Fondukistan monastery
The Fondukistan monastery was a Buddhist monastery located at the very top of a conical hill[1] next to the Ghorband Valley, Parwan Province, about 117 kilometers northeast of Kabul. The monastery dates to the early 8th century CE, with a terminus post quem in 689 CE obtained through numismatic evidence, so that the Buddhist art of the site has been estimated to around 700 CE.[2][3] This is the only secure date for this artistic period in the Hindu Kush, and it serves as an important chronological reference point.[3]
Seated Bodhisattva, Fondukistan monastery, circa 700 CE. Kabul Museum | |
Shown within Afghanistan Fondukistan monastery (Hindu-Kush) Fondukistan monastery (South Asia) Fondukistan monastery (West and Central Asia) | |
Coordinates | 34.957193°N 68.881672°E |
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Type | Monastery |
According to Benjamin Rowland “These little shrines, densely packed with sculptured figures set off by gaily painted backgrounds, must have given the effect of a kind of religious peep-show, in which, as on a stage, the visitor obtained a glimpse of celestial realms”.[4][5]
The works of art of the Fondukistan Monastery corresponds to a relatively high level of artistic activity in the areas controlled by the Buddhist Turk Shahis during 7-8th centuries CE, as a result of the continued development of Buddhist art, with possible Hephthalite influence, combined with the Sasanian cultural heritage.[6][5] The art of Fondukistan also corresponds to the last stages of Greco-Buddhist art in the 7-8th century CE.
During this period, the Chinese Tang Empire extended its influence and promotion of Buddhism to the Kingdoms of Central Asia, including Afghanistan, with a corresponding influx of Chinese monks, while there was conversely a migration of Indian monks from India to Central Asia, precisely looking for this protection.[7] These events gave rise to the hybrid Indian-Sinicized styles of Fondukistan and Tapa Sardar.[7] Similarities have also been noted with contemporary works of art in China, such as those of Tianlongshan.[8]
The monastery was excavated in 1936 by Joseph Hackin of the Délégation archéologique française en Afghanistan, and in 1937 by Jean Carl, from the same organization.[5] Most of the works of art that were recovered are now in the Musée Guimet, Paris.
Buddhist figures
- Statue of a Bodhisattva, Fondukistan. Circa 700 CE
- Statue of the Buddha wearing the Iranian three-pointed camail, Ghorband valley, Fondukistan monastery, circa 700 CE.[9]
- Naga kings, Ghorband valley, Fondukistan monastery, circa 700 CE
- Female bust, Fondukistan. Musée des arts asiatiques Guimet.
- Fondukistan monastery mural painting, circa 700 CE
- Seated Buddha, circa 700 CE
Central Asian figures
Various figures from the monastery show Central Asian influence, with dignitaries wearing double-lapel caftan, boots, armour and crown with lunar crescents.[11]
Dedications including coins of the Buddhist Turk Shahis (7-8th century CE) have been found under a statue of a royal couple in the monastery of Fondukistan, providing important insights in terms of datation.[12][13] The royal couple consists in a princess in “Indian” dress, and a prince "wearing a rich caftan with double lapel and boots" characteristic of Central Asian clothing.[14][15]
Wikimedia Commons has media related to Fondukistan. |
References
- "Images of the Fondukistan monastery". Colorado State University.
- Verardi, Giovanni; Paparatti, Elio (2005). "From Early to Late Tapa Sardār: A Tentative Chronology". East and West. 55 (1/4): 432. ISSN 0012-8376. JSTOR 29757657.
- Novotny, Susanne (1 January 2007). "The Buddhist Monastery of Fondukistān, Afghanistan – A Reconstruction". Journal of Inner Asian Art and Archaeology. 2: 31–37. doi:10.1484/J.JIAAA.2.302542. ISSN 1783-9025.
- Rowland and Rice, Ancient Art of Afghanistan, p. 45
- "FONDOQESTĀN – Encyclopaedia Iranica". iranicaonline.org.
