Final Symphony II

Producer Thomas Böcker in 2010

Thomas Böcker first began producing orchestral concerts of video game music in 2003 with the first Symphonic Game Music Concert in Leipzig, Germany. In 2008, he, through his production company Merregnon Studios, began a series of four concerts of video game music that used longer, more elaborate arrangements of themes from the individual pieces of music from the games. This Symphonic series of concerts stood in contrast to the more standard concerts, which played straightforward orchestral versions of individual songs. The four concerts were Symphonic Shades – Hülsbeck in Concert (2008), Symphonic Fantasies: Music from Square Enix (2009), Symphonic Legends – Music from Nintendo (2010), and Symphonic Odysseys: Tribute to Nobuo Uematsu (2011). Both Symphonic Fantasies and Symphonic Odysseys featured music from the Final Fantasy series composed by Nobuo Uematsu. Böcker has said that he considers Uematsu to be "the most famous composer of video game music and in general one of the most influential", and that Uematsu's 20020220 - Music from Final Fantasy concert in 2002 was a big influence on his own concerts.[1]

In May 2012, Böcker announced that he was working on a concert of music solely from the Final Fantasy series, to be titled Final Symphony. The idea for the concert was first proposed by Uematsu in 2009 after Symphonic Fantasies; the concert had featured Final Fantasy music as one of its four components, but unlike the other three the music had been a straightforward medley rather than a more complicated arrangement.[2] While Uematsu had asked the team to keep the arrangements similar to those in other Final Fantasy concerts, after the concert he felt that an opportunity had been missed to create something unique like the other three arrangements, especially the Secret of Mana section.[3] He encouraged Böcker to take more liberties with the source material if the opportunity arose, and hoped that another concert could be created in the future. Böcker proposed Final Symphony later that year to Uematsu, and got approval from Square Enix while coordinating a Tokyo concert of Symphonic Fantasies.[2] Final Symphony was the first concert consisting entirely of new Final Fantasy arrangements in over ten years, since 20020220 - Music from Final Fantasy.[4]

Böcker and the arrangers intended the arrangements in the concert to be "about telling the stories of the games". In order to "capture the atmosphere of the games", they limited the concert to three games from the series, so as not to spread the concert too thin. They chose Final Fantasy VI, VII, and X as the games.[2] Jonne Valtonen, Roger Wanamo, and Masashi Hamauzu created the arrangements for the concert. Valtonen and Wanamo had previously worked with Böcker on the concerts in the Symphonic series, and Böcker has stated that if they had been unavailable for the project he would not have created Final Symphony at all. Hamauzu, in addition to arranging the Final Fantasy X music, was one of the composers of the original pieces he arranged. Uematsu, who composed music for all three games, served as a consultant for the project, though he did not arrange any pieces.[2]

Arranger Jonne Valtonen in 2010

The first performance of Final Symphony was in Wuppertal, Germany at the Historische Stadthalle Wuppertal on May 11, 2013. The concert was held twice that day, performed by the Wuppertal Symphony Orchestra, and was conducted by Eckehard Stier, who had previously conducted for Symphonic Fantasies in Tokyo.[5][6] The concert was very well received, and went on to be performed in five other cities around the world in 2013 and 2014.[7] An album for the concert, recorded from a studio session by the London Symphony Orchestra, was released in 2015.[8] In March 2015, Merregnon Studios announced that a new concert, Final Symphony II, was in production and would be performed in September 2015.[9]

Final Symphony II features long arrangements like the Final Symphony concerts, from different games: while the first concert was based on Final Fantasy VI, VII, and X, the second uses pieces from Final Fantasy V, VIII, IX, and XIII. Like the first concert, all of the arrangements are new, and not based on any previous work. The majority of the music was originally composed by Nobuo Uematsu, while the Final Fantasy XIII suite was originally composed by Masashi Hamauzu.[9] The arrangers from the first concert reprised their roles for the second: Valtonen created the arrangements for the Final Fantasy V section, Wanamo worked on the VIII and IX portions, and Hamauzu, with assistance from Valtonen, arranged Hamauzu's own compositions from XIII with orchestration by Valtonen.[3] Like they did for the previous concert, when Merregnon Studios first began the project, Böcker, Valtonen, and Wanamo took a few months to play through the games, watch playthrough videos, and read reviews and analyses of the games, in order to understand the structure and progression of the main themes of the music in each game.[10] An introductory fanfare, "In a Roundabout Way", was composed by Valtonen for the concert. Unlike Final Symphony, which featured three styles of orchestral performances—a piano concerto, a symphonic poem, and a three-movement symphony—all four arrangements are single-section arrangements, with the IX portion as a piano concerto.[11]

