Ella Guru

In the early 1990s, Guru was a guitarist in the London-based British band, Mambo Taxi, linked with Riot Grrrl.[3] The inspiration for the band came from UK garage rock and US punk, and their sound was a mixture of garage, punk, and pop.[4] The name was a reference to the Mambo Taxi used by the heroine of the film, Women on the Verge of a Nervous Breakdown. Guru in an interview with NME’s Sam Stallard in 1992, said the name was "tacky", and "with all sorts of different things in it that sort of clash, but everything’s useful as well as fun."[5]

In late 1992, drummer Anjali Bhatia left Mambo Taxi to start the Voodoo Queens, along with Guru and others.[6] After their first concert, they were offered a Peel session by BBC DJ, John Peel. This was recorded in January 1993.[7] Other radio and TV appearances followed, including a further two Peel Sessions,[8] and a busking competition against Boyzone on Channel 4's music and arts programme Naked City. The group reached number one in the Indie chart in 1993.[2] Guru was replaced on bass guitar in 1994.[6]

She has played in The Deptford Beach Babes,[2] and also with her partner, Sexton Ming, in his band, The Tasty Ones.[1]

Later solo releases under artist name Ella Guro including various soundtracks, and other works: a few old projects, released April 1, 2006 Live Active Cultures (Assorted Fuckups 2005-2009) , accurate release date not listed 7DRL soundtrack, released June 15, 2012 Dys4ia Soundtrack, released March 9, 2012 SCRAPS, released May 15, 2013 Sounds From Problem Attic, released June 25, 2013 Crypt Worlds: Your Darkest Desires, Come True O.S.T.!!, released July 26, 2013 IT'S THE REEMIX,released December 17, 2013 E.P. YEAR ZERO, released June 2, 2015 ATOMS, released August 4, 2017 LP ZERO, released September 29, 2017

Ella Guru is interviewed by Richard Quest of CNN International during Go West at Spectrum London gallery, October 2006

Guru started painting seriously again in 1997.[2] In 1999, she was one of the thirteen founder members[9] of the pro-figurative painting Stuckists, an anti-conceptual art and pro-figurative painting art movement founded by Charles Thomson and Billy Childish.[10] She started the Stuckist web site, stuckism.com:[11]

Ella Guru (left) demonstrates against the Turner Prize, 2000.

Thomson said that most of the Stuckist groups made their first contact through the site and that Stuckism was "the first significant art movement to spread via the Internet."[12] In 2000, she took part in the first Stuckist demonstration against the Turner Prize at Tate Britain,[13] and has done so in later years also.[14]

In 2004, she was one of the fourteen artists in the "founder and featured" section of The Stuckists Punk Victorian show held at the Walker Art Gallery for the Liverpool Biennial.[15] In 2006, she was one of the ten "leading Stuckists"[16] in the Go West exhibition at Spectrum London gallery.

Ella Guru. The Queen's Speech.

Guru has stated her concern for ability and technique, and her admiration for the work of Old Masters, although they are not necessarily her model for painting: she also appreciates untrained artists who show invention in their work.[2] She spent three years painting life models at art college, which gave her much of the grounding for her approach to art.[2]

Her paintings take anywhere between two days and two years to complete, and usually start by her "going out and getting pissed with my friends",[2] when she takes the photographs which provide the initial ideas, although the images she works from are often "very bad, dark, fuzzy photos", necessitating subsequent real life studies as well as imaginative interpretation.[2] The initial layout is done with a line drawing, but the aim is to achieve a finished result where the subject appears three-dimensional.[2] She has talked about an irrational obsession with shapes, such as those of wigs, which have always fascinated her.[2]

Her painting The Queen's Speech had its origin in Pennsylvania in the house of a friend, with whom Guru has collaborated for a number of years in setting up suitable scenes for photographs by dressing people in costume.[2] This particular scene, showing Guru's husband, Sexton Ming, was the friend's idea.[2] A photograph was the starting point for the painting, which was not started until Guru's return to London, but it was augmented by life studies and also the addition of extra items, such as the bottle of absinthe.[2]