Face the Music (Electric Light Orchestra album)

"Fire on High" is the opening track of the album.

It begins with a haunting synthesizer (provided by Richard Tandy) playing a repeating broken chord of E♭, A, C, A along with a backing choir. The backing orchestration is minimal, featuring small bits here and there during which a "knocking" sound suddenly appears and fades out before a baritone voice fades in speaking a back-masked message. Drummer, Bev Bevan provided the voice and when the record is played backwards, he exclaims "The music is reversible but time is not. Turn back, turn back, turn back, turn back". This inclusion was a joke by Jeff Lynne, who faced mild controversy from a Christian fundamentalist group, accusing him of including backwards Satanic messages on the track "Eldorado" from their previous album of the same name.[11] The orchestration grows as a choir chants "Hallelujah" similar to the fashion of Handel's "Messiah". The haunting opening concludes with the backing orchestra repeating the same broken chord as the synthesizer before transitioning into a more symphonic-rock bridge accompanied by the drums. The synthesizer plays an arpeggio during which the strings play riffs. Following this, Lynne provides a guitar-solo and the strings follow after. The song suddenly shifts to a rock sound with a prominent acoustic guitar riff where Kelly Groucutt joins on the bass guitar. Kaminski, McDowell and Gale all solo together on this rock-section. The rock section is followed by another symphonic-rock bridge with another guitar solo which, again, leads into a rock section. The choir at the end of the track chants "Fire on high" several times, providing the song the only set of true lyrics.

Jeff Lynne later remarked the entire concept of the song started with the idea of classical symphonic sound would collide with a rock and roll sound.[12]

"Fire on High" was released as the b-side to the U.S.'s "Sweet Talkin' Woman" single and the U.K.'s "Livin' Thing" single.

"Waterfall" is the second track on the album and the shortest track on side one.

Opening with an orchestra intro and guitar solo, "Waterfall" is a slower and softer song in contrast to its predecessor. Lynne sings the lead vocals while Groucutt sings harmony vocals on the chorus. Kaminski, McDowell and Gale all play together mixed with the backing orchestra in the song's entirety, adding an extra layer of orchestration.[13] The guitar and orchestral outro fade into the orchestra opening to "Evil Woman". The song is written in D Major.

The song was not released as a single anywhere with the exception of France and Australia where it became a minor hit.[13]

Jeff Lynne has gone on record saying that "Waterfall" is one of his favorite songs in the ELO catalogue.[13]

The full instrumental (save for the guitar and string fade in) of this song was released as a bonus track for the 2006 Face the Music reissue. It includes a small section of in-studio banter and Lynne doing a count-in and also includes a slightly extended studio ending.

"Evil Woman" is the third track on the album.

The song was written by Lynne in a matter of just a few minutes near the end of the Face the Music studio sessions in June 1975.[14] Originally supposed to be a filler track to give the album a longer runtime, it quickly became a worldwide hit and was released as a single only a month after the album's release. The main song features a more disco-like rhythm (aside from the short orchestral interlude on the album version) with Tandy's piano riff and Lynne's acoustic guitar playing the chords Am, Em7 and Dm7. The female backing vocalists sang on the track during the "ha ha" pieces, the "hey hey hey" in the middle section of the song and the chorus, alongside with Lynne and Groucutt. The chorus featured an iconic riff of the clavinet (played by Tandy). The second verse includes the ELO string players playing the string rhythm section behind Lynne's vocals. The lyrics "There's a hole in my head where the rain comes in" is a reference to The Beatles' song "Fixing a Hole". The final chord of the opening section (You made a fool of me) is actually mixed into "Fire on High" during the back-masked message.[15]

The middle section features a piano solo by Tandy and a string ascending melody together before cutting an unusual string break. This break is actually a reversed cut of a string crescendo from the next track "Nightrider" put onto the track merely because, as Lynne described it, "[the two songs] were in the same key." Lynne later remarked how amazed he was on how well the transition fit into place.[14]

An additional verse was written for the song but was cut from the final mix as proven in the stripped mix of the song which is found as a bonus track on the reissue of the album.

"Nightrider" is the fourth and final song on side one of the album. It was released as a single but did not chart unlike the other two album singles.

