Elio Petri

Elio Petri was born Eraclio Petri in Rome on 29 January 1929. He was expelled for political reasons from San Giuseppe di Merode, a school run by a priest on the Piazza di Spagna, and joined the youth organization of the Italian Communist Party (PCI). He wrote for L'Unità and for Gioventù nuova as well as for Città aperta. He left the party in 1956 after the Hungarian uprising.[3]

Gianni Puccini introduced him to Giuseppe De Santis, who made him assistant to the director of Bitter Rice (1949). He collaborated, without being credited, on Rome 11:00 (1952), one of the least known post-war neo-realist movies. Petri wrote a book about the inquiry into the actual events depicted which was published in 1956.

He was script-writer and director's assistant on A Husband for Anna (La Fille sans homme, 1953), Days of Love (Jour d'amour, 1954), The Wolves (Homme et loups, 1956), The Road a Year Long (La strada lungo un anno, 1958) and La garçonnière (1960). During the period, Petri also wrote scripts for Giuliano Puccini, Aglauco Casadio and Carlo Lizzani.

After two shorts, Nasce un campione (1954) and I sette contadini (1959), Petri made his debut as a director with L'assassino The lady killer of Rome, 1961) based on a script co-authored with Tonino Guerra.

His Days Are Numbered (I giorni contati, 1962), was his second film, again co-authored with Tonino Guerra. After two somewhat lesser films The Teacher from Vigevano (Il maestro di Vigevano, 1963) and the sketch Sin in the afternoon, included in High Infidelity (Alta infedeltà, 1964). Petri directed The 10th Victim (La decima vittima, 1965), a film with futuristic overtones also co-authored with Tonino Guerra. His film We Still Kill the Old Way (A ciascuno il suo, 1967) was adapted from the novel To Each His Own by Leonardo Sciascia), which deals with the individual's inability to cope with reality. The film was also the beginning of the collaboration with the script-writer Ugo Pirro which was to last until 1973.

A Quiet Place in the Country (Un tranquillo posto di campagna, 1968), the last of his films co-authored with Guerra, focuses on solitude and the artist's romantic agony. The film won a Silver Bear award at the 19th Berlin International Film Festival.[4] He then directed four films which earned him recognition for his analysis of schizophrenia. Investigation of a Citizen Above Suspicion (Indagine su un cittadino al di sopra di ogni sospetto, 1970) was about the police-force.[5] The Working Class Goes to Heaven (La classe operaia va in paradiso, 1971) focused on the worker's condition. Property Is No Longer a Theft (La proprietà non è più un furto, 1973) emphasized the role of money in our society and how power destroys the individual. Todo modo (1976), which was adapted from the eponymous novel by Leonardo Sciascia, is about the warped psychic structure of the power moguls among the Christian Democrats. Investigation of a Citizen Above Suspicion won the Academy Award for Best Foreign Language Film.[6]

In 1978, Petri directed Le mani sporche, a version for television of Sartre's play Dirty Hands, starring Marcello Mastroianni. Due to copyright issues, the film has not been released outside Italy.

Good News (1979), was produced by Petri and Giancarlo Giannini. [7]

In 1981, Petri visited Geneva to direct Arthur Miller's new play The American Clock, with Marcello Mastroianni playing the lead role. Petri died of cancer on 10 November 1982. He was 53 years old.

• Roma ore 11 (Rome & Milan: Sellerio Editore Palermo, 1956; 2004).
• L’assassino (Milan: Zibetti, 1962). With Tonino Guerra.
• Indagine su un cittadino al di sopra ogni sospetto (Rome: Tindalo, 1970). With Ugo Pirro.
• La proprietà non è più un furto (Milan: Bompiani, 1973). With Ugo Pirro.
• Scritti di cinema e di vita, ed. by Jean A. Gili (Rome: Bulzoni Editore, 2007).
• Writings On Cinema & Life (New York: Contra Mundum Press, 2013). Ed. by Jean A. Gili

• Official Elio Petri site
• Elio Petri at IMDb
• Elio Petri retrospective trailer on Vimeo