed at number one for a fourth week, with 116,970 units sold in its fourth week of sales.[24] The album slipped to number three in its fifth week, selling 94,640 units in its fifth week of sales.[25]

The album fell outside the top 10 on December 4, 2000, the album's ninth week, selling 30,760 units. The album fell out the top 20 the following week, and sold 2.63 million units on December 4.[26] By the time of Oricon's Annual album's list, Duty ranked at number two.[27] The following year, it was ranked at number 77 with an additional 300,870 units sold.[28] The album was certified triple platinum by the Recording Industry Association of Japan (RIAJ) for shipments of three million units in Japan.[29] The album charted for 27 weeks in total, and has sold over 2.9 million units in Japan and over 3.3 million units worldwide, making this Hamasaki's best selling studio album both domestically and internationally.[30][31] It is also the sixth best selling album in Japan for the 2000s decade.[32]

Several tracks from Duty were released on remixed compilations during 2000 and 2001. The first was her February 2001 non-stop remix album ayu-mi-x III Non-Stop Mega Mix Version. It peaked at number three and was certified platinum by RIAJ.[33] The second album from the series was Ayu-mi-x III Acoustic Orchestra Version, an orchestral version of Duty. It reached four and was certified platinum by RIAJ.[33] Two Eurobeat albums were released on 27 September 2001 to promote Duty: Super Eurobeat Presents Ayu-ro Mix 2 and Cyber Trance Presents Ayu Trance. They peaked at number one and three and were certified platinum by RIAJ, respectively.[34]

To promote Duty, Hamasaki performed on several tours and concert shows; the first was her Ayumi Hamasaki Concert Tour 2000 Vol. 1. She promoted the album on her Ayumi Hamasaki Concert Tour 2000 Vol. 2, Ayumi Hamasaki Stadium Tour 2002 A and Ayumi Hamasaki Arena Tour 2003–2004 A, and her music videos for "Vogue", "Far Away", "Seasons", "Surreal" and other album promotional footage were featured on her 2004 video box set Ayumi Hamasaki Complete Clip Box A. Her dome tours in Japan attributed to her being one of few "top-drawer" Japanese artists to hold a concert at the Tokyo Dome.[35]

All lyrics are written by Ayumi Hamasaki.

• Duty – Information at Avex Network.