The track is unique for featuring both Lynne and Groucutt (though alternating) singing the lead vocals. It starts with a moog chord progression and string backing. The first verse has the ELO string trio playing the solo bits. The drums, guitar and bass all join on the pre-chorus ("Hold on, nightrider") along with backing harmonies from Greenwich, Collins, O'Neill and Raymond. Just before each chorus, there is a small orchestral and choir break, the third of which is extended and includes a string crescendo which was later reversed and used on "Evil Woman". Raymond later revealed on an ELO Facebook fan page that Lynne instructed the backing vocalists to emulate the sounds of the strings on the final verse for a specific sound, saying:

"On the part where he sings 'desolation degradation row, etc.' listen in the background... You hear string, but its also our voices emulating the string parts... I thought that was simply genius on Jeff Lynne's part to come up with that. Vocals that emulate string parts."[16] — Marge Raymond

"Poker" is the opening track to (and shortest track on) side two of the album and the fifth track overall.

The song is a fast-tempo guitar-rocker featuring Kelly Groucutt on both lead and harmony vocals, one of few times where Jeff Lynne does not sing the lead. Bev Bevan plays fast, bombastic drum fills in between verses and Richard Tandy provides a moog synthesizer arpeggio rhythm section. The middle section of the song slows down into a slow, bluesy bridge ("Play me another hand") with Tandy adding in some synthesizer fillers. Lynne's harmony vocals come in on the final verse of the song.

"Poker" was released as a b-side to the U.S.'s "Confusion" single and U.K.'s "Rockaria!" single.

"Strange Magic" is the sixth track on the album and second on side two. It was the second single lifted from Face the Music, being released in February 1976, though was not as successful as "Evil Woman".

The track opens with a 21-second orchestra intro before cutting to a guitar lick with a soft piano. The choruses feature Lynne solely singing "Strange magic" three times, before jumping an octave higher singing "Got a strange magic" along with Groucutt, Greenwich, Collins, O'Neill and Raymond on harmony vocals. Each chorus features more instrumentation than the previous: the first being just a guitar with a phaser effect, piano and mild percussion, the second having drums and an ascending string orchestration added and the third having more layers of strings. The bridge following the third chorus features some of the female singers singing "It's magic, it's magic, it's magic" and the final choruses include an additional different "Strange magic" melody done by the women. The album version fades into a back-masked reprise of the chorus of "Waterfall", ultimately leading into the next track "Down Home Town".

An oddity of the song is the fact that the guitar solo is played by Tandy rather than Lynne, the latter recalled:

"I just couldn't work it out. It was such a long run with two fingers." — Jeff Lynne, interview with Uncle Joe Benson

Lynne also admitted in the Flashback liner notes that he wrote the song on various pianos in separate places while on tour in England with the band, presumably during the Eldorado tour.

Though drums are a feature used in the studio recording of the song, drummer Bev Bevan would leave his drum set and join Lynne and Groucutt on the front of the stage, playing tambourine and singing the baritone parts of the song during live performances.

"Down Home Town" is the seventh track on the album and the third on side two.

The song opens with a backmasked reprise of chorus of the track "Waterfall" but contrasts into an American folk-rock based sound. The ELO string trio has a greater influence on sound of this track, playing independently from the backing orchestra in a more fiddle-like fashion. Lynne sings the lead with a nasally, "Nashville hoedown" style.[17] While the four female singers usually sang in unison, this track features four part harmonies during the "Look away" section and, according to Raymond, the four were also allowed to add small bits with Lynne's approval such as Raymond's line "Ooh, I feel you comin' down now."[18] The song makes direct references to the "Land of Dixie". During the final verse, there is a lyrical reference to The Beatles' song "She Loves You" in "She loves you, no, no, no. Down home town."

"Down Home Town" was released as the b-side to U.S. "Last Train to London" single and the U.K.'s "The Diary of Horace Wimp" single.

"One Summer Dream" is the eighth and final track on the album.

The song features an orchestral opening with Lynne singing with a soft tenor voice; the main verses and chorus feature Lynne on acoustic guitar with a phaser effect on it. Only Marge Raymond was featured on the track and sang the female chorus parts. The song includes a long fade of the lyrics "One summer dream", concluding the album.

Lynne's father, who had been vocally critical about Lynne's early albums admired the song and Lynne recalled that his father would hum the song.[19]

Though a peaceful, easy-listening ballad, Lynne remarked on the Flashback notes that it was a "protest" song.

"One Summer Dream" was released as the b-side to the "Mr. Blue Sky" single.

• Ellie Greenwich – uncredited vocals
• Susan Collins – uncredited vocals
• Nancy O'Neill – uncredited vocals
• Marge Raymond – uncredited vocals
• Mack – engineer
• Jeff Lynne, Richard Tandy and Louis Clark – Orchestral and choral arrangements
• Orchestra conducted by Louis Clark
• Although Greenwich, Collins, O'Neill and Raymond are not credited as vocalists, the liner notes indicated 'special thanks' to them.