Composer and arranger Masashi Hamauzu in 2012

The concert is arranged in reverse chronological order, with the newest game, Final Fantasy XIII, first, and the oldest, Final Fantasy V, last. Hamauzu, feeling that "there were no orchestral versions of Final Fantasy XIII tracks that [he] was really satisfied with", wanted to create a "ground-breaking" arrangement of the main themes of the game. He decided to create a dramatic arc with the songs, starting with "Prelude to Final Fantasy XIII", "Vanille's Theme", and "Nautilus" as setting the story's stage with pieces centered on the character of Vanille, followed by the battle themes of "Fang's Theme", "Blinded by Light", and "Serah's Theme" to shift into a dramatic conclusion. The arrangements of "Blinded by Light" and "Serah's Theme" are both based on previous, unfinished arrangements by Hamauzu. Valtonen claims that the bulk of the arrangement, named "Utopia in the Sky", was done by Hamauzu: "Hamauzu's jazzy and impressionistic style already gave the music its gentle softness to which I added my own small imprint."[12] The Final Fantasy IX section, "For the People of Gaia" is in the form of a piano concerto, with an orchestral introduction.[13] The concerto, like the other sections of the concert, is a single movement, though it contains elements of a traditional four movement concerto. The concerto is based on the characters' motifs from the game, beginning with music related to Vivi's theme, which inspired the idea for Wanamo. It continues through music related to Zidane, then Garnet, before ending with the battle against Kuja, interspersed with themes from the protagonist characters.[12] Wanamo was concerned about doing another piano concerto, as Merregnon had done one based on the Final Fantasy series for Symphonic Odysseys and Final Symphony, but felt that the soundtrack of Final Fantasy IX was diverse enough to support another.[13]

The third section, from Final Fantasy VIII, was also arranged by Wanamo, and is named "Mono no aware" after the Japanese term for the "awareness of impermanence".[11] The name is intended to capture a theme from the game of the conflict between childhood and adulthood, as well as the destruction of the present in favor of an uncertain future. The arrangement roughly follows the games storyline, fading away in the end like the game with uncertainty as to the conclusion of the characters' themes; Wanamo has said that the arrangement was difficult to create due to the similar emotional themes in many of the songs.[12][13] Wanamo tried to "explore pieces that shared fragments and worked well together", interleaving pieces and motifs throughout the arrangement.[11] The final arrangement of the concert, that of Final Fantasy V, is named "Library of Ancients". Valtonen based the arrangement on "Musica Machina", played in the game in the ancient base underneath the library used by the heroes. As in the game the wind has disappeared, the arrangement thereafter uses the song as a base to represent the source of the wind flowing from there through to other locations and battles from the game.[12] The concerts feature two encore pieces; "Clash on the Big Bridge" from Final Fantasy V, which is interrupted and interspersed with the series' "Chocobo Theme" in humorous counterpoint, and "Main Theme of Final Fantasy", originally from the first Final Fantasy game. The Tampere, Finland performance featured a third encore piece in the middle of the performance, a piano arrangement of "You’re Not Alone" by Wanamo.[13]

The first concert announced, in March 2015, was a September 12, 2015 performance by the London Symphony Orchestra at the Barbican Centre in London, England, with the piano concerto performed by Slava Sidorenko.[9][11] A month later, however, Merregnon Studios announced that the premier performance would be an August 29 performance at the Beethovenhalle in Bonn, Germany by the Beethoven Orchestra Bonn. The concert featured a performance by pianist Mischa Cheung, who had previously been featured in a Final Symphony concert in Tampere, Finland.[14] After the debut performances, the London Symphony Orchestra traveled to Japan to perform the concert there three times: in Osaka on September 27, and twice in Yokohama on October 4.[15] The performances were the first time that a non-Japanese orchestra played a video game music concert in Japan.[16] The London performance sold out, while the Japanese mini-tour played to packed halls with around 7,000 attendees.[16][17] 2016 performances of the concert included a concert on April 1 at the Tampere Hall in Tampere by the Tampere Philharmonic Orchestra, and a June 9 concert by the Royal Stockholm Philharmonic Orchestra at the Stockholm Concert Hall in Stockholm, Sweden.[18] A recording of the Final Fantasy VIII section of the Stockholm performance was made available online.[19] Böcker indicated at the Tampere performance that the reason behind the extra encore piano performance of "You're Not Alone" featured in the concert, like the prior extra encore piece in the Tampere performance of the original Final Symphony, was due to it being the home country of Valtonen and Wanamo and that Merregnon would likely continue the trend in the future.[13] Selections from the concert, along with ones from Symphonic Fantasies and Final Symphony, were performed at Symphonic Memories concerts on June 9, 2018 in Stockholm,[20] March 14, 2019 in Oulu, Finland, June 6, 2019 in St. Gallen, Switzerland, and December 14, 2019 in Kawasaki, Japan.[21]