- Compareti, Matteo (2008). "The Painting of the "Hunter-King" at Kakrak: Royal Figure or Divine Being?". Studio Editoriale Gordini: 133.
- Verardi, Giovanni; Paparatti, Elio (2005). "From Early to Late Tapa Sardār: A Tentative Chronology". East and West. 55 (1/4): 437–438. ISSN 0012-8376. JSTOR 29757657.
- "Stylistic similarities between the images of Fonduqistan and late Tapa Sardar and the early 8th-century Tang production of Tianlongshan have been noted, and the existence of a 'common international style' inclusive of Tang China and the regions to the west and south of the Pamir has been suggested" in Verardi, Giovanni; Paparatti, Elio (2005). "From Early to Late Tapa Sardār: A Tentative Chronology". East and West. 55 (1/4): 433. ISSN 0012-8376. JSTOR 29757657.
- Compareti, Matteo (2009). "Iranian Elements in Kaśmīr and Tibet Sasanian and Sogdian Borrowings in Kashmiri and Tibetan Art". Transoxiana. 14.
- Hackin, J. (1938). "Les travaux de la Délégation archéologique française en Afghanistan: COMPTE-RENDU SOMMAIRE (SEPTEMBRE 1936-AOÛT 1937)". Revue des arts asiatiques. 12 (1): 10–11. ISSN 0995-7510. JSTOR 43475079.
- Hackin, J. (1938). "Les travaux de la Délégation archéologique française en Afghanistan: COMPTE-RENDU SOMMAIRE (SEPTEMBRE 1936-AOÛT 1937)". Revue des arts asiatiques. 12 (1): 10–11. ISSN 0995-7510. JSTOR 43475079.
- ALRAM, MICHAEL (2014). "From the Sasanians to the Huns New Numismatic Evidence from the Hindu Kush" (PDF). The Numismatic Chronicle (1966-). 174: 282–285. ISSN 0078-2696. JSTOR 44710198.
- For the photograph of the famous statue, named the "Royal Couple of Fondukistan", see: "FONDOQESTĀN – Encyclopaedia Iranica". iranicaonline.org.
- "Fondukistan Digitaler Ausstellungskatalog". pro.geo.univie.ac.at. Kunsthistorisches Museum Vienna.
- Hackin, J. (1938). "Les travaux de la Délégation archéologique française en Afghanistan: COMPTE-RENDU SOMMAIRE (SEPTEMBRE 1936-AOÛT 1937)". Revue des arts asiatiques. 12 (1): 10–11. ISSN 0995-7510. JSTOR 43475079.
- Hackin, J. (1938). "Les travaux de la Délégation archéologique française en Afghanistan: COMPTE-RENDU SOMMAIRE (SEPTEMBRE 1936-AOÛT 1937)". Revue des arts asiatiques. 12 (1): 10–11. ISSN 0995-7510. JSTOR 43475079.
- Alram, Michael; Filigenzi, Anna; Kinberger, Michaela; Nell, Daniel; Pfisterer, Matthias; Vondrovec, Klaus. "The Countenance of the other (The Coins of the Huns and Western Turks in Central Asia and India) 2012-2013 exhibit: 12. ZABULISTAN: FROM THE ALKHAN-NEZAK CROSSOVER TO THE TURKS". Pro.geo.univie.ac.at. Kunsthistorisches Museum Vienna. Retrieved July 16, 2017.
- A recent detailed view: "Les trésors sataniques - Satanic treasures PATRICK CHAPUIS PHOTOGRAPHE". patrickchapuis.photoshelter.com.
Sources
- J. Hackin, “Le monastère bouddhique de Fondukistan (fouilles de J. Carl, 1937),” MDAFA 8, 1959, pp. 49-58.
- J. Hackin, “The Buddhist Monastery of Fondukistan,” Afghanistan (Kabul) 5/2, 1950, pp. 19-35.