Elger Esser

Elger Esser (born 11 May 1967)[1] is a German landscape photographer, living in Düsseldorf.[2] "He is primarily associated with large-format images of European lowlands with his characteristic low horizon lines, pale luminous colours and vast skies".[3]

Esser's work is held in many public collections such as the Rijksmuseum in Amsterdam and the Solomon R. Guggenheim Museum, Metropolitan Museum of Art and Museum of Modern Art in New York.[4] He has won the Rheinischer Kunstpreis[2] and the Oskar Schlemmer Prize.[5]

Life and work

Esser was born in Stuttgart, Germany and grew up in Rome.[6]

In 1986, he moved to Düsseldorf, where he worked as a commercial photographer until 1991.[7] He attended the Kunstakademie Düsseldorf between 1991 and 1997, where he studied under Bernd Becher. From 1996 he was a master class student there.[8]

From 2006 to 2009 Esser was professor of photography at Karlsruhe University of Arts and Design.[5]

He is influenced by Romantic paintings[9] and 19th-century photography, and inspired by Gustave Flaubert, Marcel Proust and Guy de Maupassant.[4] He seeks out beauty.[4][9][10]

Esser's photographs of European rivers or river banks are large, quiet and deserted.[11] Most of the time the horizon is low, as in the Dutch landscape paintings of the 17th century.[12]

'Morgenland' is an old German term for the Middle East, meaning 'morning land'.[9][10][13] For Morgenland (2017), he travelled to Lebanon, Israel and Egypt (including along the Nile to Luxor and Aswan) between 2004 and 2015.[9][4][10] Using an 8×10 large format camera[9][10] he made "luminous and unpeopled landscapes" with "glassy waters, still horizons[,] ancient ruins",[10] shorelines, traditional feluccas and dahabeah sailing boats that "show off the area's mysticism, away from headlines about war and violence."[4]

Publications

Books of work by Esser
  • Posed Spaces. Edited by Kulturforum Alte Post Neuss. With a text by Kerstin Stremmel.
  • Veduten und Landschaften. With a text by Rupert Pfab. Siegen: Kunstverein Siegen, 1998.
  • Vedutas and Landscapes 1996–2000. Munich: Schirmer/Mosel, 2000. ISBN 978-3-88814-936-8. With a text by Rupert Pfab and a conversation between Esser and Georg Elben.
  • Nach Italien = To Italy. Heidelberg, Germany: Kehrer, 2000. Photographs by Esser and texts by Manfred Esser and Elger Esser. Edited by Thomas Schirmböck. ISBN 978-3-933257-20-8.
  • Marne + Loire. Bologna: Pendragon, 2001. Edited by Galleria d'Arte Moderna, Villa delle Rose, Bologna.
  • Olivo Barbieri – Elger Esser: Cityscapes / Landscapes. Cinisello Balsamo, Milan: Silvana 2002. Edited by Palazzo delle Papesse Centro Arte Contemporanea, Siena.
  • Cap d'Antifer—Étretat. Munich: Schirmer/Mosel, 2002. ISBN 978-3-8296-0047-7. With excerpts from correspondence between Gustave Flaubert and Guy de Maupassant (1877) and an essay by Peter Foos.
  • Elger Esser & Bae, Bien-U. Seoul: Gana Art Center, 2006.
  • Ansichten/Views/Vues: Bilder aus dem Archiv. Munich: Schirmer/Mosel, 2008. ISBN 978-3-8296-0357-7. With a text by Alexander Pühringer.
  • Eigenzeit = Proper Time. Munich: Schirmer/Mosel, 2009. Edited by Kunstmuseum Stuttgart. ISBN 978-3-8296-0418-5.
  • Wrecks. Düsseldorf: self-published, 2009.
  • Nocturnes à Giverny Munich: Schirmer/Mosel, 2012. ISBN 978-3-8296-0578-6.
  • Zeitigen. Munich: Schirmer/Mosel, 2016. Edited by Pia Müller-Tamm/Staatliche Kunsthalle Karlsruhe.
  • Combray. Munich: Schirmer/Mosel, 2016. ISBN 978-3-8296-0751-3.
  • Morgenland. Munich: Schirmer/Mosel, 2017. ISBN 978-3-8296-0797-1.

Publications with contributions by Esser

Awards
  • 2010: Rheinischer Kunstpreis. A €20,000 prize.[2]
  • 2016: Oskar Schlemmer Prize. A €25,000 prize.[5]

Collections

Esser's work is held in the following public collections:

References
  1. "Elger Esser". Stedelijk Museum Amsterdam. Retrieved 2020-12-30.
  2. "Kompakt: Kompakt". Die Welt. 20 December 2010. Retrieved 2020-12-30.
  3. "Aesthetica Magazine - Conciliating Landscapes". Aesthetica Magazine. Retrieved 2020-12-31.
  4. "Beyond the bombs: Elger Esser's Middle Eastern landscapes – in pictures". The Guardian. 31 March 2017. ISSN 0261-3077. Retrieved 2020-12-31.
  5. "Preis für Fotokünstler Elger Esser". Die Welt. 19 February 2016. Retrieved 2020-12-30.
  6. "Lesen Sie zeit.de mit Werbung oder im PUR-Abo. Sie haben die Wahl". www.zeit.de. Retrieved 2020-12-30.
  7. "The Guggenheim Museums and Foundation". The Guggenheim Museums and Foundation. Retrieved 2020-12-30.
  8. "Elger Esser: Wogen, Wracks und wandernde Sterne". Die Welt. 19 February 2016. Retrieved 2020-12-30.
  9. "Elger Esser: Morgenland". Time Out London. Retrieved 2020-12-30.
  10. "Elger Esser: Morgenland". Retrieved 2020-12-31.
  11. "Lesen Sie zeit.de mit Werbung oder im PUR-Abo. Sie haben die Wahl". www.zeit.de. Retrieved 2020-12-30.
  12. Goetz, Ulrike von (12 April 2003). "Die Tiefe des Horizonts". Die Welt. Retrieved 2020-12-30.
  13. "Elger Esser: Morgenland". Retrieved 2020-12-31.
  14. "The Düsseldorf School of Photography, Stefan Gronert (ed.)". Collector Daily. 3 February 2010. Retrieved 2020-12-27.
  15. Colberg, Jörg. "Review: The Düsseldorf School of Photography by Stefan Gronert". Conscientious. Retrieved 2020-12-27.
  16. "Elger Esser". www.albrightknox.org. Retrieved 2020-12-30.
  17. "Brooklyn Museum". www.brooklynmuseum.org. Retrieved 2020-12-30.
  18. "Elger Esser". Centre Pompidou. Retrieved 2020-12-30.
  19. "Elger Esser". Tang Teaching Museum. Retrieved 2020-12-30.
  20. "Elger Esser". Huis Marseille. Retrieved 2020-12-30.
  21. "Ruaud, France: 1998". Metropolitan Museum of Art. Retrieved 2020-12-30.
  22. "Elger Esser". www.mumok.at. Retrieved 2020-12-30.
  23. "Land in Sicht! Landschaftsdarstellungen aus der Sammlung". Museum der Moderne Salzburg. Retrieved 2020-12-30.
  24. "Elger Esser". The Museum of Modern Art. Retrieved 2020-12-30.
  25. "Photography Collection". Rheinisches Landesmuseum Bonn. Retrieved 2020-12-30.
  26. "Search". Rijksmuseum. Retrieved 2020-12-30.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.